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@mxvdxn_illust

AI • イラスト • rkgk • main account @mxvdxn

Katılım Ocak 2026
83 Takip Edilen909 Takipçiler
DAN
DAN@mxvdxn_illust·
@mxvdxn This dude 😆😆😆
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DAN · MXVDXN@mxvdxn·
MXVDXN: Pulse // Hipdut Generation
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DAN · MXVDXN@mxvdxn·
สาวพลังจิตมหาประลัย // Psychic Girls of Destruction Made entirely with Seedance 2.0 via @dreamina_ai Just Thai schoolgirls with psychic powers doing totally normal after-school activities. 😊😎 #DreaminaCPP
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DAN
DAN@mxvdxn_illust·
@mxvdxn Petualangan Sari & Ploy 😎
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DAN · MXVDXN@mxvdxn·
Sari & Ploy // Origin Story • Seedance 2.0 Omni-Reference • Kling 3.0 Omni • Grok Imagine Two teenage girls from broken homes, one Indonesian, one Thai, are recruited by a secret bilateral agency to fight organized crime across Southeast Asia. Their cover? High school students. Their reality? They're the most dangerous teenagers in the region. + + + A classified joint program between the Indonesian and Thai governments. Formed in response to the rising threat of organized crime networks operating across Southeast Asian borders. GARUDA-SIAM INITIATIVE (GSI) operates completely off the books. No public records, no official acknowledgment. Only a handful of senior police officials in both countries know it exists. GSI's mandate: recruit, train, and deploy unconventional assets to assist law enforcement operations in the region. + + + SARI — Indonesian. High school age. Grew up on the streets of Jakarta. Never had formal education before GSI. Her father was murdered by criminals when she was a child. Raised alone by her mother, who still doesn't know the full truth about what Sari does. Sari developed her Pencak Silat skills naturally on the streets, fighting was survival. GSI discovered her after she single-handedly took down a group of muggers in a Jakarta back alley. Her combat ability is far beyond her age. Quiet, serious, disciplined but still a teenager underneath it all. Gets annoyed easily. Loves snacks from Indomaret. Will answer her mom's phone call mid-mission without hesitation. PLOY — Thai. High school age. Grew up in the back streets of Bangkok. Same story, different country. Her father was killed by criminals when she was young. Raised by her mother, who believes Ploy is studying abroad in Jakarta on a student exchange program. Ploy learned Muay Thai in underground gyms since she was a kid, not for sport, but because she had no other choice. GSI found her competing in illegal fights in Bangkok at an age when most girls were still in middle school. Playful, relaxed, always eating something, but when the switch flips, she is ruthless. She and Sari share the same wound: fathers taken by criminals. That shared pain is the foundation of their bond. + + + GSI recruited them separately. Sari in Jakarta. Ploy in Bangkok. They were brought together at a GSI training facility and paired as a two-person unit. At first, they didn't get along. But over time, the shared loss of their fathers and the reality of their situation brought them closer. They became best friends. Now they are inseparable, on and off duty. + + + To maintain their normal lives and protect their identities, GSI enrolled both of them in a high school in Jakarta. Sari attends as a regular Indonesian student. Ploy is registered as an exchange student from Thailand. This is the official story that the school and public know. Ploy is allowed to wear her Thai school uniform as part of the "cultural exchange program," which conveniently explains why she looks different from everyone else. Their education is real but secondary. GSI believes that keeping them in a normal social environment is essential for their mental health. Agents who lose touch with normal life become unstable. So they go to class, do homework, hang out with classmates. But when GSI calls, they leave. Their absences are covered by a GSI handler embedded in the school, a teacher who is secretly a GSI operative. This handler manages their schedule, covers their missions, and keeps an eye on their wellbeing. + + + GSI offered both girls the same deal: your life is taken care of, from education, housing, future career, financial security for your mothers. In return, you work for us. You train. You fight. You help law enforcement take down the criminals that conventional police cannot reach. Both girls accepted. Not just for the security. But because they share the same drive, their fathers were taken from them by criminals, and they carry that anger. Fighting crime is not just a job for them. It is personal.
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DAN · MXVDXN@mxvdxn·
Sari & Ploy // Operational Costs Seedance 2.0 Omni-Video via @yapper_so After taking down a group of ninjas at a local fish market, Sari and Ploy receive a grateful thank-you from the police. But SARI is quietly fed up. Every single mission, they front the costs themselves. So the next day, they decided to reimburse all the expenses they've covered. All of it.
DAN · MXVDXN@mxvdxn

