Suma

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Suma

@sumatweet

Who cares for you?! You are nothing but a pack of cards. Posts personal. Reposts, likes, not endorsements

Katılım Ocak 2010
181 Takip Edilen1.6K Takipçiler
Suma
Suma@sumatweet·
Complete deja vu for me — I remember arguing along similar lines with both my well intentioned friends and bigots when they were jumping onto the Anna “movement”
Suma@sumatweet

@Undoubtfulnerd There are people who have been tortured, jailed and called terrorists only because they fought for fair pay for workers. There are young people fighting the real, dangerous fight in every corner of this country, but the media wants to platform a frivolous online campaign

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Suma@sumatweet·
@Undoubtfulnerd There are people who have been tortured, jailed and called terrorists only because they fought for fair pay for workers. There are young people fighting the real, dangerous fight in every corner of this country, but the media wants to platform a frivolous online campaign
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Al Pacino भारद्वाज
NSUI pichle 2 hafton se is dhoop mien NEET Aspirants ke lie laathi kha rahi hai. Workers ko detain kia jaa raha hai. Par logon ka mann CJP type sasti bakchodi mien zyada lagta hai! Aur kehte hai "There is no Alternative"!
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Djuney
Djuney@juneymb·
Joining the CJP is like feeding pigeons. It is performative It is easy Benefits no one. The native bird population suffers.
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Vijaita Singh
Vijaita Singh@vijaita·
Noida protests: accused tell Supreme Court that UP police infiltrated labour WhatsApp groups and incited violence. A March 22 event when a centre for underprivileged children in the name of Shaheed Bhagat Singh was inaugurated in Delhi was passed off by police as a meeting where a conspiracy was hatched to intensify labour agitation- Via TOI
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Soleil
Soleil@soleiljolina·
Microdosing hell by being aware and literate
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Pulkit Kochar
Pulkit Kochar@kocharpulkit·
Sibi George when asked about human rights violations in India
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Suma@sumatweet·
Other than the first two lines in this excerpt, the rest feels real though. Almost achingly beautiful. I suppose AI was indiscriminately used to craft this story, but perhaps it won because there are gems hidden in the slop. Makes me want to read it now.
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Madame Fragonard@useful_emetic

Everyone is rightfully ridiculing Granta’s insane statement, but it raises an interesting question: Is AI plagiarism “impossible” to prove? Here’s one characteristic Chaptgpt tic that appears both in the Granta story and in Shy Girl, the novel that got canceled for being AI-gen

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Travis Shosa
Travis Shosa@travis_shosa·
😬
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Meru Gokhale@MeruGokhale

How tempting it is to join a pile-on. Especially when the target is @GrantaMag, and the mistake looks obvious after someone else has found it. Granta is now caught up in the latest AI-writing controversy. A story published on its site is under review after claims that it was AI-generated. People have run it through detectors. They have pulled out the tics. They have laughed at the author's prose, the judges, the editors. The accusation is: how could they not know? And the subtext is: I would have known. Maybe. Maybe not. If an undisclosed AI entry won a human-only prize, investigate it properly. Writers who submitted original work deserve that. Prizes need rules they can enforce, and magazines need processes that do not collapse the moment suspicion appears. Laughing at the failure is too easy. Work written with or by AI is going to keep arriving on editors’ desks. In submissions, manuscripts, prize entries, blurbs, reports, author notes. Editors are are paid to protect the author's work. Doing that properly now requires AI literacy. If you choose to use AI, you need to know how to use it with discipline: what to ask, what to check, when it is flattening a voice, when it is inventing. If you do not use AI in your own edits, you still need to understand it. Learn the syntax. Learn the habits. Learn what detectors can and cannot tell you. Learn how to investigate suspicion without humiliating a writer first. If an editor chooses not to learn this, they are putting their authors at risk. Most editors I meet want to learn. I have run workshops with experienced editors who ask careful, practical questions because they know the work has changed. If we turn every mistake into a witch hunt and public shaming, people will stop admitting what they do not know. And for a crowd that talks so much about what it means to be human, there is a simpler test available here: behave humanely towards the author and editors at the centre of this.

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Elnathan John
Elnathan John@elnathan_john·
There is no upside to these AI witch hunts. Bad writing is bad writing. Good writing is good writing. These tell tale signs everyone points to are well used, time tested tools of writing and story telling. Not X but Y? As I wrote in a piece I published here(link in next tweet), you can find dozens of examples in books by James Baldwin, Margaret Atwood, The Bible, The Hadith. Mentioning things in groups of three? A standard tool in lots of very good writing. Em dashes? Just part of the language. And where does it all come from? From writing that we have put out in the world. From our novels and stories and essays. AI did not invent any of this. I have used all of these quite often over the last 15 years. Unless you want people to actively avoid everything that could be construed to be AI, I don't see the point of this. Especially writing in groups of threes which is a fundamental rhetorical and psychological principle used by human writers for centuries. Why? Rhythm, emphasis, persuasion. That is why the tricolon (listing words or phrases in threes) works. That is also why the three act structure (setup, confrontation, resolution) works. The problem is not in the use, but in moderation and this can happen in any piece of writing, not just AI. I read a lot of weird MFA writing where you can hardly distinguish one writer from another because they all write in that self-important navel gazing way that shows that they are more interested in impressing people (read: their professors and colleagues) with sentences than in telling stories. All of the fancy MFA stories that are about nothing, say nothing, except show that the writer attended a creative writing program, is that the great writing we are protecting? Stories that live and die in literary magazines and speak to no one? There are bigger, more important questions to answer in and with literature. There are stories to be told. Emotions and phenomena to explore. Depths to be reached. None of these will be done by AI. Will (or can) AI help actual professionals and serious thinkers do their job more efficiently? Only time will tell. And trust me by the time this madness is over, you will discover that many more people than you think (or at least many more than admit) are using AI for a wide range of tasks related to story telling, and exploring ideas. I also do not think that the writers who have writing teams and assistants and interns helping to produce their books are any better just because they use humans to produce the work we praise them for. Ideas and stories will live or die based on how well they speak to those who read them, not how they are made.
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Suma@sumatweet·
My problem with platforming this so-called party is that it takes focus away from journalists, activists and others doing the actual work, and allows godi-media to pretend impartiality by showcasing this superficial online group that poses zero threat to the regime.
Sanket Upadhyay@sanket

Miliye Abhijeet Dipke se (@abhijeet_dipke) — Cockroach Janta Party ke founder Watch this full discussion only on our YouTube channel Double Check: youtu.be/gfZxCVFCnhM?si… Subscribe today. #cockroachjantaparty #cjisuryakant #cockroach #unemployment #cockroachpoliticalparty

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Helle Lyng
Helle Lyng@HelleLyngSvends·
In case the people making edits of me would like other photos of me than my holiday photos, here is one from the 17th of May last Sunday. Freedom of expression, press freedom and participation in democracy was vital when the Constitution was established. I am wearing my bunad from Åmli.
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