slickhomes

@RumiTweetz76 @The_Stubbs44 your info is fake. Alexander lost big time. Alexnader ran away. Fake story continues with "sudden frustrations", internal strife and sickness in Alexander army. Those days too, had mostly "fake info".

How The Great Alexander's army felt, when they first saw India's War Elephants 🗿🔥

@IamEmily2050 How anyone can trust ? Most Image generations have AI issues.

I highly recommend people who have access to GPT Image Gen V2 through Codex or agent's to generate as much as possible Story board scenario's, especially with your original character's.

@gstrompolos @gstrompolos why - Monetization is not a god-given right. ?? Many people livelihoods are the monetization.

We checked in with YouTube about the demonetization issues impacting the Gen AI creator community. They are continuing efforts to reduce repetitive, spammy content so more original, story-driven work can rise. The system isn’t perfect, so if you were flagged incorrectly, appeal. That feedback helps improve things over time. There’s a wave of bold, original work coming from AI creators right now, and we will continue to advocate for you.

Seedance 2.0 is now live in LTX Studio. 1080p generation. No restrictions. Follow + Retweet to get 800 credits in your DMs + 33% off Pro plan 24 HOURS ONLY ⏱️

@Korgamiai @Studio_Tora_lab Can you have a sample, never worked for me. Thanks.

@Studio_Tora_lab He kinda gets it.. but needs alot of instruction.

Since the last post did really well, I’m dropping the exact prompt I used 👇 GPT’s Images2 × Seedance 2.0 workflow is powerful when used right 1️⃣ Combine your idea with the ✅ prompt 2️⃣ Let GPT generate the storyboard image 3️⃣ Use that image as a reference in Seedance 4️⃣ Paste the refined prompt back into Seedance This is the base I used to get consistent results. Still not perfect — motion and camera variety can feel limited — but with the right prompt structure, the quality jumps a lot. Next step is pushing this beyond “template feel” into something more cinematic. Prompt ⬇️

@si_dd_hant_ Only Kings are the creators, story tellers and executives (Directors) who can do produce it. 99.9999% of artists "Slog to make" what is told to them. Especially in DesiWoods are copycats. A few decades back: Human ploughing is better for grown food than Tractor machineries.

Aur log ramayana ko AI keh rahe the. This is what AI slop looks like.. watch it. Ramayana is hardwork of 1000s of artists working 15 hours a day, you can't just call that AI.

@javilopen Good luck! We r a tiny drop in the ocean of many billion users.

Still no answer from TeamYouTube, and their DMs are closed. The only option they've left me, instead of giving me real support and not just replying through automated bots, is to invoke EU law, specifically Articles 14, 15, 17, and 20 of the Digital Services Act and demand a detailed written explanation. I don't know if you have something similar in USA. This is not optional. It's binding EU law. Maybe that way I can reach Google Community Outreach, an actual human who can review my case. It's ironic, to say the least, that their systems are the ones treating me 100% through automation, while my channel is the one being accused of being automated, even though it's the innocent one!! This is huge, because we were seriously considering, from Freepik/Magnific, creating a series of productions and pushing them hard on YouTube... but this is making me completely rethink it (although is not 100% my call, I have some weight on it). And I doubt we're the only ones feeling this fear right now: who would want to venture into creating a fiction series in 3D or with AI on YouTube, reach millions of viewers, and then suddenly get the channel demonetized as 'inauthentic' simply because it's 'generated' (3D/AI/etc.) plus 'fiction'? This is becoming personal for me. I can't help it. I'm earning like 20 bucks / month on this channel 😂, LOL, but this is not about money. It's about principles, and about valuing human involvement in my creations, even when using AI tools... tools like Nano Banana and Veo 3, which are created by Google itself! If I have to spend 50k on lawyers to get back a 20-bucks-a-month channel... I will absolutely do it, xD. For the glory of what is RIGHT.

@si_dd_hant_ Post is a big joke. What is CGI, is it not digital work? Is that Ramayan engaged 100,000 monkeys as extras for Ram? AI can also easily do it with right creators and toolz. Will do it. AI will enhance it. But Ramayan is just marketing hype with big connections.

