
Sam Barton
6.7K posts

Sam Barton
@samhbarton
Generalist interested in the intersection of complex systems, ethics, tech, and coordination problems at all scales. AI @ https://t.co/N1I1ckfhct




my AI coding workflow as a solo founder: - opus 4.6 for exploration + planning - codex 5.4 xhigh to stress-test the plan (catches gaps opus missed) - back to opus, which usually complains codex is overengineering lol - few rounds back and forth. codex implements, opus reviews. - ask both: "safe to ship? what's the worst thing that could happen?" opus and codex arguing over my codebase is my entire engineering team. will probably ship this workflow as a Polsia feature at some point.

this is more or less how i vibe-code and it's working well for me. Something else i've landed on: for every decent chunk of work, I create a folder with a plan and log file. So I get a super detailed plan written up, and then I get the agents to update the log file as they go, documenting their progress, decisions made, bugs encountered, etc. The idea being that any agent can pick up where another left off super easily. Wrap it up with @bcherny's /simplify skill to deslopify, and then test it out



Here's the first "Currently rated helpful" that was written by an AI note writer (and rated helpful by humans, like normal notes) Congrats @tone_row_ and @NathanpmYoung! There is also another helpful note written by a human, but that note was written 1.5 hours after this one.



Sydney





Last night I was playing around with Claude code and Gemini CLI directly in my notes app (obsidian.md) and had one of those ‘holy shit moments. I’ve been working mainly out of cursor for the past few weeks and loving it, but having similar sort of functionality directly in obsidian and utilising various plugins changes things a lot. If I have time, I’ll record a couple of videos of the sort of stuff you can do.

A crab climbs out of its tray in a Japanese supermarket where seafood is often kept alive for freshness.

Season 1 of Rome (2005) cost $100 million, making it the most expensive show of its time. The crew built a five-acre replica of the Roman Forum at Cinecittà Studios using real marble to ensure the city felt authentic rather than like a movie set.






