Chris Lawrence

@PeterStefanovi2 I despair , I saw , felt and lived Thatcher , these guys will be the final nail in our coffin

Need anything more, MAGA?

🚨 MIDDLE EAST EMERGENCY 🚨 If there's time I needed your help, it's now: PVA is on the ground DELIVERING AID, but URGENTLY NEEDES donations Emergency relief is insufficient. People are sleeping hungry. SHARE. DONATE NOW, and HELP SAVE LIVES gofundme.com/f/urgent-human…

There is no moral difference between putting people in gas chambers and burning people in safe zones inside homes. A holocaust is happening right before our eyes and the world is silent.

On the 78th Anniversary of the Nakba – 15 May 2026 Seventy-eight years ago, Britain committed one of the most catastrophic acts of colonial injustice in modern history. With the stroke of a pen, the British government disposed of a land it had no right to give – uprooting an entire people from their homes, their soil, and their heritage to install a project built on displacement, exclusion, and dispossession. The Nakba was no accident of war; it was a deliberate, calculated campaign of erasure. Hundreds of villages were demolished. Hundreds of thousands of men, women, and children were driven from everything they had ever known. Britain bears a historic and moral responsibility for this foundational crime – a responsibility it has never acknowledged, never atoned for, and never answered. Today, we name it plainly: what Britain inflicted upon the Palestinian people was a crime, and history will not allow it to be forgotten. Yet, the crime did not end in 1948. The world’s governments, institutions, and international bodies chose complicity. For nearly eight decades, the international community has legitimised a regime built on stolen land, suppressed Palestinian resistance at every turn, and shielded Israel from accountability. They looked away – or actively enabled the oppressor – as war crime followed war crime. The occupation deepened. Settlements expanded. The blockade tightened. The apartheid wall grew in length and height. Now, before the eyes of the entire world, Gaza faces a genocide – a systematic campaign to destroy a people. Children are bombed in hospitals and schools. Families are starved by design as a weapon of war. An entire civilisation is being dismantled in real time. The collusion of world powers in this ongoing catastrophe does not merely dishonour them; it makes them active accomplices in every crime committed since the first. And yet, Palestine endures. Through every massacre and siege, through expulsion, imprisonment, and collective punishment, through seventy-eight years of unrelenting assault on their very existence, the Palestinian people have never surrendered – and they never will. Generation after generation has carried the flame: from those who fled with the keys to their homes in 1948, to the children of Gaza who today stand amidst the rubble and declare that they are still here. This is more than resilience; it is one of the most extraordinary acts of collective resistance in human history. The Palestinian people have taught the world what it means to refuse to disappear. They will not be erased. They will not be silenced. And they will not rest until every inch of their land is free and every right is restored – fully, unconditionally, and without compromise. The tide has turned, and the world knows it. The Zionist project, sustained for decades by propaganda, intimidation, and the suppression of truth, is losing its grip on the global conscience. Millions across every continent have taken to the streets. Students have risen on university campuses from London to Los Angeles. Artists, academics, lawyers, and doctors are raising their voices, and international courts have opened investigations. The mask has been torn away, exposing the reality beneath: an apartheid regime, a colonial enterprise, and a system of terror and control that has no place in the modern world. The narrative that once protected Israel from scrutiny is collapsing. The impunity that shielded it from consequence is eroding. The end of the Zionist project as a viable political reality is no longer unthinkable; for the first time, it is inevitable. On this 78th anniversary of the Nakba, the Global Alliance for Palestine makes this unshakeable pledge: we will not rest. We will not be silent. We will not be bought, intimidated, or deterred. We stand in full, unconditional solidarity with every campaign, movement, and act of resistance – legal, moral, cultural, and political – that advances the cause of Palestinian liberation anywhere on earth. We will work without pause until the dream that has sustained an entire people across three generations becomes reality: a free Palestine, from the river to the sea. Full rights, full dignity, and full justice will be restored to every Palestinian – those living under occupation, those displaced in the diaspora, and those who gave their lives so that others might one day be free. palestine-alliance.org/on-the-78th-an… The Nakba is not history; it is an ongoing wound. And we will not stop until it is healed. Global Alliance for Palestine 15 May 2026

Michael Johnston steps into darker territory with #Obsession (@obsessionmovie), one of the year’s most talked-about horror films. For our latest digital cover story, Johnston opens up about his character’s complicated headspace, the danger of wanting too much, and turning familiar charm into something dangerous. Read: thestardustmag.com/covers/michael…

It sounds like horror is finally fucking BACK!