@taran_adarsh 100 years ago, same types, complained do not show Ramayana and other epics in Cinema halls !! 😂😂😂@abhi_kulkarni85

'DRONACHARYA' – AI FILM TO RELEASE IN JUNE 2026 – TRAILER OUT NOW... #Dronacharya – he didn't just train warriors, he created legends... #Dronacharya – an AI film – is all set for a theatrical release in June 2026... Trailer out now. A #VibhuAgarwal and #KanhiyaMittal presentation, the film is produced by Bharat NextGen Digital P Ltd [Hari Om]. #DronacharyaTheMovie

@TheNameIsClaus HI @sashank_sashi20 Yeto Vellipoyindhi Manasu - Laayi Laayi Video | Nani, Samantha - Ilaaiyaraja . Keervani loves Raaja. youtu.be/-2KmB4rqLfs?si…

This is where S.S Rajamouli as director showed whole India how cinematically beautiful “ Pushpak Vimaan ” would look like and took that liberty from Ramayana itself. With Bahubali Cinema Peaked , Storytelling Peaked , Visuals Peaked and Dharma Peaked…

@Studio_Tora_lab Prompts take hour or hours. Laziness in promptness, good video will be a dream.

@ocjain4 Closest friend in SriRangam was told, he cant be taught Sanskrit. Reason , he is not from special community.

HINDU :- आप तो कहते हो कि उस ज़माने में संस्कृत श्लोक सुन भर लेने से शूद्रों के कानों में पिघला सीसा डाल दिया जाता था . ???? SECULAR :- हाँ, बिलकुल . . . . . ब्राह्मणों ने बहुत अत्याचार किए और शिक्षा ग्रहण नहीं करने दी . . . HINDU:- OK . . . तो क्या महर्षि वाल्मीकि जन्म से ही संस्कृत सीखकर आए थे . . ??? या किसी ने उन्हें यह भाषा सिखाई . ??? जिसने सिखाई उसे ब्राह्मणों ने दण्ड क्यों नहीं दिया. ??? और महर्षि वाल्मीकि को छोड़ क्यों दिया. ??? SECULAR :- वो तो बहुत पुरानी बात हो गई . . मैं तो पिछले कुछ सौ वर्षों की बात बता रहा हूँ . . . HINDU:- संत नामदेव किस जाति के थे . ??? और संत तुकाराम . ??? SECULAR :- दोनों ही पिछड़ी जाति के थे . . . HINDU:- तो इनके लिखे पूरे साहित्य में ब्राह्मणों के अत्याचार से सम्बन्धित कोई गद्य-पद्य क्यों नहीं है. ??? SECULAR:- ब्राह्मणों ने षडयंत्र पूर्वक उसे गायब कर दिया . . . HINDU :- फिर भी इन दोनों संतों को संस्कृत किसी न किसी ने तो सिखाई . . . ???? किसने सिखाई . ??? और ये "अत्याचारी ब्राह्मण" बार- बार वाल्मीकि को "महर्षि" तथा नामदेव एवं तुकाराम को संत-महाराज क्यों कहते हैं . ??? और वो कानों में पिघला सीसा वगैरह वाली "कहानी" का कोई विश्वसनीय स्रोत है आपके पास . ???? SECULAR :- मैं आपसे फालतू की बहस नहीं करना चाहता, मैं सिर्फ इतना जानता हूँ कि संस्कृत ब्राह्मणों की भाषा थी और उन्होंने यह भाषा किसी दूसरे को सीखने नहीं दी . . . ब्राह्मण अत्याचारी थे, बस इतना जान लो . . . . इतना कहकर प्रगतिशील महोदय "पतली गली" से कट लिए . . . . ...../// 🙏

@ocjain4 Discrimination existed - & accepted as Dharma, that was the problem. No one fought against it for 2,000+ years, gatekeeping flourished. Today, Discrimination exists - illegal & impliciltly - that is the problem. Gatekeeping never went away.

@OpenAI Kauravas 100 brothers in 1 , one sister

This is not a screenshot.

@iamneubert Naming standard, can the downloaded names be like - "Seedance 20 - 4k..... " ?

Morning coffee hit a bit hard. 120 total generations, all text-to-video. Created with Seedance 2.0 in 1080p on the Runway mobile app.

@rofoverse Can I use this?

Calm and soft nights with some mythic Neo-Hindu Architecture.

@iamneubert @FussyPastor @higgsfield @freepik @runwayml @iamneubert It is a very good plan for the price. Somedays, no generations available at all, then days become unproductive. Action scenes and violent fight scenes, there has to be, Limitation/restriction boundaries should be story based & user-History based, Not 1 size for all

@FussyPastor @higgsfield @freepik Just come to @runwayml. Our unlimited plan actually is unlimited.

I recently switched from @higgsfield to @freepik due to Higgy's shit business practices like bait and switching unlimited access. First thing I encounter, them taking away the entire reason I subscribed with them... Thanks for telling me "what I need" is to be monetized more.

@aimikoda Reference sheets make many things worse and some things good. Blend them to get the max??? Noticed a funny thing, action area/spots of referenced images behave very much differently than native(text based) defined.

