Liam

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Liam

Liam

@liamschreder

@lcfc | 21

Leicester, England Katılım Kasım 2021
260 Takip Edilen41 Takipçiler
Liam retweetledi
#BMH365 🎶🎤
#BMH365 🎶🎤@BlackMusicHstry·
In part 1 of this rare, understated interview from 1970, we catch a 20-year-old Stevie Wonder standing at the literal crossroads of his career. Just months away from his 21st birthday and his historic break for artistic independence, Stevie discusses his shift into production and his burgeoning collaborative spirit. It is a quiet, profound glimpse of the man right before he moved to New York City to build the "Classic Period" and change the DNA of popular music forever. Note his wit and unwavering confidence, the hallmarks of a visionary ready to claim his own narrative. Young Stevie also challenges the very definition of the word “Soul,” arguing that 'Soul' wasn't a racial category, but a depth of feeling, a '20/20 vision in the dark' that allowed him to communicate across the boundaries of sight and sound. "Music is a world within itself, with a language we all understand." — Stevie Wonder
#BMH365 🎶🎤@BlackMusicHstry

Born on this Day, Stevie Wonder (@StevieWonder) (Saturday, May 13, 1950) Born Stevland Hardaway Judkins in Saginaw, Michigan and raised in Detroit, Stevie Wonder emerged from one of the most fertile Black American musical ecosystems of the 20th century. Blind shortly after birth due to retinopathy of prematurity, he developed extraordinary sensitivity to sound, becoming a multi‑instrumental prodigy on harmonica, piano, and drums before he reached adolescence. Discovered by Ronnie White of The Miracles, Wonder was signed to Motown’s Tamla label at just 11 years old. Introduced to the world as “Little Stevie Wonder,” he delivered a historic breakthrough at 13 when his electrifying live recording of “Fingertips (Pt. 2)” became the first No. 1 single by a solo artist so young. But his true transformation came on his 21st birthday in 1971, when he allowed his Motown contract to expire and negotiated a groundbreaking new deal granting him full artistic control, moving from Detroit to New York City, moving him beyond the "Motown Sound." With that freedom, Wonder entered his legendary Classic Period, serving as singer, songwriter, producer, arranger, and sonic architect. Working closely with Malcolm Cecil and Robert Margouleff, he used the TONTO synthesizer system to push electronic music into new emotional territory, crafting the warm, human textures of Music of My Mind and Talking Book. His momentum nearly ended in 1973 when a devastating car accident in North Carolina left him in a coma for four days. His recovery, marked by him tapping the rhythm of “Higher Ground” on his hospital bed, deepened the spiritual urgency of his work. What followed was one of the most extraordinary creative streaks in popular music: Innervisions (1973), Fulfillingness’ First Finale (1974), and Songs in the Key of Life (1976). These albums blended social commentary, political critique, romance, and Afro‑futurist imagination, earning Wonder an unprecedented distinction: he remains the only artist to win the Grammy for Album of the Year for three consecutive studio releases. His genius extended far beyond his own catalog. Wonder wrote the funk landmark “Tell Me Something Good” for Rufus and Chaka Khan, gifting them one of the defining grooves of the 1970s. He also co‑wrote “It’s a Shame” for The Spinners, helping bridge Motown’s classic sound with the emerging sophistication of 1970s soul. His harmonica became a signature voice across genres, from Roberta Flack to Eurythmics, solidifying him as one of the greatest chromatic harmonica players in history. Wonder’s humanitarian and political impact is equally profound. His tireless advocacy, alongside Coretta Scott King, was instrumental in establishing the Dr. Martin Luther King Jr. Day federal holiday, with his song “Happy Birthday” becoming a beloved cultural anthem. He later played a key role in the creation of “We Are the World,” coaching vocalists and shaping the song’s global message. As a United Nations Messenger of Peace since 2009, he has continued this mission, championing the rights of people with disabilities on a global stage. Across his career, Wonder has been honored with 25 Grammy Awards, an Academy Award, the Presidential Medal of Freedom, the Gershwin Prize for Popular Song, induction into the Rock & Roll Hall of Fame (1989), and recognition as the youngest Kennedy Center Honoree in history (1999). In 2005, Songs in the Key of Life was preserved in the Library of Congress National Recording Registry, cementing its status as an essential American treasure. More than seven decades after his birth, Stevie Wonder stands as one of the most technically sophisticated, spiritually resonant, and culturally transformative artists in human history, a visionary whose music continues to teach, uplift, and expand what we believe sound can do. Photo: James Kriegsmann, publicity portrait for Tamla Records / Motown, Detroit, Michigan, circa mid-1960s

