Brock

73 posts

Brock

Brock

@SnowMan2203

Katılım Mayıs 2024
69 Takip Edilen30 Takipçiler
Brock
Brock@SnowMan2203·
@MrGametv1994 I think they also tried to do that to Foster’s Home For Imaginary Friends, where Cartoon Network was gonna do a preschool series, I was like how is this gonna work, Foster’s Home is a comedy show and they’re comedy characters, they can’t work to educate preschoolers
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Brock
Brock@SnowMan2203·
@nuevo_1301 @clampettaliban And also a lot of the SpongeBob guys worked on Ren and Stimpy and also Rocko’s Modern Life
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☁️Madeon Arch☁️
☁️Madeon Arch☁️@clampettaliban·
Hillenburg era fan de Ren y Stimpy y se nota en cosas como las pinturas hiperrealistas
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Brock
Brock@SnowMan2203·
@DownInkwell And Tex also loved the book, Chuck Jones gave it to him as a gift, and when he read, he thought it was funniest book he had ever read, and probably became Tex’s favorite book
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Brock
Brock@SnowMan2203·
@HoopsCrave I didn’t even know they were dating
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Hoops Crave
Hoops Crave@HoopsCrave·
Sabrina Carpenter has ended her relationship with Bad Bunny.
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Hoops Crave
Hoops Crave@HoopsCrave·
Patrick will reportedly make his last and final appearance in the next episode of ‘SpongeBob SquarePants.’
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Brock
Brock@SnowMan2203·
@spi3lzeug This is actually a fun fact that I never knew, that CG animation at least in the beginning, also used exposure sheets like in hand drawn animation. I wonder if they continued it or if they eventually stopped it, I imagine definitely now they no longer use exposure sheets
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Brock
Brock@SnowMan2203·
@aakashgupta And Muppet Babies also in a way helped inspire Tiny Toons
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Aakash Gupta
Aakash Gupta@aakashgupta·
The origin of this show is wild. In 1983, Jim Henson's art department sketched toddler versions of the Muppets for fun. When Henson saw Baby Piggy, he immediately turned it into a merchandise line. Infant clothing, nursery decor, and diapers hit shelves before a single frame of animation existed. Then he convinced Frank Oz to add a baby Muppets dream sequence into The Muppets Take Manhattan, which released July 1984. Muppet Babies the cartoon premiered two months later. Not two years. Two months. The timeline tells you everything about how fast Henson moved when he smelled a commercial opportunity. CBS hadn't even finished negotiating the deal when Henson was already in pre-production with Marvel. The show became the #1 Saturday morning cartoon on CBS. Four consecutive Daytime Emmys. More than four million viewers per week by 1986. It ran seven seasons. Then every studio in Hollywood copied the playbook. A Pup Named Scooby-Doo. Flintstone Kids. Tom and Jerry Kids. Yo Yogi. Take an established IP that adults already have affection for, age the characters down, and you capture the next generation of consumers while reactivating the parents. Two audiences for the cost of one animation budget. Warner Bros. took it even further with Baby Looney Tunes. They ran the Henson playbook in reverse. The "Looney Tunes Lovables" merch line launched in the late 90s, years before the show existed. Plush toys, baby clothes, nursery items. When the products sold, Warner greenlit the series. The show was the commercial for a product line that was already profitable. They even cut costs by recording the entire voice cast in Vancouver instead of LA. June Foray, who had voiced Granny since the 1950s, was the only original actor they kept. She recorded her lines remotely from Los Angeles while the rest of the cast worked from a Canadian studio for a fraction of the price. Henson's original insight was that baby versions of beloved characters bypass the single hardest problem in children's entertainment: trust. Parents already loved these characters. They didn't need convincing. The purchase decision was already made before the child ever saw the show. That one sketch of Baby Piggy in 1983 created a template that generated billions in licensing revenue across dozens of franchises over four decades. And Baby Looney Tunes sitting at Granny's table is the purest expression of it: a show that existed because the lunch boxes were already selling.
𝒩 𝑒 𝒙@Nexiraluv

