Mainak Bhaumik

@t2telegraph ❤️. Chapter 3

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t2ONLINE celebrates Mainak Bhaumik's birthday by revisiting some of his career-defining creations t2online.in/screen/bengali… @talkmainak

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Looks great. Proud of writers writing their own new journey. #aritrasengupta #ayanbhattacharjee and @RahoolOfficial.

One of the most interesting “writing rules” I came across in college was Hemingway’s feelings on adverbs: He hated adverbs. He called them “lazy writing.” Adverbs are any descriptor word ending in -ly: • Lazily • Eerily • Mostly • Honestly • Etc. Learning about this rule changed my writing forever. And while I still make the mistake of using one too many adverbs here and there, I try very hard not to fill my sentences with them. Adverbs are passive ways of saying the same thing the sentence is already saying. But since learning about this rule, and realizing the ways it improved my writing, I started looking for more rules. And a big one I’ve come across has been the importance of removing “little words:” • It • So • Just • That • Well • Like • This • Much • Often • Really • Better • Usually • Probably • Sometimes • And, and, and Little words (especially in turns of phrase like “In so forth” or “So much as”) have a knack for killing what could be a great, powerful, concise sentence — and turning it into a soupy mess. For example: [Original sentence]: “One of the most common changes that occurs when people go off to college is they become different versions of themselves.” [Rewrite]: “When people go off to college, they become different versions of themselves.” Both sentences are saying “the same thing,” and yet the second sentence reads 10x easier than the first. Why? We removed all the little words: • One • Of • The • That • Is So, the next time you’re staring at a sentence and can’t quite put your finger on why it’s not reading the way you want it to read, ask yourself: “What little words can I delete here?” With writing, less is always more. By the way, I saw the biggest leap in my skill as a writer when I started ghostwriting. It's how I got paid to write and network with industry leaders (like CEOs, NYT best-selling authors, and Grammy award-winning musicians). Want to land high-paying clients and get paid to write? I wrote a free, 5-day email course to help you get started. Click the link in my bio to get instant access.

A deeper look at Demon Slayer: Infinity Castle's box office opening and what it may mean for Hollywood. Hint: You don't need to spend $250 million to bring people to theaters. With support form the wonderful @Great_Katzby & @ScottMendelson, two of the best in the biz.

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Mainak Bhaumik's next... Releasing on 6th June. youtu.be/CekWONuOYnU?si… @indraroy @talkmainak

So sweet thanku

On this very auspicious day, here’s the MOTION POSTER of our Labour of Love, #Batsorik. Directed by @talkmainak and featuring @ritabharipc and #SatabdiRoy Produced by Big Screen Productions House Debasish Sikdar Chandrima Ghosh Roy Film releases on 6th June. @pankaj_ladia @PicturesPVR #ViralFactory

The ignorance of the elite and entitled.

শুভ নববর্ষ BIG Announcement. #MainakBhaumik’s next. ‘বাৎসরিক’ First look পোস্টার. Featuring #Ritabhari #ShatabdiRoy #BSP #BigScreenProductionHouse Ekta Bhattacharjee Debasish Sikdar #Chandrima

Too few major studios are still releasing too few major movies. Too few moviegoers are showing up to the non-event flicks. Too many would-be tentpoles still consisting of once-were-special franchise revivals. (Post in comments, via @ScottMendelson)

A revered professor's heartwarming reunion with three of his most accomplished and cherished university passouts and we go all gaga over it! (*Maula plays in background) @anjandutt @srijitspeaketh @talkmainak @PratimDGupta

‘Bhaggyolokkhi keeps audiences hooked through its constant build-up of tension and suspense,’ writes filmmaker Abhirup Ghosh  t2online.in/screen/bengali… @talkmainak

Happy birthday and study hard

Thank u bondhu

Thanks always and to more team work