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Culliope -❤️🌈 Annie Sullivan? Not Annie Oakley!
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Culliope -❤️🌈 Annie Sullivan? Not Annie Oakley!
@culliope
Musings from a teacher in NH who 💗 games, scriptwriting, systems, house bunnies & middle school brains.Sanford Teaching Award winner 2018. She/her. PhD student
New Hampshire, USA Katılım Ekim 2018
1K Takip Edilen788 Takipçiler

I am speaking at AMLE24. Please checkout the details of my talk at: whova.com/xems/apis/open…
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@SlyFlourish sent out DND club $200 to buy supplies. This first item will help us stop losing our dice down the middle of cafeteria tables! Thank you so much!!

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Culliope -❤️🌈 Annie Sullivan? Not Annie Oakley! retweetledi

@heymrsbond Middle schoolers but with even more attitude!
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@the_homebakery Yep! Our little team has talked about it a lot as we've worked and we're comfortable where we landed. We are working hard to be as ethical as possible and understand that this is a spiky issue where everyone might not agree with us.
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It's Kickstarter day! Check it out!
kickstarter.com/projects/grm/a…
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What I liked about summer school kid quote #2:
"Not having school. That long. Yeah. Because at the end of the day I'm just tired "
😂
I feel this on a deep spiritual level.
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Culliope -❤️🌈 Annie Sullivan? Not Annie Oakley! retweetledi

@themrdelle @mrs_b_green I agree. It feels more like old times before covid this year than it has since the pandemic
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@PazAerospace @thisone0verhere Yesterday I got to hear the entire beginner 5th grade horn section learn their first note for an entire block! I did not consider clashing overtones. 😂
Thanks for teaching me something new!
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When composing horn parts for jazz orchestra; 'a real horn ensemble', the composer must consider how the overtones of the the horns (they are in just temperment) fit with equal temperment that most modern music is composed in. Put another way, the notes on the paper may look right but the overtones can clash. There are a few glaring errors arrangers are taught to avoid but other situations are up to the taste and artistic style the song is going for.
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