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Charles Caudill
Charles Caudill@CharlesCau19968·
@PotatoeSarge @theereal_one 🙄🙄 bro if you accidentally kicked a soccer ball at a humans head and felt bad, some people still laugh because of the absurdity. Grow up
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lauren
lauren@merrycrimble·
my most boomer take is that 90% of mainstream artists today are complete dogshit
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Liam
Liam@liamschreder·
@sgtqeppers Stevie Wonder’s cover of ‘We Can Work it Out’ is the only cover that to me truly reinvents the song and it is so much better than the original honestly imo
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Michael Glover Smith
Michael Glover Smith@whitecitycinema·
Once more, I am asking for your help in compiling a playlist:
Michael Glover Smith tweet media
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Liam retweetledi
𝙱𝚘𝚋𝚋𝚢’𝚜 𝙷𝚎𝚎𝚕
Prince - I Wanna Be Your Lover Vocals, guitars, bass, drums, Clavinet, electric piano, Oberheim, Polymoog, Minimoog and ARP Strings - all performed by 21-year-old Prince. He probably he took the bins out that day too. 1979.
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Liam
Liam@liamschreder·
@KickWokeOut @piperocktheory Stevie Wonder’s run from talking book to songs in the key of life is probably my favourite album run and it’s definitely a better run than MJ’s, but the Beatles probably have two or three album runs in their discography that beat this. So does Prince, Miles Davis, Radiohead etc.
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Liam retweetledi
nosa !
nosa !@nosaputyouon·
Not knowing any Prince songs is NOT the flex yall think it is
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Liam
Liam@liamschreder·
@cleverhandle15 @nosaputyouon You say ‘like a George Michael song’ as if that’s a bad thing and if you’re not completely wrong
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Poppa Positive
Poppa Positive@cleverhandle15·
@nosaputyouon I know some, just amazed he was as big as he was. I don’t see the wow factor. Purple rain was solid. Little red corvette feels like a George Michael song….
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Burning Rage
Burning Rage@Learning3fly·
@piperocktheory He made a couple good albums. There have been a lot of good albums. He also released Characters.
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U serious Guy?
U serious Guy?@useriousguy·
@piperocktheory You pop fuckers NEED to get into ANY music other than pop. Stevie was insanely talented, but he isn't in the top 1000 most talented musicians ever, not even in the top 100 BLIND musicians ever. Yall gotta get exposed to more than top fucking 40 corporate pop radio hits
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Nicky
Nicky@nickishmicki·
@liamschreder @bees4byler you might be able to describe the beatles as underrated if you only know like ten bands
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beesus (middle name: pumpernickel)
the beatles are lowkey one of the most underrated bands ever bc like yeah theyre The Band of all time but also the general population genuinely does not seem to grasp why that is and why they're genuinely deserving of that title
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Liam retweetledi
supimpa
supimpa@SgtPepper2006·
Desculpa, mas jamais irão me convencer de que Michael Jackson é melhor do que uma banda que tem Rubber Soul, Revolver, Sgt Pepper, Magical Mystery Tour, Álbum Branco e Abbey Road (EM SEQUÊNCIA)
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Liam
Liam@liamschreder·
@nickishmicki @bees4byler They absolutely should given the current discourse around them from MJ fans
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Nicky
Nicky@nickishmicki·
@bees4byler these words should never be said in any context im sorry
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Liam
Liam@liamschreder·
@_doyliemon @COUNTRY_MOUSE66 Yeah imagine they played a song live that they basically never played live that would be so horrendous. You’ve basically had to imagine a world in which the Beatles are bad, you moron.
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Twittirrelevant
Twittirrelevant@_doyliemon·
@COUNTRY_MOUSE66 Imagine you go to a concert, an arena filled with people there to dance and sing and the band plays, Michele. I'd rather stab my ears with meat skewars.
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COUNTRY_MOUSE
COUNTRY_MOUSE@COUNTRY_MOUSE66·
I'm not a huge Beatles head but a solid 95% of criticism against them is from morons who've never actually listened to them
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Liam retweetledi
vico 🐦‍⬛
vico 🐦‍⬛@mybravefaces·
I like MJ but what I’m getting from this whole MJ vs The Beatles discussion is that MJ fans don’t know a thing about music history in general. not even about specifically The Beatles, they just don’t seem to know about anything that happened before 1975 or something.
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Liam retweetledi
Outer
Outer@outer_guitar·
@NotRealMusic What people call "Michael Jackson" is at least 50% Quincy Jones.
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