ayamiya

<사랑을 담아 선물을 보냅니다> 개정판 2부가 오늘 리디에 출간되었습니다! “형, 난 형의 개로 살아도 좋을 것 같아요.” “전 이정원 씨가 사람인 게 좋습니다.” #모솔동정공x섹스만렙수 ❤️RT 추첨 3분께 도서 전권을 드립니다(~5/6) 리디▶️ ridibooks.com/books/28020025…

'여성'으로 욕망하며 삶을 추구하기 보다 '사람'으로, '살아있는 존재'로 욕망하며 삶을 살아가기를...

딴 얘기인데 놀랍게도 역사수업 개빡셈ㅠ 역사시간에 교과서에 있는 아주 얕은 내용만 가르쳐도 "우리 엄마가 박ㅈㅎ 정치 잘했다했는데요?" "우리 아빠가 이ㅅㅁ 존경한다 했는데요?" 이런 말하는 애들이 한 반에 몇 명씩 있음. 교사가 거기서 말 삐끗하면 민원파티 헬게이트 열리는거임

🟣これは非常に印象的な『シェルフクラウド』 （棚雲）を捉えた写真。写真左の 『壁のような雲』は発達した雷雨（積乱雲） の前線部分である。棚雲は雷雨から冷たい 空気が地表に流れ出て、それが前方の暖かい 空気を押し上げることで急激に凝結し、 『雲の壁』になる。さらにこの写真は 巨大な雲が『完全に垂直な壁』に見える 角度で撮影しているため非常にレアである。 📸Gustavo Ramirez #雑学 #フォローしてくれたら嬉しいです

This slice of the A303 near Stonehenge shows how we’ve been traveling the same path from Bronze Age tracks to modern tarmac.

In 2014, archeologists unearth 2200 year-old mosaics in an ancient Greek city named Zeugma in Gaziantep Province, Türkiye 🇹🇷 Zeugma founded in 300 BC by Seleucus I Nicator; one of generals of Alexander the Great, who named city after himself. City was sacked by Romans in 64 BC who changed name to Zeugma. City constantly between controlling nations and thus architecture is influenced by many cultures. The three new mosaics have been discovered, dated 2nd Century BC, but incredibly well-preserved and look as beautiful and stunning as the first day. These mosaics depict scenes from Greek and Greco-Roman mythologies. All mosaics are constructed of colored glass and served as floors of a building that archaeologists have dubbed House of Muses. First depicts Nine Muses – goddesses of the inspiration of literature, science and arts. Muse Calliope is in center of the mosaic. Second mosaic depicts Ocean – divine personification of sea and his sister Tethys. Third, smaller in size mosaic, depicts a young man. Much of the site had been buried under layers of soil and debris over centuries, which helped protect the colors and stonework remarkably well despite their age. Zeugma sat at a strategic crossing on the Euphrates River, making it a cultural crossroads between Greek, Roman, and Eastern influences, and its mosaics reflect that blend of artistic traditions. The urgency of the excavations came from the construction of a major dam project around the year 2000, which threatened to submerge large parts of the ancient city. Archaeologists managed to rescue and relocate many of the finest mosaics just before the rising waters flooded the area, a moment that left researchers both relieved and heartbroken as described by commenters recalling documentaries about the effort. Today, the recovered pieces are preserved in the Zeugma Mosaic Museum, where they stand as some of the best‑preserved examples of ancient mosaic art in the world. Zeugma was buried under 7–9 feet of earth over the centuries, not from a single disaster, but from slow, steady accumulation of soil, floods, and seismic activity in the region. This natural buildup is one of the reasons the mosaics remained so vividly preserved for over two millennia. 📷 : Mosaics depict nine Muses – gods and goddesses of inspiration of literature, science and arts. Constructed of colored glass, served as floors of building ‘House of Muses’. Zeugma House of Museums #archaeohistories

The Peacock Doors, were designed by Louis Comfort Tiffany in 1925.

한국도 원래 차좋아했어;;; 조선과 식민지 시절을 지나며 사치품이 되었을 뿐이지...

A highly ornate, green and gold Irish harp crafted by John Egan in Dublin around 1820-1840.