Our new generation doesn’t know the value of this show

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Gilition
Gilition@Gilition·
KaiserBeamz's wonderful mini series, "The Merrie History of Looney Tunes" does a great job explaining why Chuck Jones is considered one of animation's greatest legends. youtube.com/watch?v=KKV13q…
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Gilition
Gilition@Gilition·
I'll never understand where the idea that "Chuck Jones is overrated" came from. Like, if you actually watch his stuff, you'll find that most of his cartoons are some of the funniest films ever produced.
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NovaDestry
NovaDestry@NovaDestry·
@centristpeater shes promoting the people that are causing the problem, let them have the consequences. assuming they dont just move to another city and ruin that one too
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B e a r m a x x e r
B e a r m a x x e r@centristpeater·
🚨 Selena Gomez says LA is now “dirtier than Mexico” as she joins growing ranks of celebrities unhappy with city leadership.
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Sean Horace
Sean Horace@SeanHorace·
@BoardwalkTimes Hope one of the existing IPs include The Muppets. I’d like to see more of them.
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Boardwalk Times
Boardwalk Times@BoardwalkTimes·
Disney CEO Josh D'Amaro will invest in existing IP and new IP.
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Brock
Brock@SnowMan2203·
@PKalt01 TMobile bought it and absorbed it
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Brock
Brock@SnowMan2203·
@Kneon I was a fan of it! In my opinion, one of the best shows of the 2010s
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Brock
Brock@SnowMan2203·
@desert_starr_57 It’s like you wouldn’t even be wearing a shoe, you would basically be barefoot 😂😂😭
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Brock
Brock@SnowMan2203·
@DiscussingFilm No!! Stop, I’m gonna stop you right there Andrew
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Brock
Brock@SnowMan2203·
@minorinbuendia @inspectorholmez I wonder which movie did Friz not let John work on? Was it The Looney Looney Looney Bugs Bunny Movie, Bugs Bunny’s 3rd Movie: 1001 Rabbit Tales or Daffy Duck’s Fantastic Island?
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☁️Madeon Arch☁️
☁️Madeon Arch☁️@clampettaliban·
@inspectorholmez John estaba ardido con Freeleng porque no lo dejo participar en la pelicula de los Looney Tunes que dirigio en parte por sus diseños tipo Clampett
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☁️Madeon Arch☁️
☁️Madeon Arch☁️@clampettaliban·
John Krifaclusi era bastante critico con el estilo de Freeleng incluso recomendando no estudiarlo por considerarlo " poco natural" o el estilo de "un viejo amargado" y no solian poner cortos de el en Spumco Incluso le dedico estas cariñosas notas alla en 1987
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Brock
Brock@SnowMan2203·
@LosCacos95 @Gilition Yeah especially Art Babbitt, Walt never forgave him. He I think forgave some of the people who were involved in the strike like Bill Tytla
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Miguel Marquez
Miguel Marquez@LosCacos95·
@Gilition Chuck Jones and Disney had this sort of mutual, if reluctant, respect. But it was one of Walt's flaws, he was unforgiving to people he thought screwed him over.
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Gilition
Gilition@Gilition·
Back in the Golden Age, Walt Disney and his animator's would sometimes rent 16mm prints of Warner cartoons. While Walt respected Chuck Jones, he still carried his grudge against Friz Freleng and would shout "I.P FRELENG" if he saw Friz's name listed as director.
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BirdStockHolm
BirdStockHolm@mockinglyi34034·
@Gilition And then Freleng pulled the same stunt Walt did to him through Manny Perez, and to a lesser extent Virgil Ross and Ken Champin
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Brock
Brock@SnowMan2203·
@Gilition There’s also some stories that Bob Clampett said that Walt liked him and his cartoons too. And Bob said too that Walt’s nephews were huge fans of Beany and Cecil and Time For Beany. Bob also said that Walt invited him to his home and showed him the plans for Disneyland
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The Tidal Zone
The Tidal Zone@the_tidalzone·
Robertryan Cory’s work on SpongeBob are some of the most impressive work for the show I’ve ever seen. So much unnecessary, grotesque and anatomically correct detail put into such simple character designs, it’s really oddly charming.
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