
In November 2021, shortly after Kathleen Stock was hounded out of Sussex University for expressing her utterly reasonable gender critical views and seeking debate, this is what the Chair of Amnesty UK tweeted.
Prof Ian Pace
11.2K posts

@drianpace
Pianist, Professor of Music, Culture and Society, @citysociology. Views here my own. Also at @ianpacemain . Co-convenor @cityuniafaf, Secretary @lucaf_london

In November 2021, shortly after Kathleen Stock was hounded out of Sussex University for expressing her utterly reasonable gender critical views and seeking debate, this is what the Chair of Amnesty UK tweeted.

This has got to be a parody. I see though that the British Sociological Association is on the list and accused of collaboration. I dodged a bullet there as I have never been a member of it.

everyone we don't like is a terrorist now apparently




It needed to be said. This was a ridiculous moment in the interview. Using someone's sexuality to criticize their scholarship and claim they should have certain views as a result.... …ronicleofhighereducation.substack.com/p/appiah-disap…

🚨 Dua Lipa opens banned book library after global right-wing book censorship.


🚨 BREAKING: The Committee for Academic Freedom (CAF) is supporting a working-class student who left school at 13 and spent years saving and studying after work to get into university, but who may now be forced to abandon his PhD after being frozen out on an art programme. His “crime”? Introducing the conservative philosopher Roger Scruton into a seminar on aesthetics. Matthew Keehan, who studies at Solent University, says disagreements over the dominance of critical race theory and other “progressive” philosophies on his course escalated into ostracism by his peers, disciplinary threats and a politically charged viva. Trouble began when, ahead of an in-person seminar on art and aesthetics, he circulated Roger Scruton’s Fools, Frauds and Firebrands to the group. Matthew argued that academia had for too long excluded important conservative voices, and said he wanted students to hear a wider “cacophony” of perspectives. When no one replied, he followed up with a link to Scruton’s lecture “Art Today”, which critiques the way postmodern approaches have, in Scruton’s view, hollowed out artistic standards. Again, no one responded. During the seminar, Matthew asked whether anyone had read the material, and was told by the lecturer — who also happened to be his supervisor — that “we felt it was inappropriate”. Months later, a fellow postgraduate reached out and told him that members of the group had effectively been advised not to contact him because of the “C word” — “Conservative” — following his circulation of the Scruton material. It was in this culture that concerns later arose over Matthew’s PhD viva. During that viva, Matthew — an Irishman who grew up on a deprived council estate — was criticised as a “Western, white, male researcher” whose work had failed to reflect on the “privileges associated with race and cultural dominance” supposedly attaching to his identity. CAF has been supporting Matthew in making a formal complaint to the university about the culture of his department and his treatment after raising concerns about the intellectual direction of the course. We are also helping him prepare a complaint to the Office of the Independent Adjudicator and a formal notification to the Office for Students. We’ve written more about this shocking case for @TheCriticMag here: thecritic.co.uk/solent-mean/ To keep up to date with Matthew’s case, and with CAF’s wider work supporting academics and students facing censorship, ideological discrimination and threats to academic freedom, sign up to our free newsletter here: afcomm.org.uk/updates-from-t… @ProfAliceS @drianpace @epkaufm @Fox_Claire @NigelBiggar @LauraTrottMP @ObhishekSaha



Pierre Boulez fit construire cette superbe propriété à la fin des années 70 par l’architecte Odette Ducarre. La maison est de nouveau sur le marché, douze ans après une première mise en vente 👇 trib.al/RkEjKl4

Classical music in particular requires a high level of immersion - listening, studying, working with others, as well as practising. Some young performers I hear lack the most stylistic awareness. When immersion is sacrificed to diversity in training, our musicians won’t compete.


Academic freedom is still in grave peril, reports Freddie Attenborough thecritic.co.uk/solent-mean/

Baroness Fox opened the debate by putting @Freedom_in_Arts report, The New Boycott Crisis, squarely before the House of Lords. Her warning was clear: artistic freedom is being choked not only by overt cancellations, but by silent boycotts, institutional fear, anticipatory compliance and the weaponisation of EDI against dissent. The arts must breathe freely again.

American Anthropological Association President Carolyn Rouse: "All you need to do is literally type into Google and see that we know, factually, that there are different types of 'sexes' and 'genders.' You can have XY and you present as a woman, you can have XXY — they’re all variations, genetic variations. So the idea that there are two sexes is just factually incorrect, and to force biological anthropologists to teach that is the equivalent of turning an astronomy department into an astrology department." h/t @robsica /1