Do not be distracted!

Nagisa Ōshima on why 'In the Realm of the Senses' (1976) is the perfect p0rn0gr@phic film and also the reason it isn't one: "'In the Realm of the Senses' (1976) became the perfect p0rn0gr@phic film in Japan because it cannot be seen there. Its existence is p0rn0gr@phic—regardless of its content. Once it is seen, In 'the Realm of the Senses' may no longer be a p0rn0gr@phic film. That may happen in Europe and the United States, where it can be seen in its entirety. In Japan, however, there is no hope now of its being shown in public in full. Thus, even if it can be seen. 'In the Realm of the Senses' will continue to be a p0rn0gr@phic film. That it couldn't be seen established it perfectly as a p0rn0gr@phic film, though that was not intentional on my part. I wasn't thinking that far ahead when I set out to make 'In the Realm of the Senses'. The revelations always come after I make a film. To begin with, when a film director sets out to make a film, he does not know what type of film he will want to make." ("Cinema, Censorship, and the State: The Writings of Nagisa Oshima, 1956-1978", Nagisa Ōshima, 1992) P.S: On this day, 50 years ago, "In the Realm of the Senses" (1976) premiered at the Cannes Film Festival, France.

Congratulations to Uncle Ken, Lisi and Mark 🔥🔥 on their big night.

Crash Out with ‘Maximum Overdrive’: Director Stephen King’s One and Only Feature Film indiewire.com/features/best-…

Freaky Nikki from OBSESSION has her own Letterboxd profile. Her favorite movies? - Fatal Attraction - Misery - Twilight - Single White Female - Saltburn She loves them all so, so much.

Heaven. I spent most of my time examining the screenplay for Ken Russell's THE DEVILS

78 years ago, Israel declared itself a state. Palestinians now commemorate the day after — May 15 — as the anniversary of the Nakba, or “catastrophe.” Between 1947 and 1949, Zionist militias massacred thousands of Palestinians and violently forced over 750,000 from their homes.

Be careful who you wish for 😧 #ObsessionMovie is NOW SHOWING at Regal. 🎟️: regmovi.es/4c2FI37

10 years ago today the handmaiden was released

THE OMEN (1976) Film editor Stuard Baird stretched a horrific split-second event into an extended cinematic nightmare. This technique is called "overlapping action". By using several different angles, it increases the shock and terror for the audience.

Curry Barker's #Obsession is a darkly comedic , ominous ride into the primal nature of obsession. It keeps you guessing! Michael Johnston 's Bear has an awkwardness that is almost painful. Inde Navarrette as Nikki is utterly frightening but not one-dimensional. We get glimpses of her as a person and it's sad and disturbing. The creepy soundtrack contributes to the unsettling vibe of the film. The film at times has the oddball flavor of There's Something About Mary, while maintaining a spiritual darkness akin to that in The Exorcist. This is another great horror flick this year!

First 'SPECIES' reaction: "Le Corroller’s film taps into the sinister sci-fi paranoia that feeds David Cronenberg’s early movies," writes @DEADLINE. "[Corroller orchestrates] the squishy mayhem right up to the unusually bleak climax that fully delivers on the premise." 😲

SUPER SCARY! NOT CLICKBAIT! DON’T WATCH AT 3AM! From Indie Label PTK Studios Enters Production promotehorror.com/2026/05/15/sup…

EXIT 8, Genki Kawamura's 2025 Japanese psychological horror film, brings the eerie, looping subway anomalies of the hit 2023 video game to the big screen. Following its North American theatrical debut on April 10, 2026, the mind-bending thriller hit digital streaming services in May 2026.