Steven Moyer

@restlesspix @adamschoales 2/2 Went opposite direction but never got around to testing this exact scenario Start in Resolve, ensure Reel / Tape names were set. Two sets of proxies: ProRes (FCP) + Op-Atom (Avid). Ingest & sync in Avid. Cut in Avid. Picture AAF to Resolve. FCPXML to FCP. Worked for picture

@restlesspix @adamschoales 1/2 Yeah I see this question come up from time to time. IMO it’s best to set the expectation with the client that it’s not doable You can attempt to create a path but there will be losses along the way because none of the apps invest resources in migrations that lose business

Hey fellow #FCPX editors (hope you’re still here!) I have a client who needs to move a FCPX timeline into Media Composer. Is that something that’s easily doable? Or, because it’s AVID, going to be a giant headache? Any suggestions?

@baezfelipe @restlesspix @StevenMoyer@postchat.io now actually :)

@baezfelipe @restlesspix I’m in! (@steven@postchat.io)

Yes @RedSharkNews • Satellite TC • Gyroscopic information • Menus that don’t make me groan Or maybe • Integrating metadata from the slate • Rethinking how script supes interact with media or author notes How about an ecosystem redsharknews.com/can-cameras-of…

Sad we can’t have @briefnewsapp’s clear and concise breakdown of the Jan 6 hearings.

I think the language of this patent and RED’s behavior surrounding it is bad for the industry, bad for the democratization of film, and anti-competitive. “REDs patent entitled ‘VIDEO CAMERA,’ is set to expire on 11/04/2028.” Can’t wait. newsshooter.com/2022/05/27/red…

@stooovie Backup first. But until there is a fix you can export an XML of the sequence and reimport it. The new copy of the sequence you get will come with new multicam clips relevant to that sequence. You can trash the old ones and proceed with the new ones and the new sequence.

While I consider this a work account I think it still matters to publicly condemn overturning Roe v Wade. It may only be a draft at this time, but among so many other reasons the United States should not be in the business of sentencing a person to parenthood.

Group, edit and move around sequences of shots in #fcp with Connected Storylines. FCP FTW 🙌

@goincase Any updates you’d be able to share?

@StevenMoyer We are working hard to make this available as soon as possible. At this time we do not have a firm release date for this product. However, I hope it will be available by the end of Q1 of 2022

@goincase Any plans to make a sleeve that actually fits the 14” M1 MacBook Pro? Bought the recommended “Classic Universal Sleeve for 13-inch & 14-inch” and it was pretty loose.

Dupe Detection in #FCPX!! 🤯 Yes, really. My longest standing #fcp request knocked off the list with 10.6.2 FCP FTW! 🙌

@Alex4D Eh I’d rather not encourage any more outsourcing of critical features to third parties, personally. Interesting nonetheless

Imagine if Final Cut had the app hooks so Audio Hijack could act as a Roles mixer.

@produceNewMedia @RippleTraining @stalman Yeah this is still spot on. It was mono files in my case. Outputs were playing -6db lower than what was represented in the timeline. I had to complete this in Resolve instead to get the result I needed for the deliverable.

@StevenMoyer @RippleTraining @stalman I also posted the following 8 years ago on The Cow:

This has been a curse for me in #FCP forever, someone must have an answer! If I increase the volume inside a compound clip, why are the levels of that same clip lower in the timeline?

@produceNewMedia @RippleTraining @stalman I just ran into an issue sprouting from Pan Law in FCP this past week. I do wish the option was available as it is in Logic. Or maybe if I could create a sequence that was mono.

@RippleTraining @stalman Pan Law implementation in FCPX has always been convoluted. Options for customization has always been available in Logic - just like Pro Tools, Audition, etc.

@baezfelipe Wish it was easier to set up and operate

The best VPN service is the one you control the data end to end. If you control only one of the ends (client mostly), then you have (almost) the same scenario as just connecting through your typical ISP, you’re just changing which company can sniff your packets.

Dupe Detection is coming to Final Cut Pro and this is how it works - is.gd/2Q9KNa

#TurningRed was great. Happy to see something that isn’t using the exact same Disney/Pixar design and animation languages on a production of this scale for once. Looking at you Tangled, Frozen, and Encanto 👀 Congrats to Domee & crew!

@Apple Imagine Final Cut Studio but for #M1