Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal
13.1K posts

Thibaud Gomès-Léal
@T_Smithee
Chef de rubrique streaming • cinéma • séries @lesnums | ex-@OCSTV @Allocine etc | Membre de @France_ACS | Papa de @RevueRaymond & @Annee__Lumiere 🎙✨
Katılım Ağustos 2014
818 Takip Edilen1K Takipçiler
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi

Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him.
In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world.
Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters.
Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out.
Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.
Best Movie Moments 🍿@BestMovieMom
Someone explain how this looks better than the new Spiderman trailer. This movie is 12 years old.
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Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi

@maxp26 On est vraiment censés attendre comme ça jusqu’à décembre là ? 😰
Français
Thibaud Gomès-Léal retweetledi

Are you ready? #DuneMovie
Be the first to see the teaser, live on TikTok. Tomorrow at 9:00am PT / 12:00pm ET




English
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi

The thing is, you can only capture shots like this if you intentionally light your set in such a way that some things are lit and other things are in shadow, and possibly involve color.
A lost art.
tea 🌈@horrifichymns
obsessed with this shot of scully that looks like its from an anime
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Thibaud Gomès-Léal retweetledi

THANK YOU for loving #Hoppers this weekend! 💞 To celebrate, here's a 2D animation test we did back in 2020 for inspiration (by Lorenzo Fresta) 🦫🦫
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Thibaud Gomès-Léal retweetledi

Howard Hawks on the reason why he made "Rio Bravo" (1959)
"'Rio Bravo' (1959) was made because I didn’t like a picture called 'High Noon' (1952). I saw 'High Noon' at about the same time I saw another western picture, and we were talking about western pictures, and they asked me if I liked it, and I said, “Not particularly.” I didn’t think a good sheriff was going to go running around town like a chicken with his head off asking for help, and finally his Quaker wife had to save him. That isn’t my idea of a good west ern sheriff.
I said that a good sheriff would turn around and say, “How good are you? Are you good enough to take the best man they’ve got?” The fellow would probably say no, and he’d say, “Well, then I’d just have to take care of you.” And that scene was in 'Rio Bravo'. Then I said I saw another picture where the sheriff caught a prisoner, and the prisoner taunted him and made him perspire and worry and everything by saying, “Wait till my friends catch up with you.” And I said, “That’s a lot of non sense, the sheriff would say, ‘You better hope your friends don’t catch up with you, ’cause you’ll be the first man to die.’”
While we were doing all this, they said, “Why don’t you make a picture the other way?” And I said, “OK,” and we made 'Rio Bravo' the exact opposite from High Noon and this other picture, I think it was called '3:10 to Yuma' (1957)."
("Hawks on Hawks", Joseph McBride, 1982)
P.S: On this day, 67 years ago, "Rio Bravo" (1959) premiered in Fairbanks, Alaska, USA.
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📺 Quel avenir pour la (potentielle) fusion entre @paramountplus et @HBOMaxFR ?
Je suis repassé chez @bfmtech_ pour démêler tout ça avec les collègues Clement Lesaffre et Charles Martin👇
BFM Tech@bfmtech_
▶️ Épisode Suivant Avec @ClementLesaffre, @T_Smithee et Charles Martin (@PremiereFR) se penchent sur la potentielle fusion entre Paramount+ et HBO Max 📺 À retrouver: Sur @bfmtech_: l.bfmtv.com/Em49 Sur Youtube: l.bfmtv.com/0cLe En podcast: l.bfmtv.com/Sgup
Français
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi
Thibaud Gomès-Léal retweetledi
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