bleux
13.4K posts

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Percebi isso também. Na performance de DWAS ela está centrada DEMAIS, prestando muita atenção a tudo que faz porque ela não pode errar. Ela sentetiza, distorce, modula, controla a voz do Bruno como um instrumento, toca o teclado, ativa o vocoder. Eu nunca vi ela performar assim.
FⱯKE PRESIDENT@TaylorZsCalves
The new arrangement elevates the song to a new dimension but even more breathtaking is her demeanor and delivery… I don’t think I’ve seen her perform like this before… it feels like I’m watching a different artist… something extraordinary after almost 20 years of career
Português
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Pop Autopsy praises Lady Gaga’s MAYHEM Requiem in new review:
“Gaga performed every track from MAYHEM (excluding the deluxe edition songs), with each reimagined and reshaped so distinctly that they felt like entirely new compositions. It was as though Gaga and her collaborators returned to the studio, stripped back the original vocal layers, harmonies, and instrumentals, and reconstructed them entirely – blending new synths and effects to breathe fresh life into every track. The result was unlike anything she has produced across her entire career, and it is precisely why we are awarding this show a well-deserved 5/5.”

English
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"Stranger, Remember Me? — Unknown."
It's precisely because she's showing us a distant future in which her own memory of Lady Gaga has almost disappeared, a trace, an idea, a concept of someone, a ghost that vanished... she's no longer here and someone is trying to reconnect with her, to find her, the music will find you, maybe as inspiration, like a sine from above, while Bruno's voice and his memory of who he was (in her eyes) will always be preserved and eternal, she's the one who's gone. It's her own fear right there, to disappear from existence, to be forgotten... all those "Will you still be there 20 years in the future?"... resonate now bigger than ever, that's her heart talking, in this dystopian future scenario, in the ruins of her own World (of Mayhem), maybe someone hasn't forgotten her, she's not completely lost. Distant and distorted, a myth, an old legend. But she's real. 🎭🏛️🔥🖤💀🎛️🎶
Renzo@Renx22_
Oh Academy Award winner Lady Gaga
English
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And here’s Michael’s team confirming that Gaga was, in fact, supposed to open for him and that she was his personal choice.
Bad Girl@BaadGurrrl
Lady Gaga told fans that Michael Jackson had personally begged her to open his shows, yet years later one of MJ’s own longtime producers publicly dismantled that narrative. Another industry myth carefully crafted to inflate her legacy.
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@DB_Simplemente Funnily, it does feel right for characters like Vegeta to name every one of his attacks.
We are lucky he doesn't name his individual punches.
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Akira Toriyama is a mangaka who never liked naming the characters’ techniques in his stories. He himself mentioned that in a life or death battle, no one has time to shout out the name of every move you’d get defeated mid sentence. So it doesn’t really make sense to do it.
However, he had to do it many times on his editor’s recommendation. That’s why, aside from the Kamehameha (which was his wife’s idea), Toriyama personally came up with every single technique name he drew in the manga, even though he didn’t like the idea.

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