TynarroraususHex

Chuck Norris told a woman to calm down and she did.

@adrianmckinty I've been hearing this since 1998 - simply because they both released that year. But it's like comparing gloves to shoes. They're both great. Just please stop. ♥️

SPR wasn’t even the best war movie of 1998

@HighDefDiscNews Whatever it is, we need to stop being afraid.

Are people just afraid to like my posts as much as other smaller accounts, or is my account in some sort of BS shadowban? I don’t get it.

Limp Bizkit played Spring Break in 1998, what changed since then?

@Adaximandro Or he's a side sleeper.

Tiene el signo de Frank y apenas tiene 51 años. Urge que se haga una evaluación para descartar enfermedad coronaria.

I put in 25 years. It would be 26 but I haven't worked yet this year and I'm not sure I'll ever work in entertainment again. The writing has been on the wall for quite some time. But it's a sad thing--especially since the collapse of Hollywood is (mostly) self inflicted. Outsiders like to blame the unions and burdensome regulations. That's not exactly wrong, but the big reason is that Hollywood stopped making a product that people wanted to consume. Film is a funny thing. On one hand it's art. But on the other it's a mass consumer product--like a car, or a soft drink. But unlike a typical consumer product, it was something we consumed together. We went to a special place, and sat with strangers, and watched stories. And those stories infected us. They entered our minds and our souls and they implanted things. Deep things. Ancient things. Timeless things. Things like heroism and beauty and love and fear and sex and death and adventure and tragedy and pain and injustice and all the things that make up our dreams. There's a thing we call "cinematic language". It's how we tell a story with images. (And BTW if you want to learn more about the language of visual media, read Scott McCloud's excellent book Understanding Comics.) An odd thing about cinematic language is that it's the same language as dreams. There's a scene in Christopher Nolan's Inception where Leonardo DiCaprio is explains to (the tragic) Ellen Page how dreams work. But what he's really describing is cinematic language. Inception is really a movie about movies BTW. While it's far from my favorite film, I think it's the perfect film. Because the suspension of disbelief is perfect. You believe the plot about dreams because you're familiar with how movies work--maybe not consciously--but you know. Everyone knows. Maybe not everyone has seen a movie, but everyone has dreams. Another odd thing about film: you don't "watch" a movie, you look into it. And you put yourself inside it. Now you're in the dream. And you're hypnotized. Because movies do that too. The motion--the moving images--they hack your brain. We're programed to pay attention to moving things. Even when the things aren't real. Even when they're just light reflected off a screen. So we'd go to these special places--these movie theaters--these temples--and we'd sit, and we'd "watch" and we'd enter the dream. And we did it together. And after the movie was over--and the lights came on, and we'd file out over the sound of popcorn crunching under our feet--we were different. We had become transformed. Sometimes we were changed in minor ways. But sometimes not. Sometimes we were changed in profound ways. And we did it together. Before the movie we were a room full of strangers. But after--on the way out the door--we all had something in common. Because we shared an experience. We'd shared the dream. And we'd all become transformed. And then tech got involved... Streaming turned movies from a communal experience to a personal experience. And that's an issue, but they did something else too. They started developing movies as if they were tech products. But you can't apply a KPI to a dream. At least, not successfully anyway. Because dreams don't work like that--nor does any sort of art. And that's a funny thing about making movies. You try to make the best film you can, but at the end of the day you have no idea if it's good or if it's going to be successful. You just have to hope the audience likes it. Now, you can design a movie that will appeal to a preexisting audience. Marvel movies are like this. There's a large group of fanboy nerds that will see every single one. You can count on them every time. Just like you can count on the Gay Oscar Bait crowd (for example). But those movies are slop. But Hollywood became specialists in slop. Because slop is safe. Because you could apply KPI style metrics to slop. As a result they lost the audience. And the audience is probably never coming back. I wrote a book in 2024 (that was published in 2025). While writing, I thought of it as my farewell to the industry. But looking back, what I was actually writing was a eulogy for Hollywood--the place where dreams were made. And so it goes...

@ukgirlsfan Sorry, WHAT TF IS GOING ON HERE?????

Chav

@benryanwriter He wasn't woke.

Robert Duvall shafted in the Oscars’ In Memoriam segment as Redford, Reiner and Keaton all get lavish attention in individual speeches. No speech for Duvall, considered by some to be the finest actor of his generation.

@Argenpoirot But, it makes sense right? Like, who does that in real life, and then think about Hollywood now. Ya know?

Así dejaron el teatro donde se entregaron los Oscars. Después esta es la gente que enseña de moral, respeto, medio ambiente y bla bla. #Oscars

@CopaExMachina The Academy Awards were over when Shakespeare in Love beat Saving Private Ryan. Can you imagine that? 3rd has been 1st now for a long time now. The only way back is to reward the truth.

Sinners is by far the most gaslit movie of all time. The critics have engaged in such a transparent campaign to manufacture its importance that it's hysterical. When it wins Best Picture (and it will win), it will expose how much of a farce the Academy Awards have become.

@m_e_d_e_l God help me.

Sometimes you have to see slacking off as giving yourself space. Because life needs that.

I want to see only the truth.

@m_e_d_e_l This series, with this girl, is flat out your best work.

Who comes up with this stuff? I’m crying

@Variety 🎵 I have a structured settlement but I need cash now. Call JG Wentworth, 877 cash now. 🎵

Misty Copeland, who helped Timothée Chalamet promote #MartySupreme, has weighed in on his comments about ballet and opera: “First I have to say that it’s very interesting that he invited me to be a part of promoting ‘Marty Supreme’ with respect to my art form ... He wouldn’t be an actor and have the opportunities he has as a movie star if it weren’t for opera and ballet and their relevance in that medium. So all of these mediums have a space and we shouldn’t be comparing them.” variety.com/2026/film/glob…

The 007 search ends here. You can no longer delay what is obvious to everyone. Give Henry Cavill the keys to the Aston Martin. #NextBond @AmazonMGMStudio @007

@ginacarano There's my girl. 💪🏼👊🏼♥️

🎢♥️💃🏽

@HDMOVIESOURCE 💯

This much joy only happens when the film predates modern Hollywood.