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paul bassett davies
71.8K posts

paul bassett davies
@thewritertype
Writer in residence, at my house. NEW novel: https://t.co/qYQgezK9TH
Green Brighton Katılım Şubat 2009
1.6K Takip Edilen25.3K Takipçiler

@Leejay1963 Everyone is free to see what they want. I believe that when humans make art, the process is an integral part of the art. AI's process is mechanical and sterile, and I think it shows.
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I'd be inclined to agree with that in part.
I know that you weren't originally expressing an opinion as to the detection (or not) of AI art, you were saying that you think it's soulless and invalid, which is a respectable point of view, albeit a little baseless.
I drifted off-piste a little with my comment. But my point was that it has to be recognised in order to make the statement that its soulless, and some people don't need to recognise it or detect it, all it would take to reject it would simply be to know that it's AI.
I think that's the crux of people's dislike. They reject the work simply because they know how it was made and assume that AI art has no aesthetic value, and saying that is too absolute. The key distinction is between "I see no value in it" and "it has no value." The first is an opinion. The second pretends everyone else's response doesn't count.
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@Leejay1963 Moot. The more you see of it once, the easier it is to detect AI.
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The thing I find fascinating, especially now, is that people wouldn't know the difference between AI art and human art if tested. They would distrust a test to determine between them, possibly refusing to choose, based solely on the fact that they wouldn't be able to distinguish between them if they weren't told the origin. So your point is ultimately philosophical rather than perceptual.
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@thewritertype Hmm, there was a women in the checkout in front of me yesterday with some elaborate writing tattooed on her arm and even with some innocent neck stretches I still couldn't read them. Inconsiderate, I call it.
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@thewritertype Yeah, but Barry’s made a couple of discoveries…
youtube.com/watch?v=ADAXMy…

YouTube
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@edgarwright The brilliant inventiveness and surrealism of some of The Goodies, especially the visual/silent movie/slapstick sequences, puts the show in a class of its own. Sadly the BBC have steadfastly refused to screen much-deserved repeats.
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Am so sad to read that Bill Oddie has passed away. Although he later became equally famous as the BBC’s resident ornithologist, he had been a comedy hero of mine since my earliest days of watching television, as one of 'The Goodies'.
The show was hugely influential on me: its glorious, go-for-broke silliness, almost like a kids’ companion to Monty Python, made it one of my earliest comedic touchstones. I loved Bill’s anarchic energy, musical brilliance and willingness to do absolutely anything for a laugh. And, it must be said, as the shortest member of the trio, he spoke to me.
'The Goodies' was always part of a direct line for me, from 'The Monkees', to 'Monty Python's Flying Circus', to 'The Young Ones', right up to our own 'Spaced', in terms of the wild freedom of the television format. I’ll never forget the giddy thrill of watching this opening sequence as a kid (the theme sung by Bill himself), and the resulting rush of total absurdity filling the box.
Farewell to a true Goodie. RIP.
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