Federico

It’s kind of insane that we’re all lucky enough to live on this insignificant blue ball floating in an endless void that can somehow keep us alive indefinitely and yet a huge chunk of people want to ruin it forever in the name of an economic concept that we made up ourselves

Además de las ideas de mierda este tipo tiene un parecido con sturzenegger en lo no verbal que me tiene intrigado

nonnamaxxing summer

The big LED doesn’t want you to know this but having a low lit house increases your quality of life by 38%.

Ayer se estrenó esta peli y para las funciones de hoy se vendieron solo seis entradas :(

devil wears prada vs devil wears prada 2 lighting

Estética del corredor norte.

I think part of the answer is that this is actually the content America C wants, but no one would make it for them. Even our worst slop, up til now, has been made by artists, or aspiring artists! That biases the output towards what artists, as a group, want to make. Even the worst comic book movie still contains somewhere in it the sensibilities of hundreds or thousands of people who enjoy making art. Even the worst corporate dreck still is made by people who *assume* certain conventions of narrative art. It would never even *occur* to them to make something like this. The AI slop answers the question of “what would art look like without artists?” and one of the answers is that it would look like the most hideous, manipulative, garish, spiritually-abject swill you could imagine, because that’s actually what a good chunk of people want and have been denied because artists would resent making it too much. The whole history of the blockbuster or the sitcom, etc, is to some extent a negotiation between these forces—the sensibilities of artists, chained to the sensibilities of moron consumers. We could never get the full realization of what the dumbest, most vulgar people in the world wanted to watch until now, because the artists still pulled things in their direction, even if only a bit. Reality TV was probably the closest we’ve come to seeing what “art without artists” would look like, but even then it wasn’t fully realized. Remember that Nathan Fielder used to be a reality tv producer—there are still real artists embedded in the process, even there. But now with AI, we can remove the constraints of taste, quality, authenticity, meaning, and humanity that artists tend to try to impose even on their most cynical projects. Because they’re people who care about art, who want to make art. They can’t help but have a perspective, a sensibility, an aesthetic—taste. Even if it’s bad taste. AI is showing us the world of no taste, no sensibility, no perspective, just brute manipulation of the senses. It’s vile.

21: Four-Story Limit High buildings make people crazy and offer no real advantages. They aren't cheaper, don't create open space, destroy social life, promote crime, cost more to maintain, and rob the city of light, air, and views.

@feminismoraro Qué depresión los interiores 😭

@lucasmarcor Después son infelices y no entienden por qué. Esa insatisfacción después motiva mil compras de soluciones para algo que nació muerto

mientras sigan aceptando que les vendan edificios de durlok revestidos en cerámicos simil marmol como si eso fuera de alta categoría vamos a seguir siendo un país villero. esto ya no se trata de cuánta plata tenés.

@elautee Bibliorato™️

enloquecido con este local: buscadorprop.com.ar/propiedad/6677…

@jowifromdablock ojo una pared te la dejo con olor a pucho porque te completa la experiencia

@fedepaul La forma en la que sólo haría una limpieza profunda y tal vez un lijado y barnizado de la madera y lo dejaría tal cual.

"where do you see yourself in five years?"

@__Florentino Ojo que ese es viejo encima! En 2017 Agregaron colores y el más nuevo tiene la punta redondeada. Igual tampoco se consigue porque están reeditándolo según averigüé

ayer decidí comprarme un taco de colores de pintura para dejar de tener que ir a la pintureria a decidir y sabes que mejor voy a seguir yendo a la pintureria

Se volvió imposible entender la textura o calidad de las cosas que se venden en mercadolibre

Cuando llegas al fondo de la bolsa de bolsas.