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wintii
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wintii
@WintiiFresh
artist, gamer, nerdy craftsman • 28yo • Burqueño in Switzerland 🤙
Switzerland Katılım Şubat 2016
309 Takip Edilen49 Takipçiler

@Shrimpun09 Here’s the evolution of my farmer throughout the first year 😌 I only have a sketch of his winter look, so just have the first three for now!

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@Yami_sha @zelinkofficial IVE BEEN LOOKING FOR THIS PIC FOREVERRRR I couldn’t remember anything except Zelda characters + sitting at a table outside + based on painting. Randomly scrolling and this is on my feed 😭 it’s more beautiful than I remembered 🙏 gorgeous art 🫶
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Warm colors increase your heart rate. Cool, washed-out tones lower it. Every remake you’ve watched in the last decade has been deliberately color-graded to flatten that signal.
It started in 2000. The Coen Brothers shot O Brother, Where Art Thou? in Mississippi during summer, when everything was, in Joel Coen’s words, “greener than Ireland.” They wanted a dusty Depression-era look. Cinematographer Roger Deakins tried every trick in the book: chemical treatments, lens filters, old darkroom techniques. Nothing worked. So they did something no one had done before: digitally scanned the entire film and recolored it frame by frame. Deakins spent 11 weeks turning lush greens into burnt yellows. No feature film had ever been entirely digitally color graded before.
Every major studio adopted the technique within a few years. And then the problems started.
Modern film cameras don’t capture what your eyes actually see. They intentionally record flat, grey, washed-out footage to capture as much detail as possible. The plan is for the color team to add vibrant color back in later. But the people doing that work stare at grey footage for weeks. Their eyes adjust. One filmmaker admitted he’d bring saturation up to 120% and feel satisfied, then realized the image still looked desaturated to everyone else. He had to crank it to 200% before it looked normal.
That’s just eye fatigue. The color draining also happens on purpose.
Muting colors hides bad CGI. If a computer-generated background doesn’t quite match the actors, draining the color smooths over the mismatch. The Lord of the Rings extended editions look flatter than the theatrical cuts for exactly this reason: the added scenes had less polished effects, so they were washed out to cover it.
Then streaming made it permanent. Bright colors look messy when video gets compressed for phones and laptops. Dull colors look consistent whether you’re watching on a 75-inch TV or a 6-inch phone screen. So studios color their movies for the smallest screen in the room.
Your brain registers the difference even if you can’t name it. Your eyes are wired to perceive warm, rich colors as closer and more immediate. Washed-out tones create emotional distance. When a studio drains color from a scene, they’re dampening the emotional signal the image sends to your brain.
Old film stock didn’t have this problem. Kodak and Fuji films had rich, punchy color built into the physical chemistry of the film itself. Each brand had a distinct look you could recognize. Digital cameras capture flat, neutral data by default. Getting that warm, vivid “film look” from digital requires skilled work that costs time and money. Most productions don’t invest enough of either.
Modern cameras can capture a wider range of colors than film ever could. The technology has never been better. The choices have never been lazier.
it’s sabbie!!! ❤️🔥@ofantastic
i can’t explain it, but THIS is my problem with all these remakes.
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He was being smart! He took his hand off the wheel when he looked away, so he wouldn’t move it wrong accidentally. ….but his thumb was in the wrong spot 😔 poor Edward. Saw someone say that the car is likely a Rolls Royce based on its looks- Ed’s? Heiderich’s? Hohenheim’s??
멜롱@mellong03oct
이 장면 살짝 보여주고 말아서 눈치 못챘는데 전방주시 안해서 사고난 게 아니라 의수라서 감각이 없어 차가 넘어간거였음 디테일 ㅁㅊ
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The Afroman Trial.
-Cops raid Afromans house for bullshit reasons.
-Steal money, break his door, fuck his house up.
-No criminality found whatsoever, no charges at all pressed on Afroman.
-Afroman spends the next 3 years making songs that make fun of all the officers involved by name, even using footage of the raid from his own CCTV cameras.
-Songs had titles like "Randy Walters is a son of a bitch" and "Lick Em Low Lisa" accusing one of the officers of being a lesbian and sleeping with the other officers wives.
-During the raid one officer looked like he was about to eat some lemon pound cake sitting on Afromans counter, Afroman made a whole album calling the officer fat.
-The cops get mad and file a lawsuit for defamation.
-Afroman turns up to court in a whole American flag suit.
-Officers performatively mald and cry while listening to the songs really trying to oversell how badly the songs upset them.
-One officer was suing because Afroman made a whole song about him saying he was fucking the officers wife. When the officer was asked if Afroman was really fucking his wife, he said "I don't know". Nuking his own case and establishing that there is a non-zero chance that Afroman might actually be fucking his wife.
-As his only witness for the trial, Afroman brought a deputies EX FUCKING WIFE.
-The jury ruled completely in favour of Afroman.
This entire thing has been a great win for free speech and absolutely fucking hilarious.

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