More stories from "Sari & Ploy". It's definitely the year of storytelling, no matter how short it is. // Seedance 2.0 Omni-Video via @yapper_so

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DAN@mxvdxn_illust·
@mxvdxn @yapper_so Sari and Ploy can finally speak! 😆😆😆
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DAN@mxvdxn_illust·
@mxvdxn @Kling_ai 😆😆😆Anime version is also coming right 🔥🔥🔥
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DAN · MXVDXN@mxvdxn·
CODENAME: WIDURI Kling 3.0 Omni @Kling_ai Widuri is a Tier 1 operative of Ratu Sunyi: an all-female assassin syndicate operating out of Southeast Asia. Tonight she has one contract: retrieve a mysterious sealed envelope from a low-life scammer in Jametkarta. Killing him wasn't on the brief, but hey, let her decide on that. + + + I've been developing this concept since last year. A sisterhood of Javanese & Sundanese assassins in kebaya. So excited that it's slowly coming to life, especially now that the omni reference feature keeps getting better with Kling 3.0. That said, there are still so many limitations when it comes to full narrative storytelling. Keeping the environment consistent, the performances, all of that is such a challenge. So I'm taking it slow, building through micro-stories, mainly to test how the pacing and scene flow feels. For the world building itself, I already have a ton of characters in mind for this sisterhood, but let's go one by one. First up: Codename Widuri, one of the deadliest assassins in the region. More will follow soon. And if you've been following my "Sari & Ploy" series, this is the same universe. One day they'll share the same scene and seriously can't wait.
DAN · MXVDXN@mxvdxn

Kebaya Kill-N-Beat$ → text2img: Google Imagen 4 → img2vid: @Kling_ai 2.1 // @higgsfield_ai → music: Suno v4.5 → editing: CapCut Probably one of my proudest works. The main influence behind this video is one of my favorite Japanese manga, Sakamoto Days. I’ve always loved its concept on how it blends slice-of-life moments with the world of hitmen. The tone is light, humorous, sarcastic and occasionally serious, and I tried to bring that same energy into my own world, localizing the vibe with elements rooted in my culture.

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DAN · MXVDXN@mxvdxn·
THE WORLD FORGOT TO END An AI-Generated Film by Dan Pradana A lone woman moves through a dead world. Temple spires and collapsed buildings drift under a pale grey sky. She carries one weapon. She asks no questions. Something finds her. This short film was made with @Kling_ai 3.0 Omni-Reference.
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DAN@mxvdxn_illust·
@mxvdxn @Kling_ai Sebuah tempat yang indah sekali ☺️
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DAN · MXVDXN@mxvdxn·
MUTIA (AI Generated Short Film) Dan Pradana // MXVDXN 2026 A short film made with @Kling_ai 3.0 Omni-Reference, with the character created using Nano Banana Pro. An experiment in voyeuristic camera work, Southeast Asian rural aesthetics, and raw lo-fi footage through generative AI video.
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DAN@mxvdxn_illust·
@mxvdxn @Kling_ai Hmmm i know that place 😏😏😏😏
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DAN · MXVDXN@mxvdxn·
R U R A L C O R E ☺️😁// Kling 3.0 Omni @Kling_ai Somewhere in Southeast Asia lies a hidden village nestled between Two Beautiful Twin Mountains… known for its breathtaking peaks, golden fields, and a pace of life so slow you can't help but stop and stare at the stunning… landscape. The locals say the valley between the mountains is the most peaceful place on earth. Nature really said 'double blessing' with this view 😌🌾
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DAN@mxvdxn_illust·
@mxvdxn @Kling_ai Mook & Zia adalah sahabat sejati 😊
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DAN · MXVDXN@mxvdxn·
Let's gooo!! Seedance 2.0 is finally available in @capcutapp and it's damn fast. It only takes around 2 minutes and 30 seconds to generate a 15 second clip. Love it because it generate straight to my CapCut editing timeline, so i can straight away apply my fav filters.
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DAN@mxvdxn_illust·
@mxvdxn Garam dan Madu
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DAN@mxvdxn_illust·
@mxvdxn Chick flick is awesome 😁
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DAN · MXVDXN@mxvdxn·
Let’s gooooo 🔥🔥🔥 I’m sooooooooo going to make a slop chick flick film with AI 😂😂😂 Seedance 2.0 Fast via Doubao
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DAN@mxvdxn_illust·
@mxvdxn 😍😍😍
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DAN · MXVDXN@mxvdxn·
She Was Already There (AI Generated Short Film) Dan Pradana // MXVDXN 2026 A short AI-generated experimental film about a high school girl who returns to her empty classroom for a forgotten phone… only to find herself already sitting at her desk. In silence, identity quietly fractures under the humid afternoon sun. • text2img: Nano Banana Pro via @freepik • img2vid: Kling 3.0 Omni @Kling_ai • music: Suno v5 • editing: CapCut @capcutapp
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DAN · MXVDXN@mxvdxn·
Mook & Zia 😁 Btw, the music came straight from Kling 3.0 Omni @Kling_ai which is interesting. Prompt: A static, vertical 9:16 film shot from a worm's-eye view on the floor. (@ Image 1) and (@ Image 2) (same height) in a medium-full shot, performing a synchronized, high-energy TikTok dance routine to a (describe music here) beat. Because of the extreme low angle, their legs and feet look large and rhythmic as they step and jump. The ceiling of the flat and a hanging light bulb are visible in the background. The lighting is warm and natural. No dialogue.
DAN · MXVDXN@mxvdxn

