Brien John

2.1K posts

Brien John

Brien John

@brienjohn

Founder & music journalist @22CS_xyz.

Taipei, Taiwan Katılım Kasım 2009
253 Takip Edilen256 Takipçiler
Brien John retweetledi
John O'Nolan
John O'Nolan@JohnONolan·
Another year, and several milestones all at once. 12 years since @Ghost launched on Kickstarter, now at $8M ARR, and powering almost $100M in revenue for independent publishers 📈 A few thoughts and reflections on building an open source publishing platform, for a long time. I was 24 when I first started working on the idea for Ghost, and back then I had no idea what I was doing. Fast forward to 2025 and I still have no idea what I'm doing, but we've come a long way. What started as little more than an idealistic open source pipedream has blossomed into a sustainable non-profit org with a full-time team of 34. The core idea behind Ghost, in 2013, was a simple one. I've always believed that independent publishing on the web is essential, and that the technology behind it plays a significant role in its ultimate success or failure. Back then, Vox and Buzzfeed were at the forefront of a major shift in the publishing industry. Being technology startups as much as media companies, their proprietary software was a distribution lever to which the rest of the industry had no answer. They were miles ahead of traditional media orgs, many of whom had only recently been convinced of the need for a website. It was as if a couple of outlets had built the world's first printing press, while everyone else was still sitting around writing out news bulletins by hand. The ambition for Ghost was to create a dedicated open technology stack for independent publishers, from solo-creators to large newsrooms, to compete in a fast-moving digital media landscape – without becoming beholden to closed networks owned and controlled by private companies like Facebook and Medium. A small band of loyal early adopters understood our ideas from the very start, but many were less convinced. They saw these large tech platforms as neutral, benevolent infrastructure providers, unlikely to screw anyone over, for it would not be in their interest to do so. That outlook has shifted substantially after twelve years of algorithm changes, data capture, privacy scandals, and business model pivots. So, as awareness and interest in independent technology have grown, so has interest in Ghost. Over the years, we've focused consistently on building the best tools for publishing on the web. In the past 5 years, in particular, we've also focused heavily on building ways for creators, journalists, and publishers to run a sustainable business on the web. We added paid subscriptions in Ghost a few years ago to allow publishers to charge for their work and, since then, our own growth has primarily been a side-effect of our work to help others grow. In fact, we're about to pass $100Million in revenue earned by independent media businesses using Ghost. Along the way, we've seen a fantastic group of publishers adopt the product. From hard-hitting journalism of @404mediaco and @platformer, to political coverage from @TangleNews and @LeverNews. From @HarvardIR to @StanfordReview, and @JSTOR in academia. From local journalism at @HellGateNY, @KyivIndependent, @millmediauk, @BerkeleyScanner, @DublinInquirer, and @51stnews, to the latest in music from @hearingthingsco and @DrownedinSound. @ycombinator runs on Ghost, as do @firstround and The Diff (by @ByrneHobart), along with the media arms of @Duolingo, @WealthSimple, @Kalshi, @Cloudflare, @DuckDuckGo, @dominos, and (fittingly) @Kickstarter. @OpenAI, originally a research lab, first launched as a Ghost publication before it grew into the $300billion behemoth it is today. At one point, around the launch of ChatGPT, Ghost served more traffic for OpenAI each month than all our other publishers... combined. I'm incredibly proud of how far we've come as a small, independent non-profit organisation shipping free, open source software. As ever, we're competing with prominent, VC-funded platforms with tens of millions of dollars and hundreds of employees, playing zero-sum games to try and control the entire media industry. Now, though, it feels like there's more appetite than ever for something different.
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Brien John
Brien John@brienjohn·
@a2take 金子様 こんにちは。音楽編集に関するお仕事のご案内がありまして、もしよろしければご連絡先のメールアドレスを教えていただけますでしょうか? どうぞよろしくお願いいたします。
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金子厚武
金子厚武@a2take·
夜凪やらんのかい!
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中村めぐみ🐉 Megumi Nakamura