Are references making characters worse actors? I tested the same scene three times in Seedance 2.0, keeping the prompt and seed same. One version had no reference while the other two used character images. The raw version feels more natural and expressive while the referenced ones feel a bit restrained. Curious what you think.

@AshishZamindar @taran_adarsh Some one wants burger sauce with alu-roti.

@taran_adarsh another desperate cash grab using sacred epic and ilaiyaraajas outdated sleepy tunes no big stars cast announced yet director has zero big hits and release on gandhi jayanti screams flop marketing nothing new or exciting here

A spiritual alignment... #Ilaiyaraaja joins #ValmikiRamayana... Music, now an offering.

@ai_gezgini I think Grok can do bullet time, freeze time in 3 clips. I don't have time to research. Normal time, frozen time and Back to normal time or in 2 clips - Normal time (split later to 2), then add the freeze time in the middle. 😀

Seedance 2.0 ile Titanic’in son yolculuğu… tek nefeslik FPV deneyimi. 14 Nisan 1912 gecesi, Titanic Kuzey Atlantik’te bir buz dağına çarptığında, “batmaz” denilen dev birkaç saat içinde kaderine sürüklendi. buz dağı dev gövdeye yaklaşırken çarpışma anı metal yırtılıyor, buz parçalanıyor. Güverteye çıkıyoruz; şaşkınlık paniğe dönüşüyor. Işıklar titriyor, su içeri sızıyor. Merdivenlerden aşağı, koridorlara… su yükseliyor, sesler boğuluyor, karanlık çöküyor. Bu bir FPV uçuşu değil. Bir efsanenin batış anı. 🌊 Prompt: 👇 FPV drone shot beginning in the freezing night over the North Atlantic, flying low just inches above the dark ocean surface under a star-filled sky, the massive illuminated silhouette of the RMS Titanic dominating the horizon, the drone accelerating rapidly toward the ship as a towering iceberg drifts silently nearby at the moment of impact, the hull scrapes violently against the iceberg, a deafening metallic tear echoing as chunks of ice explode outward, the drone executes a tight high-speed orbit around the collision point, capturing sparks, bending steel, and cracking plates in extreme detail, then instantly redirects and surges toward the ship the drone climbs aggressively along the outer hull, racing upward past glowing portholes and rising steam, reaching the top deck in one continuous motion, leveling out just above the surface where passengers begin reacting confusion turning into panic without slowing, the drone pushes forward across the upper deck, weaving precisely between people, lifeboats, and crew members shouting orders, icy wind cutting through coats and hair, then tilts slightly downward as water begins creeping onto the deck, reflections shimmering under warm lights maintaining forward momentum, the drone descends naturally along the ship’s structure, slipping through an open grand staircase entrance and entering the interior without any cut, transitioning from cold exterior to warm but chaotic interior lighting inside, the drone moves downward level by level spiraling along the grand staircase as chandeliers swing violently, polished wood and gold details reflecting flickering light, water beginning to burst in from above and behind, chasing the camera continuing its descent, the drone exits the staircase into lower corridors, flying fast through narrowing hallways where water floods more aggressively, doors breaking open, furniture floating, lights flickering and shutting off sequentially, forcing the drone deeper into darker levels the camera keeps pushing downward through increasingly submerged sections, ceilings getting lower, water pressure stronger, currents pulling debris past the lens, sound becoming heavier and muffled as the environment transitions from air to water the drone is now fully submerged inside the ship, navigating flooded corridors with tight micro-adjustments, bubbles and particles filling the frame, beams of faint light disappearing above it continues descending through the interior until it finds a ruptured section of the hull, being pulled outward by the ocean, then bursts out into the open water in one continuous motion as the drone exits into the freezing ocean, a powerful downward current and turbulence from the sinking ship suddenly destabilize it, forcing a natural uncontrolled forward flip, the horizon inverting smoothly as the camera rolls with the flow, bubbles streaking past the lens during the flip, the Titanic’s massive silhouette briefly appears upside down above, then the drone stabilizes mid-descent, regaining balance as motion slows final shot: drifting deeper into the dark, the ship fading into the abyss above, only particles floating in a cold blue-black void, silence taking over hook feeling throughout: you’re on the Titanic… and it’s already too late ultra-realistic water physics and turbulence, physically accurate collision and flooding dynamics, seamless exterior-to-interior transitions, volumetric lighting and particles, cinematic lens effects (water droplets, distortion, chromatic aberration), hyper-detailed textures (ice, metal, wood, fabric), continuous single take, no cuts, aggressive yet physically grounded FPV motion, dynamic stabilization during flip, precise spatial awareness, emotional cinematic pacing, 4K, HDR, depth of field, immersive realism