Let’s assemble the cast first, then think about how to do it later LOL 😆😁If you’ve been following me for quite some time, some of these faces might be familiar. Made with Nano Banana Pro + Kling 3.0 Omni via @freepik

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DAN@mxvdxn_illust·
@mxvdxn @freepik Pao-Pao is back! We haven't seen our cici for awhile 😁😁
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DAN · MXVDXN@mxvdxn·
Let’s assemble the cast first, then think about how to do it later LOL 😆😁If you’ve been following me for quite some time, some of these faces might be familiar. Made with Nano Banana Pro + Kling 3.0 Omni via @freepik
DAN · MXVDXN@mxvdxn

Everyone wants to redefine Hollywood with AI. Meanwhile, I just wanna make cute and silly Southeast Asian high school dramas with AI, LOL 😂😂 Made with Nano Banana Pro + Kling 3.0 Omni via @freepik

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DAN@mxvdxn_illust·
@mxvdxn @freepik We are sooo going to make high school love stories LMAO 😆😆😆
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DAN · MXVDXN@mxvdxn·
Everyone wants to redefine Hollywood with AI. Meanwhile, I just wanna make cute and silly Southeast Asian high school dramas with AI, LOL 😂😂 Made with Nano Banana Pro + Kling 3.0 Omni via @freepik
DAN · MXVDXN@mxvdxn

Another experiment with Kling 3.0 Omni @Kling_ai in creating a simple, everyday kind of scene. As a copywriter, back then when I pitched a story to a client it was either presenting your script verbally to them or creating a Google Slides presentation of your storyboard using images from Shutterstock or even clips from a movie. Understanding the story is actually simple, but getting your client to imagine the exact vibe you are aiming for is difficult. Some of the reference materials you show them might be a bit irrelevant, and creating the exact visual mock-up can take a lot of time. This is where GenAI video really comes in handy. I can visualize my script, edit it, and then show it to them now in motion. Especially now that most AI video models have better training data, particularly for the Southeast Asia region, exploring that specific vibe is much easier. Yes, it is AI. It may look slop, and I agree. But it helps a lot when it comes to visualizing your idea for your client. By showing this, you bring everyone to the same point of view so that no one in the room has a completely different imagination. What actually happens is fun. When I present a concept to my client, we end up having fun together. It triggers conversations like, “Hey, I think I know a better location where we can shoot this scene,” or, “Let’s make the set more chaotic, with more street vendors and a bigger crowd.” And when it comes to briefing an actual film director to direct the commercial, it becomes even more collaborative. We might already have ideas about how we want to shoot it, but then the film director provides more suggestions based on their expertise, like, “This works, but I think we can also try it this way.” And it is so much easier now. AI is really a great tool. I think it is up to you how you want to use it and how you want to perceive it. In reality, I still hire real talent like film directors and photographers. Nothing really changes, especially in Southeast Asia, where the ad scene is very active and dynamic. We just need to be more open-minded about what technology brings to us.

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