台湾の敏腕音楽ジャーナリスト、Brien Johnが運営するサブスク型メディア『22世紀衛星』に、origami PRODUCTION 対馬さんのインタビューが!(日本人の登場はたぶん初) 途中まで無料で読めるのでぜひ見てみてね。※全文閲覧は有料 22cs.xyz/interviewing-o…
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Rishi
Rishi@notnotrishi·
@aboutJoy interesting i saw this from @neilpatel at the same time
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すぎもと組@技術書典20[か15]
#技術書典 17、オンラインは11月2日から、オフラインは11月3日です。 #すぎもと組 のおすすめは前回の新刊『まるっとぷろっと!』。価格改定しました。オフライン会場では紙の本をお安くしています。現金・電子マネーで、学割あり! note.com/sugi2000/n/n7d…
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Yasmine Khosrowshahi
Yasmine Khosrowshahi@yasminekho·
I distilled my 4 years of marketing lessons into minimalistic visuals. 1. Sell Benefits. Not features.
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22CS
22CS@22CS_xyz·
❝ 我是比較偏行銷面的人。有些人是管人很會、管錢很會,但是我是管形象比較會的那一種老闆。❞    ──蕭達謙(浪人祭創辦人)
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Rob Abelow
Rob Abelow@AbelowRob·
The well is not dry for music tech startups. Over $450m raised in the last 3 months: Output (creator tools): $46m ProRata (ai attribution): $25m Turntable (social music): $8.2m Tune FM (web3 streaming): $50m Seat Unique (VIP ticketing): $19.1m TickPick (no fee ticketing): $250m Bridge Audio (audio cloud): $3.6m SIRIUS (music education): $4m Mellomanic (community): $6m Ampollo (collaboration): $3.1m Yoto (kids audio device): $22m Submix (collaboration): $1m FanCircles (fan clubs): $2m Posh (events): $22m Plus, Create Music Group secured $165m at a $1 billion valuation in June. There's no free flow of money. But if there's traction, team and/or a big idea, capital is there to back it. What are you building that will make the next 10 years better for artists & fans?
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22CS
22CS@22CS_xyz·
「那你要不要來記錄 浪人祭 Vagabond Festival?」 ​ 蕭達謙說,浪人祭的各個環節背後都有特別的決策理由,希望可以把這些知識分享給大家。這對於需要電子報內容、又想要了解這個領域的我來說,實在是兩全齊美的提議。
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Sid Sijbrandij
Sid Sijbrandij@sytses·
To grow a startup quickly, demand needs to grow alongside the product. When a single person is responsible for both it’s nearly impossible to put pressure on one without loosening up on the other. Starting with two distinct co-founders ensures both get attention. opencoreventures.com/blog/2024-08-t…
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22CS
22CS@22CS_xyz·
每天都在 𝙎𝙥𝙤𝙩𝙞𝙛𝙮、𝙆𝙆𝘽𝙊𝙓、𝘼𝙥𝙥𝙡𝙚 𝙈𝙪𝙨𝙞𝙘 上聽「歌單」的你,可能不知道的冷知識: ​ 🛰️ 歌單可以分為 𝟭. 由平台的內部編輯團隊人工製作的「編輯精選歌單」(𝙚𝙙𝙞𝙩𝙤𝙧𝙞𝙖𝙡 𝙥𝙡𝙖𝙮𝙡𝙞𝙨𝙩);
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Kieran Drew
Kieran Drew@ItsKieranDrew·
Pleasing the crowd is a distraction: "To create a meaningful work of art or to make a discovery or to create a business that benefits humanity, you must let go of any need for validation. You must be willing to make sacrifices.”
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22CS
22CS@22CS_xyz·
🛰️《𝟮𝟮 世紀衛星》:以音樂新聞工作而言,𝙆-𝙋𝙤𝙥 和其他西洋音樂類型有什麼不一樣?一如 𝙁𝙄𝙁𝙏𝙔 𝙁𝙄𝙁𝙏𝙔 製作人所說,他們會為 𝙆-𝙋𝙤𝙥 藝人創造背景故事和世界觀。因為我不算是 𝙆-𝙋𝙤𝙥 粉絲,所以有時候我會覺得這些東西都是假的,無法感受到真誠。
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22CS
22CS@22CS_xyz·
📌 音樂類型是怎麼出現的? 📌 音樂有分類的必要嗎? 📌 是金曲獎依語言分類好,還是金音獎依風格分類好? 📌 主流 𝙫𝙨. 獨立是假議題嗎? 📌 為什麼有人堅持傳統,有人卻擁抱創新? ​ 音樂類型的核心思考方式,就在這篇文章裡。
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22CS
22CS@22CS_xyz·
你喜歡聽哪一種音樂?又或者,你自認什麼都聽,音樂的分類只是畫蛇添足? 金曲獎依語言分類很荒謬?金音獎依風格分類其實問題叢生? 為什麼有的獨立音樂比別的獨立音樂「更獨立」?為什麼你的嘻哈跟我的嘻哈不一樣? 台灣人做的英式搖滾還叫英式搖滾嗎?
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Z
Z@BrianZisook·
Artists — If you release a song or album with "Alternative" as the chosen Primary Genre, always add a secondary Primary Genre. Alternative is NOT a genre, it's a modifier (i.e., Alternative Pop, Alternative R&B, Alternative Rock, etc...) Thank you, DSPs
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Brien John
Brien John@brienjohn·
I had the honor of being interviewed by @BytaLtd , an audio-sharing app company, about my daily music listening practices. I highly recommend this interview series. It's eye-opening to read the many professional ways of discovering and listening to music. byta.com/howwelisten/in…
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Brien John
Brien John@brienjohn·
雖然知道天下雜誌有一些不錯的內容,但始終覺得它的品牌價值在社群上很低。明明有 155 萬 followers,每則貼文按讚的卻往往是個位數。我認為它大量使用圖庫,以及太制式的文字,讓這些內容變得索然無味。
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Brien John
Brien John@brienjohn·
“Here in Taiwan, lawmakers say, they do not have the luxury of thinking of TikTok as the only threat. Disinformation reaches Taiwanese internet users on every type of social media, from chat rooms to short videos.” nytimes.com/2024/05/16/bus…
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