Gregg Toland: Life Behind the Camera

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Gregg Toland: Life Behind the Camera

Gregg Toland: Life Behind the Camera

@TolandBook

A forthcoming biography on one of cinematography's enduring greats and those he has inspired.

Katılım Ağustos 2021
66 Takip Edilen502 Takipçiler
Roger Avary
Roger Avary@AVARY·
What are your Saturday night movie recommendations? I’m considering The Wizard of the Kremlin with Paul Dano, or maybe The Punisher with John Bernthal. What are you queuing up?
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Larry Karaszewski
Larry Karaszewski@Karaszewski·
Flipping through the letter S in my dwindling laser disc collection
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Stephen Gibbons
Stephen Gibbons@Gibboanxious·
Citizen Kane is NOT better than Pulp Fiction
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Vashi Nedomansky, ACE
Vashi Nedomansky, ACE@vashikoo·
Looking for more gritty films like these from the 1970s. What do you got?
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GR44
GR44@GRCinemaTicket·
What rating would you give Alien (1979) out of 5 ??
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Culture Crave 🍿
Culture Crave 🍿@CultureCrave·
Steven Spielberg got rejected from the James Bond franchise so many times in his life that if they asked him to make one now, he'd say 'you can't afford me' "I approached [the Bond producers] after 'Jaws' was a big hit. I’d always wanted to make a James Bond film from the day I saw 'Dr. No,' so I called after 'Jaws' and volunteered" "I said, ‘If you need a director, I would love to direct one.’ And they said no ... they consistently turned me down [and] never explained why they weren't letting me into the Bond family" (via The Rest is Entertainment)
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Roger Avary
Roger Avary@AVARY·
I miss Tony. He was so exciting to work with -- always inventive and thrilled to be making a movie. The energy around him was electric. He was generous and collaborative. There's no other filmmaker like him.
Vashi Nedomansky, ACE@vashikoo

MAN ON FIRE (2004) Tony Scott utilized an old hand-cranked film camera built in 1910 to make movie magic. No CGI needed. DP Paul Cameron built a "merry-go-round" rig that spun Denzel Washington and the camera 360 degrees to create a hyper-kinetic visual effect.

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Tom Cruise
Tom Cruise@TomCruise·
Nothing better than a summer Spielberg movie night in a packed theater with friends! Steven thank you for all of the hours of joy that you have given us in the cinema!! It has been a great honor and pleasure to have worked with you and to call you my friend. Congratulations to my dear friend Emily and the entire group of artists that created this movie. You were superb. We all loved Disclosure Day!!
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Jean-Pierre Dorléac
Jean-Pierre Dorléac@spclsmthin·
In designing, this is called “classic” style meaning that it can pass for more that one year of being in fashion, because it’s such a staple ensemble. That is true costume designing, not putting an actress in some knockout attire to catch an eye.
🎶𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀 ✨@Old_But_Gold50s

Marilyn Monroe at a gift shop. Niagara, 1953. I love this style of fashion. Those items are still wearable today.

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Roger Avary
Roger Avary@AVARY·
We can thank MTV Cribs for the ultimate acceptance of Scarface. When touring a crib it became de rigueur to pull out one’s copy of Scarface and hold it up to the camera as proof. Every crib had one.
Gangster Cinema Central@GangsterCinema

Scarface is widely regarded as a classic today, but when it first came out, the reception was brutal. Steven Bauer, who played Manny, says it was so painful that for years he and Al Pacino barely even spoke about the film. He explains… “Scarface is great to be a part of now. For years, it was dismal - like everybody associated with Scarface was a leper - people got very wimpy about Scarface really quickly. As soon as the reviews were out… Our peers came to see the movie in the premiere, right? There were two premieres, one in New York, one in LA, and people came to see it and they were like, ‘Wow, what a movie…. The next day, the reviews are out, and all the papers — this is before the internet, okay? - so you get just the conventional news media outlets - and 90% of them gave Scarface a horrible review. Like horrible, really, really insulting, injurious stuff. Personal attacks on Pacino and Brian De Palma, the director, and on Oliver, the writer... It was really, really mean because the country was going through a politically correct sort of thing - they were like, "This is like a new wave of violence in the movies, oh!" It’s nice because when I see Al - we can finally talk about it, because...for years, we couldn’t even talk about it. We’d be like, “Oh yeah, Scarface, yeah, yeah...” It was so sad! Because the movie was so great! And then it was like this thud, and it lasted like 10 years… Anywhere I’d go, it was like, ‘You’re that guy who was really good in that really terrible movie.’ And I’d be like, ‘How could you say that?’ And they’d go, ‘Well, you were good.’ And I’m like, ‘Okay, but I don’t care. What about the movie?’ And they go, ‘Oh, come on, you gotta admit it. It was like way over the top. It was like so exaggerating,’ blah, blah, blah, blah.…and I’d be like, ‘You’re a pussy!”

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Criterion Collection
Criterion Collection@Criterion·
Evening viewing recommendation? On the Criterion Channel, watch David Lynch's WILD AT HEART (1990)! ❤️‍🔥 bit.ly/4a4sWAM Lynch throws pulp melodrama, THE WIZARD OF OZ, surreal-kinky violence, and Elvis into a cauldron and brews this nightmarish soap opera in which outlaw lovers Sailor and Lula go on the run through a menacing South populated by a host of sinister weirdos. Adapted from the noir novel by Barry Gifford, WILD AT HEART is Lynch at both his far-out freakiest and most deliriously romantic.
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Gregg Toland: Life Behind the Camera
"At least most critics agree that one of the chief inspirations for the look of noir is Orson Welles’ Citizen Kane (1941), with its use of dark shadows, odd camera angles and point-of-view shots."
Noir Alley@NoirAlley

Join Eddie Muller for his favorite trips to the dark side as his two-month long film noir festival Summer of Darkness returns to TCM beginning this Friday. The lineup includes favorite film noir classics such as DOUBLE INDEMNITY ('44). Learn more: bit.ly/3PVliC4

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Vincent
Vincent@fillerinsideme·
@Uchimamalul No one blocks at all anymore. The cast of Marty Supreme were bragging how their director scoffed at the concept of rehearsing blocking
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Uchimama
Uchimama@Uchimamalul·
Hollywood films would get a lot better if they relearn how to block long takes like Jacques Tourneur
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johnnyB
johnnyB@agraphafx·
I think the one thing that hurt crystal skull the most was digital intermediate.
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RA0UL
RA0UL@x_raoul_x·
@JosephKahn Sandwiches should be inexpensive. People don’t want to pay a premium for nostalgia.
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Joseph Kahn
Joseph Kahn@JosephKahn·
It's nuts how many delis shut down in LA. Jerry's gone. Greenblatts gone. Label's Table. Izzy's. Juniors. Jews, where are you going? Come back.
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