Tapan
3.5K posts

Tapan
@ironicallytapan
frontend @amazon, ex @getpostman | i like to read contrarian takes on the internet


it’s 2026 and this is how you install apps on macOS







What's happening here is a shift from GUI to natural language interfaces. The search bar is the closest we've come to NL interfaces at scale. What started as an empty box with 10 blue links, is now knowledge panels, maps, calculators, shopping carousels, videos. All purpose-built UI, spawned by intent. Google is not "just a text box" anymore. Now that same pattern is entering every single app. Every domain will need to figure out its own version of how to gather context, remove ambiguity, render views inline, delegate work in the background. We are still extremely early. the empty text box is just the starting point for the interfaces of the future.


30年前くらいに村上春樹のエッセイで、アメリカではコーラにピーナッツを入れて飲むのがポピュラーだと書いてあった。「ふぅん」と思ってから長い時間が経ったが、ついにやってみた。 何だこれバカ美味いんでやんの。 これ以外でもうコーラ飲みたくなくなるレベル。

The story of Ramayana has lived in so many of us for so long — in grandmother’s voices, in paintings on temple walls, in that black and white box TV with vertical hold button. So when a filmmaker decides to put it on screen in 2026 at this scale, part of you just wants to lean in and believe. I wanted to lean in. I really did. And there are moments in this teaser where you can feel what the film is reaching for. The ambition isn’t in question. Neither is the sincerity. This is clearly not a film being made carelessly. Someone cares deeply about this. It’s there in the framing, in the seriousness of it all. But something isn’t quite landing yet, and I think it’s important to flag it. The attempt here is not to take down the teaser, but to be honest. Because this story, of all stories, deserves honesty. Ranbir Kapoor is a genuinely gifted actor. I love him. Always have. The issue is something harder to spell out. Ram, as most of us carry him, isn’t expressive in the conventional cinematic sense. He’s still. The stillness of someone who has nothing to prove and has always known it. What I’m seeing in the teaser feels like an actor carefully trying to suppress his urban softness, his romantic restlessness, that flirtatious boy energy. He is consciously embodying calm rather than someone for whom calm is simply the natural state. It’s a small thing, but with this character, small things are everything. Maybe I’m jutting the gun and the divine stillness will settle in the actual film. Then there’s the world the film is building around him. It looks expensive. It looks polished. But it also looks… untouched. Like a room where no one has ever actually sat down. There’s no dust, no friction, no sense that anyone has sweated or stumbled or lived in these spaces. Exile should feel like exile. A forest should have weight to it. What we’re getting instead feels more like beautiful environments that the characters have been placed into, rather than places they actually come from or belong. And that matters more here than it might in any other story. Because Ramayana isn’t placeless. It isn’t a generic myth floating in some borrowed fantasy universe. It’s rooted — in geography, in memory, in something that feels recognisably and specifically ours. When the visuals start to resemble a global fantasy template you’ve seen somewhere else before, something essential quietly slips away. Like it did in Brahmastra. The VFX didn’t serve the story. The story served the VFX. None of this means the film is lost. Teasers aren’t films. The texture can still arrive. The performances can still settle. The world can still find its own identity rather than borrowing someone else’s. But right now, it feels like a magnificent structure that hasn’t quite been lived in yet. The foundation is there. The scale is undeniable. It just needs its soul to show up. Come Diwali, hopefully it will. #ramayana #teaser #ranbir #ranbirkapoor

so... I audited Garry's website after he bragged about 37K LOC/day and a 72-day shipping streak. here's what 78,400 lines of AI slop code actually looks like in production. a single homepage load of garryslist.org downloads 6.42 MB across 169 requests. for a newsletter-blog-thingy. 1/9🧵



If gossips are to be believed… 👀 #AamirKhan was initially offered the role of Ajay Sanyal in #Dhurandhar — a role that was later played by R. Madhavan. However, Aamir reportedly turned it down as he didn’t find the role appropriate for him. Interestingly, he was open to doing a biopic on Ajit Doval. Later, after learning about the powerful Rehman Dakait character, Aamir approached casting director Mukesh Chhabra, expressing interest in taking up the role. But there was a condition — he wanted the political tone toned down and the character to be more balanced. Director Aditya Dhar reportedly refused to make those changes… and the rest is history. What if Aamir had played Rehman Dakait? 🤔 @CastingChhabra is this true? This was posted on Subs on Reddit?






‼️Aditya Dhar’s 15 seconds ‼️ “I don’t care about people who label Dhurandar as propaganda” “ I know where that labeling is coming from and Indian Audience is intelligent”



