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Jennifer Ochieng
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Jennifer Ochieng
@jenfromthatbloc
Still recovering from Black Mirror (White Bear broke me). Building @sinemafocuske #FreeCongo🇨🇩 #FreePalestine🇵🇸
NAIROBI - KENYA Katılım Ağustos 2010
552 Takip Edilen676 Takipçiler
Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi

On the sidelines of the 79th Cannes Film Festival, we were pleased to host “Women in Cinema” celebrating women’s cinematic contributions.
In attendance was Genevieve Nnaji, one of our spotlighted women and an icon of Nigerian cinema.
#WomenInCinema #RedSeaIFF #RedSeaFilmFoundation #Cannes


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Jennifer Ochieng retweetledi

After months of speculation, Christopher Nolan has confirmed that Lupita Nyong’o portrays Helen of Troy and her sister Clytemnestra in The Odyssey, a casting choice that has sparked online backlash from figures such as Elon Musk.
Read here: sinemafocus.com/lupita-nyongo-…

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Jennifer Ochieng retweetledi

My dear brother, Mau Mau fought against land alienation, police violence and lack of sovereignty. They were not alone. The trade unionists, Dini ya Msambwa and Barsirian arap Manyei were also in colonial detention at the same time. What made the status of the Mau Mau different is that the British decided to also engage in collective punishment of the Kikuyu Embu and Meru and pretend that the struggle was ethnic, not political.
So few Kenyans know that the Maasai, the Kamba and the Luhya participated in the Mau Mau. Chief Mukudi of Samia was detained by the British for administering the Mau Mau oath. I saw ES Atieno Odhiambo mention some Luo soldiers in the Nairobi ranks of the Mau Mau but I lost the reference. I'll keep looking for it.
Independence isn't liberation. It's the management of the colonialist state by Africans.
The whites were not chased out. They are still here. They still own land, plantations, mines and major installations. They gave us CBC. They just got a military agreement in Mombasa which exempts soldiers from prosecution. Wazungu didn't leave. They retreated from visibility, but not from power.
Until the late 1950s, the British had no intention of leaving. In their dream, Kenya was to be a multi-racial state. Shortly after, they aimed to leave in 1975. Then after, they decided to leave in 1963, but before they did that, they needed to ensure that Kenya was left in the hands of the sympathizers, your Lancaster people and the #IwenttoAlliance's.
Whites remained in the independence government, protected by Sir Charles Njonjo of Kabeteshire. Bruce Mackenzie was Ministry of Agriculture. Humphrey Slade the Parliament speaker. Goeffrey Griffin, a former information officer, started Starehe. Carey Francis moved to Pangani High School. In 1972, UoN students were violently suppressed by the police after complaining about the architecture department being staffed by wazungu faculty who were failing the students. Guess who was in charge of Nairobi Provincial Police? James Myles Oswald, who had killed many Mau Mau fighters.
The decision of the British to hand over the state to Africans was forced by the African resistance, of which Mau Mau was a major player. The British realized that it would be too expensive to keep suppressing rebellion, especially because the Mau Mau started to regroup in 1961. Plus the whole pan-African world's imagination was captured by the resistance. It was cheaper for the British to have African elites, your favorite Lancaster guys, rather than settlers, in charge. But overall, the British remained in charge from London.
Forcing the British to hand over the colonial state doesn't mean we were liberated. It just means we got black settlers in charge of the state, instead of white ones.
Reading helps even the best and the brightest.
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Jennifer Ochieng retweetledi

#Cannes jury president Park Chan-wook says "I don’t think politics and art should be divided."
" I think it’s a strange concept to think that they’re in conflict with each other. Just because a work of art has a political statement, it should not be considered an enemy of art. At the same time, just because a film is not making a political statement, that film should not be ignored. Even if we are to make a brilliant political statement, if it’s not expressed artfully enough, it would just be propaganda. So what I want to say is that art and politics are not concepts that are in conflict with each other, as long as they are artistically expressed, they are valuable."
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Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi

‘East West Love’ (NollywoodWeek Review): A Sweet Romcom Stretched Too Thin in Both Directions
Read our review of the Kenyan-Nigerian feature below.
sinemafocus.com/east-west-love…
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Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi
Jennifer Ochieng retweetledi

Jennifer Ochieng retweetledi

The Standing Ovation Is Not a Distribution Strategy indiewire.com/news/analysis/…
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Jennifer Ochieng retweetledi

Docubox, the East African Documentary Film Fund, has opened its first-ever fiction feature development call, supporting Kenyan producers through the Creative Producers Lab with grants, mentorship and industry access.
Read more: sinemafocus.com/docubox-fictio…

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Jennifer Ochieng retweetledi

Last borns, showing up to lunch with you with no money in their account.
Media Updates@mediaforupdates
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Jennifer Ochieng retweetledi

Is it becos you're handsome you think you can do anything you want ??
21@21metgala
Damson Idris attends the 2026 Met Gala.
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Jennifer Ochieng retweetledi

Kenya’s Brian Abajah and Nigeria’s Sunshine Rosman lead the Kenyan-Nigerian collaboration East West Love, the opening film at the 2026 NollywoodWeek Film Festival, which kicks off today, 6 May, in Paris.
Read more below. sinemafocus.com/kenyan-nigeria…
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