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How it started vs How it’s going
From this:
When I started my film photography journey, it was from the view of someone who loved the technicals over the emotion. My background in science and anatomy of the human eye guided my hobby into a passion, but I was more concerned about the process of taking photo’s and developing film.
I would research for hours about pushing and pulling film, manipulating lighting situations and taking photos in full manual mode in order to perfect the authentic experience. I heard that many professional photographers back in the day wouldn’t crop their images so I was convinced that composition and alignment had to be perfect with every shot.
Here’s the thing. It taught me a lot about photography and developing. I became very good at assessing the lighting and metering off-the-cuff relative the film I had loaded. I would take photos at various ISO readings with the same black and white film and be able to develop it with modified developing times to suit what I wanted to achieve.
But, as a consequence, the details became too much of an obsession for me. It led me to taking too long setting up shots and I’d end up missing the decisive moments. This mindset also robbed me of seeing the emotion of a scene and the beauty and importance of imperfection.
My passion kept me shooting, so as I received more feedback of my work I realised that my flaw; trying to be flawless.
Over time, I have become more experimental but also more personal with my style of photography. I really feel my work represents me
To this:
I still look back on my early work with fondness and cherish them. I’m on a different curve right now and loving the ride!
I suppose it’s taught me, more than anything, to be open to different methods of expression. It doesn’t have to be drastically different from what you currently do, it just has to excite and/or challenge you in a different way.


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