여성이 여전히 남성보다 2.8배‼️ 더 많은 시간을 가사와 돌봄 노동에 쓰고 있다는 국가데이터연구원의 조사 결과가 나왔습니다. 2024년 기준, 맞벌이 가정에서 여성의 무급 가사·돌봄 시간은 하루 시간의 약 12%, 남성은 4.0%를 사용했습니다. 아내가 외벌이인 가구에서도 아내(11.1%)가 남편(7.4%)보다 1.5배 긴 시간을 가사 노동에 사용하는 걸로 조사됐습니다. 가사와 가족 돌봄은 여전히 여성의 부담으로 집중돼 있다는 것입니다.

쿠팡, 퇴직금 미지급자에 "30만원 주겠다"며 처벌불원서 작성 요구 미국 정치권에는 수십억원의 로비자금을 쓴 회사가 퇴사자를 대하는 태도.

This robotic manta ray, using a lightweight design and helium for bouyancy, replicates the underwater movements of its aquatic counterpart in the air. 📽: Bakschik Martirosian

A Roman rock crystal die from the 1st–2nd century AD, engraved with numbers one to six just like modern dice.

배울수록 더 많이 안다고 느끼는 사람이 있고, 배울수록 자신이 얼마나 모르는지를 깨닫는 사람이 있다. 이 두 가지 태도는 단순한 성격 차이가 아니라, 지식을 대하는 근본적인 방식의 차이다. 작은 원 안에는 구슬이 빼곡히 들어차 있다. 원이 작으니 구슬도 금방 가득 찬다. 반면 큰 원 안에는 같은 수의 구슬이 있지만, 그것들은 바닥에 옹기종기 모여 있을 뿐이다. 원이 커진 만큼, 채워지지 않은 공간이 훨씬 더 많아졌다. 지식도 그렇다. 아는 것이 늘어날수록, 그 앎은 동시에 '알지 못하는 것의 경계'를 넓힌다. 처음엔 모르는 게 있다는 사실조차 모른다. 그러나 공부를 거듭할수록 내가 서 있는 땅이 얼마나 좁은지가 보이기 시작한다. 모르는 것의 윤곽이 선명해지는 것, 그것이 바로 성장의 증거다.

Bitácora del tercer día : Los nativos aún no notan nada raro en mi presencia, logré mimetizarme con ellos y no saben que soy un espía encubierto…

People ask me why I'm so fond of goats. Here's why. A goat will wander up the side of a Welsh cliff that a sheep wouldn't attempt and a hiker wouldn't survive, eat the brambles and gorse and thistles that nothing else on the farm can stomach, and turn the lot into milk so digestible that even the people allergic to cow's dairy can drink it without incident. She thrives on land that grows nothing else. She fertilises it as she goes. She maintains scrubland that would otherwise become a fire hazard. She produces milk with smaller fat globules and a different protein structure to cow's milk, which is why human infants have been raised on it for ten thousand years when nothing else was on offer. Her cheese is the oldest cheese on earth. Her meat fed the Mediterranean before olive oil was a brand. Her hide bound the first books. Her hair made the tents that crossed the Sahara. Her milk built the Maasai and the Berbers and the goatherds of every uplands the planet has. And the modern response to all of this has been to tell us she is somehow the wrong animal. The cheek of it. I'll back the creature that has fed humans on every continent except Antarctica over an almond drink invented by a man with a blender in 1998.

Lacan’ın analizin sonu için öngördüğü "fanteziyi katetmek" ve "arzusundan ödün vermemek" (ne pas céder sur son désir), Nietzsche’nin Üstinsan olma süreciyle büyük benzerlik taşır. Her ikisi de bireyin, toplumsal normların (Sürü/Büyük Öteki) dayattığı sahte kimlikleri yıkarak kendi hakikatiyle (ne kadar trajik olursa olsun) yüzleşmesini bir tür “kahramanlık” olarak görür

최근 대인관계에서 깨달은 게 있는데, 대인관계를 잘하는 사람은 상대를 정확하게 이해해주는 사람인 것 같음 착함,선함도 정말 귀한 가치지만, 누군가 내 마음을 정확히 짚어주는 건 아무한테나 기대할 수 있는 일이 아닌듯... 이해받고 있다는 느낌이 드는 사람 앞에선 이상하게 방어가 풀리더라..

The Art Nouveau steam-powered elevator located in the historic house of Guard Captain S. Muyaki in St. Petersburg, Russia.

“Ask courageous questions. Do not be satisfied with superficial answers. Be open to wonder and at the same time subject all claims to knowledge, without exception, to intense critical scrutiny. Be aware of human fallibility. Cherish your species and your planet.” — Carl Sagan

木炭で描いた猫