suckin' on a chili dog

22 MAY 2026. TOKYO BERLIN BARCELONA LONDON GLASGOW NEW YORK LOS ANGELES TICKETS LIVE FRIDAY 1 MAY. SIGN UP FOR ACCESS BY THURSDAY 30 APRIL, 15:00 BST. BOARDSOFCANADA.COM

Every school needs a ballroom.

INFERNO. 29 MAY 2026. boardsofcanada.com

From early Nirvana to Phish, a Chicago fan’s secret recordings of 10,000 shows are now online. blockclubchi.co/4t6zW7R

Filmmaker David Lynch's Diagram for Transcendental Consciousness is one of the greatest, easiest to understand explanations for how our reality is made of MIND first, MATTER second. I promise this is genuinely worth your time. It's fantastic.

The US Dollar accounted for 65% of global foreign currency reserves in 2001. 25 years later, it now accounts for just 40% of reserves. Do as you wish with this information.

@exclaimdotca @psiloveyouband @PaperBagRecords One our my fav bands to work with at the label during this time, so wild and fun

"It's like a livewire, and when I touch it I'm friggin' zapped back to 2010 and I feel trapped." Paul Saulnier of @psiloveyouband reflects on Meet Me at the Muster Station on its 15th anniversary (@PaperBagRecords): exclaim.ca/music/article/…

@perfheard @NewYorker 👍

@tinyrecordshop @NewYorker she is a public figure (probably the most famous person in the world right now) and she just put out an album. it’s not that hard to comprehend. she willlingly put this stuff out there — it’s not like someone went into her house and took this from her

“I think it’s possible that we’ve reached the point where everything Taylor Swift writes is about being famous—I don’t know. That sort of bums me out?” Amanda Petrusich joins Tyler Foggatt and Caroline Mimbs Nyce to debrief on their initial impressions of the pop star’s new album, "The Life of a Showgirl.” Read their full conversation—and sign up for the daily newsletter: newyorkermag.visitlink.me/C76B-f

@perfheard @NewYorker i'm asking those to ask themselves why it matters to critique someone like TS, what does it change in the end? anyway, good luck and share away!

@tinyrecordshop @NewYorker are you asking why people have and share their opinions?

@perfheard @NewYorker sure you can - but also ask why does it even matter?

@tinyrecordshop @NewYorker of course. on that same note we’re allowed to critique her art

@perfheard @NewYorker sure, or we could just accept them and not put too much weight into it and let her be - possibly?

@tinyrecordshop @NewYorker she’s been famous for nearly two decades and managed not to make it the focal point of her music for all that time. i know she’s a the absolute height of her fame and has reached insane levels these last few years but she could have easily taken out some lines about fame & money

@Q89013841 @NewYorker could be that she just doesn't know anything else when she makes albums back to back like this - possibly?

@tinyrecordshop @NewYorker Literally anything, why do Swifties think all songs need to be autobiographical

@pitchfork you guys need to chill about this song (it's embarrassing)

A song that sounds like the Kidz Bop version of the Pixies’ “Where Is My Mind?” pitchfork.com/reviews/tracks…

@discogs halloween

What's the best horror soundtrack of all time?

@willie_lutz @pitchfork Four articles with her image currently on the front page of the site too

@pitchfork I find Pitchfork's sale to Conde Nast and newfound social media rage-baiting to be actually embarrassing

Taylor Swift’s “Actually Romantic” is actually embarrassing pitchfork.com/reviews/tracks…

@mashable cool, I was out anyway

Ticketmaster and Live Nation CEO Michael Rapino said that concert tickets are too cheap, actually. mashable.com/article/ticket…

rad stack of records we $OLD this week - RIP OZZY and HULKSTER instagram.com/reel/DMiLqjxAN…