Nyad'Dib

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Nyad'Dib

Nyad'Dib

@brinkroll

Part time film fan, part time pop culture reference machine. You gonna sit there and watch these precious puns flop?

Bottomless pit of suffering Katılım Aralık 2009
158 Takip Edilen212 Takipçiler
Nyad'Dib
Nyad'Dib@brinkroll·
@thamosdeaf When the 2020s movie has a bunch of guys with NFTs
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youth code orange
youth code orange@thamosdeaf·
When the 90s movie has a bunch of guys with MP5s
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yours
yours@andresalcover12·
@CinemaRhymes I truly think it’s the only movie criterion can give cus they don’t have copies of the others
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Cinema Rhymes 🎬
Cinema Rhymes 🎬@CinemaRhymes·
Renate Reinsve in the Criterion Closet holding The Piano Teacher...
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Shadow Knight
Shadow Knight@shadowknightdk·
grieg fraser was born to do sci-fi epics and blockbusters not a bunch of boring biopics
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Duhlorean
Duhlorean@Duhlorean98·
First look at Dwayne Johnson as Johnny in the live-action ‘THE ROOM’ remake. Source - @DEADLINE
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Nyad'Dib
Nyad'Dib@brinkroll·
@tinscognito__ The crazy thing is, the sinking scene wasn't even in the script. James Cameron completely improvised the entire sequence on the spot. The magic of filmmaking!
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no context kieran culkin
no context kieran culkin@nocontextkier·
this side-by-side is funny because, by the second picture, it's been a couple of years and they're used to his shenanigans
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Nyad'Dib
Nyad'Dib@brinkroll·
@RhodeToLove Yeah, he didn't have to act too much as Gigolo Joe for the Spielberg movie
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Wendell
Wendell@RhodeToLove·
he’s a whore omg?
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Gangster Cinema Central
Gangster Cinema Central@GangsterCinema·
Le Samurai (1967) Dir. Jean Pierre Melville Quentin Tarantino on the legacy of Jean Pierre Melville "Melville is the Godard I haven't grown out of - I love Melville's take on genre. I think Melville along with Sergio Leone is probably the greatest reconstructionist of genre and really delivering completely in his own way... He knows the rules of gangster films, and he was in love with the gangster films of like, you know, the 30s and 40s. The film noir of the 40s and the gangster films of the 30s and like he took very similar plots and took banal American crime novels and did them his own way... Melville was probably one of the major French influences on the New Wave. The French New Wave was battling what they considered the boring fucked up bourgeois cinema of France at its time. Melville was the only older guy doing cinema that was inspirational to them. And if you look at, if you look at Les Doulos or Bob le Flambeur - or Le Samouraï, you do get a sense, there's like an aesthetic working in Melville's work that, you get a sense that, you don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie. You don't have to go to school, you don't have to know about lenses, you know, a 40 and a 50, and fuck all that shit, crossing the line, none of that shit's important. If you just truly love cinema with enough passion and you really love it, then you can't help but make a good movie." From the Reservoir Dogs DVD extra features.
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Nyad'Dib
Nyad'Dib@brinkroll·
@timchals the physicality john demonstrated here was so subtle but impressive, you can literally see the shift in the walrus’s character
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lo messiah
lo messiah@timchals·
the physicality timothée demonstrated here was so subtle but impressive, you can literally see the shift in paul’s character
kyle🇯🇲@toofarST

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Nyad'Dib
Nyad'Dib@brinkroll·
@harvv Don't worry, I'm sure he'll cram a couple of silhouette shots of the Beatles in those four movies
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