Huper
5.3K posts
Polski
Oficjalne konto Pani Premier Japonii potwierdza, że uzgodniła z Premierem Tuskiem podniesienie naszych wzajemnych relacji do poziomu kompleksowego partnerstwa strategicznego.
首相官邸@kantei
ポーランドのトゥスク首相と会談しました。同国🇵🇱との関係を「包括的・戦略的パートナーシップ」に引き上げ、二国間協力を一層深化させることで一致しました。「自由で開かれたインド太平洋(FOIP)」実現に向けた協力に加え、ウクライナ情勢、中東情勢等について議論し、両国の連携強化を確認しました。
Polski
Huper retweetledi
No way 😂
You couldn't get away with this plot development in an airport paperback.
English
Huper retweetledi
I have arrived at the Sándor Palace to meet the President of Hungary.
@DrTamasSulyok is unworthy of representing the unity of the Hungarian nation. He is unfit to serve as the guardian of legality. He is not fit to serve as a moral authority or a role model.
Following the formation of the new government, Tamás Sulyok must leave office immediately.
English
@Firarafaa Nie, wprowadził tłumaczenia wszystkich postów w jedną stronę. Cały świat ma teraz Twittera po polsku.
Polski
Polski
Co można wyczytać z celów Programu Motywacyjnego zaproponowanego przez Zarząd @CDPROJEKTRED ? Chyba jakąś dużą premierę w 2027 roku...
Polski
Took me a lot of time to unlearn that at the end of the day it's just a job and as much as I'm passionate about it I shouldn't let it dictate my life and ruin my work/life balance
English
Breaks my heart to see this many people laid off and I 100% relate to this person's sentiment. Even though I dodged layoffs in the past, the point about dedicating all that time, long days, weekends to be shown no appreciation when it maters is all too common in the industry
Evanosaurus “Unrawrl Engine 5.7” Rex@evankinney
i have done so much for this company and our games so many late nights so many weekends so many live events, and competitive events, and new features, and new seasons solid performance reviews every time with multiple people mentioning how critical i am and what an impact i make across multiple teams just to be thrown out i don’t get it.
English
@KeNyDi5 @mazadona7 Czesi czytają polskiego x’a. Wygląda na to, że podłapują narrativy, wskazując na podobny problem u nich. Ogólnie to dobrze, wszyscy pójdziemy do przodu przez to.
Polski
Się ludzie zdziwią, jak nintendo się weźmie za takie osoby niedługo XD
Polski
Pójść spać po porażce
Azide@AzideHunter
Jaki jest najgorszy fizyczny ból jaki Wam się przytrafił?
Polski
@z00ltar @kurasinski A skąd Ty wiesz kto go śledzi? Obserwują go nie tylko dzieci, ale i artyści czy gwiazdy. Kojima już dawno wyszedł poza ramy gamingu ze swoją popularnością i twórczością.
Polski
@kurasinski Nie licz na to ze polecanki Kojmy kogokolwiek zacheca do czytania :) to nie ta widownia
Polski
Najlpierw Kojima pisało Lemie, teraz o Szulkinie - czy Polska ambasada w Japonii mogłaby by mu wysłać pierogi w podziękowaniu za budowę polskiego soft power na świecie?
HIDEO_KOJIMA@HIDEO_KOJIMA_EN
Piotr Szulkin’s Apocalypse Tetralogy Science fiction was originally devised as a kind of disguise – a medium used to warn us about emerging technologies and future worlds – or to critique contemporary civilization. These SF works, born in Poland under the socialist regime before democratization, are neither space operas nor fantasies. Instead, their introspective “cries” of the time are embedded within in layered, polyphonic form. Now is the moment to rediscover the authentic dystopian SF films made over 40 years ago by director Piotr Szulkin. What awaits us is the same excitement and sense of discovery as opening a time capsule from the past “era.” And for people living in today’s increasingly occluded Japan, those “cries” will surely resonate powerfully across time. Watch them. This is the “cry” of science fiction.
Polski
I'm ecstatic to announce that I started this week at @CDPROJEKTRED as a Senior Video Manager! I'll be focusing on our short form video content.
