Aleksi Tegel

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Aleksi Tegel

Aleksi Tegel

@aa_tegl

Sound designer, foley artist, sound artist & field recordist https://t.co/JKAuKscTOt https://t.co/rhUT51ABqu https://t.co/95IpklGKdl…

Helsinki, Finland Katılım Şubat 2014
1.4K Takip Edilen174 Takipçiler
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Nathaniel W.
Nathaniel W.@natemixing·
🎚️ FabFilter Pro-C 2 compression modes explained. • Clean – Ultra-transparent, feed-forward control. Use for: general leveling on any track where you don’t want to “hear” compression. • Classic – Vintage, feedback style that adds a bit of bite. Use for: 80-/90-era drum glue, electric bass or guitars that need extra edge and mid-range punch. • Opto – Slow, soft-knee, opto-like response. Use for: smooth vocal or pad breathing, gentle glue on guitar or string buses. • Vocal – Auto-ratio/knee algorithm tuned to bring voices forward. Use for: quick control of lead vocals, backing vocals, podcasts or voice-overs. • Mastering – Fast yet near-invisible, minimum harmonic distortion. Use for: final mix/master chains or stem mastering when absolute transparency is critical but fast transients still need catching. • Bus – Program-dependent compression that adds cohesive “glue.” Use for: drum, instrument or mix buses; parallel “NY” compression to thicken drums. • Punch – Firm attack with classic analog feel. Use for: snares, toms, percussion or funky bass lines that need smack while keeping transients intact. • Pumping – Heavy, exaggerated gain swings. Use for: EDM/house drums, big room kicks, or any creative side-chain effect where obvious pump is the goal. @natemixing
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TimNielsen
TimNielsen@TimNielsen·
I've released a new blog post on some of the myths and pitfalls of 32-Bit recording technology, some may find interesting. sonofex.com/shave-and-a-ha…
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Yanni Caldas
Yanni Caldas@amnesiasound·
Must. Resist.
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Mikkel Nielsen
Mikkel Nielsen@Sonicsalute·
Recording wind in trees/foliage. Placing the Rycote BBG’s between twigs and having the fur work as a mount is great. Here Im using DPA4061’s in the BBG’s. Same technique can be used for wind in vegetation, placing the Rycotes in grass, reed etc. New @sonicsalute sounds coming up
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Little White Lies
Little White Lies@LWLies·
Happy birthday to Thai master Apichatpong Weerasethakul – his mysterious pieces of slow cinema will put you in an undeniable, almost unfathomable trance lwlies.com/articles/sound…
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Audio Crackle
Audio Crackle@AudioCrackle·
I recently made a non-music playlist on Spotify featuring lots of great artists who work in that field. I included songs from my debut EP in there too. I had such a blast compiling this sound journey of a playlist. Here's the link... open.spotify.com/playlist/6u75y…
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Abdullah Soydan
Abdullah Soydan@SoydanAudio·
Today, I made four microphones using Primo EM272 and EM258, spending around CAD140/USD105. These are the same electret capsules used in LOM and SO microphones. #GameAudio #sounddesign #fieldrecording
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ShotgunMike Audio
ShotgunMike Audio@ShotgunmikeA·
Hello game audio community! I was lucky enough to win a fantastic prize at @GameAudioSympos last weekend, thanks to the generosity of @sonnissdotcom! I've been a sound designer for a long time, and I'd prefer to give this prize away to a audio student or new freelancer.
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Tim Prebble - HISSandaROAR
Tim Prebble - HISSandaROAR@timprebble·
There were lots of comments about a Vintage Sound FX Library recently being uploaded to Freesound, as it contained the original recording of the Wilhelm scream. I've been having a good sift through all of the sounds and I found one that is more iconic to me... 1/n
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Tim Prebble - HISSandaROAR
Tim Prebble - HISSandaROAR@timprebble·
Finished a hardware upgrade for my TANK RESONATOR/giant Waterphone - the bass frequencies from the long threaded rods is delicious! (nice crop of peas in the background too!) physical #sounddesign
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Internet Archive
Internet Archive@internetarchive·
Explore >1,000 classic sound effects rescued from crumbling magnetic tape in the Sunset Editorial Sound Effects Library from the USC Archive ⤵️ blog.archive.org/2023/05/20/cra… Included in the collection is the full recording session of the famous 'Wilhelm scream'... 1/2
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