judithm
12.4K posts


@StevenIsserlis HBD to three very different but all creative in their own ways, pushing boundaries.
On a personal note I'd like to thank you and Connie for extraordinary concert at Jane Mallet theater plus your very insightful, thoughtful and humorous masterclass at Mazzolini Hall.
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@rowenamezzo Very shaky start for you Rowena Glad everyone is safe & firemen arrived quickly.
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“The night will come
and with a bite
will devour everything.”
~ Vladimir Mayakovsky
thanks to @poetry_weekend

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@MGregoryWriter Yes I just heard Andrew Graham-Dixon speak about his new book on Vermeer.
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@deborah_feder @92ndStreetY @StevenIsserlis @WQXR @FriseSally @bekibrindle @LarryKellogg @rowenamezzo @jamesmeredithd1 @mikeirons12 Toronto concert plus masterclass. So looking forward
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The music was soaring and the hair was flying, tonight at The @92ndStreetY with Connie Shih and our wonderful,
@StevenIsserlis!!💜🎻
Fantastic concert!!!
Bravo!!!💜👏👏👏
@WQXR @FriseSally @bekibrindle @LarryKellogg @rowenamezzo @madmj1m @jamesmeredithd1 @mikeirons12



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@LarryKellogg @StevenIsserlis Tonight at 7:30!!💜🎻🎹
Steven Isserlis, cello & Connie Shih, piano | 92nd Street Y, New York share.google/Igw6eT7S0GpqHR…
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Renowned art-historian Andrew Graham-Dixon discusses his revelatory and illuminating new biography of 17th century Dutch painter Johannes Vermeer. In conversation with novelist Teju Cole.
Apr 13 | 7 pm | Toronto Reference Library
Register: ow.ly/hLNI50YsSiI
#SalonSeries

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Her manuscript had been burned by soldiers. Her daughter would never speak. Her husband controlled every dollar she earned. And every publisher had already said no.
At 35, she wasn’t chasing a dream anymore—she was out of options.
So she sat down and wrote anyway. Not because she felt inspired. Not because she believed in success. But because her daughter needed her—and there was no other way forward.
Her name wasn’t even the one the world would come to know. She was born Pearl Sydenstricker (Pearl Buck) in West Virginia in 1892, but her life would never belong to one place. At just three months old, she was carried across the ocean to China by missionary parents, growing up between languages, cultures, and expectations. She spoke Chinese before English. Played barefoot in village streets. Belonged everywhere—and nowhere at once.
By the time she married John Lossing Buck in 1917 and settled into rural China, she had already learned how to live between worlds. But nothing prepared her for what came next.
In 1920, she gave birth to her daughter, Carol. Something was terribly wrong.
Carol wasn’t developing like other children. Doctors had no answers—only vague, devastating conclusions. What we now understand as severe intellectual disability was, at the time, a life sentence of uncertainty and isolation. There were no support systems. No clear treatments. Just fear… and silence.
Pearl was told, in so many words, that her daughter would never live an independent life.
And just like that, everything narrowed. Her marriage strained. Money tightened. Opportunities disappeared. And still—no one wanted her writing.
Until she stopped writing for approval. And started writing for survival.
She poured everything into a story rooted in the land she knew so intimately—the people, the struggles, the quiet dignity of lives often ignored. A story shaped by hardship, by loss, by watching the world from the margins.
That book became *The Good Earth*.
It didn’t just get published—it changed everything. It won the Pulitzer Prize. It reached millions. And it helped her become the first American woman to win the Nobel Prize in Literature.
But none of it started with ambition. It started with a woman who had nothing left to lose—and one reason to keep going.
© Women In World History
#archaeohistories

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@rowenamezzo Louis lorti a favorite of mine. Just did concert and masterclass in Toronto. Always thought he was French Canadian from Montreal.
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