It has been an amazing first week, my team is great and I'm super excited to be able to create content for some of my favorite games.
English
Coście narobili w ten Tłusty Czwartek
Remarks@remarks
JUST IN: X is working on a feature allowing users to filter their timeline by country.
Polski
Seriously? Are you going to jeopardise billions in investments by American companies in Poland and vice versa because of an unprofessional exchange of views that you yourself provoked? At this point, the Ambassador has posed the greatest threat to Polish-American relations.
English
@AvahirEsport @wsamraz I nie zamierzam zabraniać, jednak uważam, że przypisywanie mistycznej mocny naszej chwili, jest tym samym, co wiara o końcu historii.
Polski
@huperdome @wsamraz Oczywiście. Ale jako cyborg i jej bękart, nie muszę być jej grzecznym dzieckiem, cytując Donnę Haraway
Polski
“Where does evil come from?” This ancient question must be asked again, because we have just learned what was happening on Epstein’s island. Learned only partially—because the released materials do not include images of child sexual abuse, bodily injuries, or death. Which means that what happened there was hell.
Evil often grows out of weakness or desperation, from the feeling that there is no way out. On Epstein’s island, it was the opposite. Evil was born of power—of the belief that everything is permitted, and that every door in the world stands open.
No one felt the need to justify their actions by appealing to a higher good; sadistic pleasure was sufficient. This evil sprang from the conviction that certain individuals are bound by no rules at all. In this sense, Epstein’s island became an extraterritorial zone for ethics.
When Josef Fritzl imprisoned and raped his own daughter for decades in Austria, the world could dismiss him as an anomaly—a dark glitch in the code, proof that the system fundamentally works except when a monster appears. With Epstein, however, we are not dealing with the margins, but with the very center.
The files contain the names of the icons of our age: technology visionaries, philanthropists, thinkers, and world leaders. These are not the refuse of culture, but its pinnacles—people whose success was meant to testify to the triumph of reason and human agency.
What we are facing, then, is not individual deviance but a systemic defect of culture. If those considered the best among us find common ground in a place built on contempt for human dignity, it means our culture rewards a model of the morally dead human being. It dictates a dangerous ethos: be great, and the measures of man will no longer apply to you.
Philosophers have argued that Auschwitz and the Gulag—factories of suffering—were the perverse endpoint of the Enlightenment: the culmination of cold rationality and bureaucracy, which kill more efficiently than hatred.
Epstein’s island—a curated boutique of suffering—is the perverse endpoint of postmodernism.
The promise of absolute freedom—without truth, without authority, without limits—was fulfilled there to the letter. Freedom from norms became the freedom of the strong to exploit the weak; law was replaced by the private ethics of billionaires and geniuses. This is the practical realization of the slogan: there are no facts, only interpretations.
In Auschwitz, the human being suffered as fuel for a totalitarian machine. On Epstein’s island, the human being suffers as a gadget in the hands of a bored Übermensch. If Auschwitz was the result of faith in one truth, Epstein’s island is the result of faith that there is none—a vision of a world where the only value is intensity of experience and the most desired substance is dopamine.
The release of three million documents coincided with the Church’s reflection on the Eight Beatitudes—a civilizational project proclaiming that human greatness lies in self-limitation. Epstein’s island is its exact negation. It is a world of expansion and self-deification.
“Blessed are the meek and those who mourn” sounds embarrassing today, because our culture celebrates the loud and demands constant ecstasy. Sadness is treated as a pathology to be cured—yet there are truths about the world that demand sadness, an acknowledgment of loss, and the acceptance that not everything can be fixed.
Epstein’s island is an escape from sadness into endless entertainment and compulsory joy for supermen—the most terrifying form of nihilism.
“Blessed are the poor in spirit?” No one today aspires to be that—to be aware of one’s own finitude, without a claim to domination. Epstein’s island is the triumph of a loud, obscene will to power.
This is not a sermon, but an attempt to understand how a civilization that rejected humility as oppressive ended up with an island where the great amuse themselves with the suffering of others—simply out of boredom.
English