TheAnalyst.eth (852.888)

GM everyone💙 “𝐈 𝐋𝐞𝐭 𝐈𝐭 𝐓𝐚𝐤𝐞 𝐌𝐞”🐠 Reserve: 0.1 Ξ

@GuidoDisalle GM

GM

oh beautiful auctions start at .05 eth on monday

@natealex Ummm Natives?

ive debated doing a season 2 of zeg's eggs but i'm not sure if there is demand for it. i love the character though so i think i'll use him going forward

changed my profile picture. sorry for the inevitable confusion

🎨✨ Inauguració d’exposició a Reus! La presidenta de la @dipta_cat (Diputació de Tarragona) , Noemí Llauradó i Sans, us convida a l’acte d’inauguració de l’exposició. El dolor creatiu: art, dona i transformació, de Gala Mirissa. 📍 Palau Bofarull – Reus 📅 Divendres 6 de març 🕕 18 h – Xerrada “Els reptes i oportunitats per a les dones en el món digital”, a càrrec de Gala Mirissa, moderada per @HolaMariola 🕖 19 h – Acte d’inauguració EL DOLOR CREATIU: L´ART, DONA I TRANSFORMACIÓ en pantalles digitals. 🖼️ L’exposició es podrà visitar fins al 25 d’abril. El Dia Internacional de les Dones és una oportunitat per reivindicar la presència femenina en àmbits on històricament ha estat invisibilitzada. L’art digital és actualment un camp emergent que combina creativitat i tecnologia, i Gala Mirissa n’és una figura destacada en l’escenari global. La seva obra, que explora el dolor i la identitat, connecta amb la temàtica del projecte El Dolor Creatiu i amb la necessitat de donar veu a les emocions en un món hiperconnectat. A càrrec de Gala Mirissa i moderat per la periodista Mariola Dinarès. Una proposta que connecta art, experiència i transformació. *Les obres animades han sigut exposades a @EthereumDenver gràcies a @verse_works , NYC, @SuperRare i en Philadephia. “Absència” viatjarà a @nftcanarias , amb l’excepció de les dues obres físiques creades exclusivament per aquesta exhibició i mai exposades. Us hi esperem! —— Agraïments a @tinareig / Joan Dalmau / Maria Fe Merchan/ Rosa Comes —— Dedicat a ma mare i a la Gemma —— #artdigital #tecnologia #8M

@CozomoMedici @niftymonkee @rollbit Hi dear Cozomo and welcome dear @niftymonkee #ArtTank “The Usual Buffet” Every day comes with a menu. Some emotions are optional. Some are sold out. Some we never asked for. We still buy them. Reserve price: 0.1 ETH @ava" target="_blank" rel="nofollow noopener">manifold.xyz/@ava

Thank you, thank you @m0dest___ for starting the auction on my meme painting “2nd Life”! Currently .11 ETH with 23 hours remaining. 🔗👇👇👇

@moodSlime_ @KaeliVanfossen @bettynajafi @foundation @Blackdoveart Beautiful

@willcassidy @KaeliVanfossen @bettynajafi @foundation @Blackdoveart All good man I checked quick with 18min left while at museum with fam, Was fortunate enough to get an eth Betty bout a week ago!! It’s all in the game and it’s great to see the market moving for great and inspired works like this.🙏🏽 Congrats!! 🎉❤️🎨

𝗪𝗲 𝗖𝗮𝗿𝗿𝘆 𝘁𝗵𝗲 𝗥𝗵𝘆𝘁𝗵𝗺💙🕊️ now in collection of dear @willcassidy 🖤 thank u so much for this huge support. just speechless, sO honored to see my art in your collection. and many thanks to amazing @moodSlime_ 🖤 for starting the bid.🩵🌱

@moodSlime_ @KaeliVanfossen @bettynajafi @foundation @Blackdoveart Sorry, was unlucky for you I had to wake up super early for work this morning or I roof have completely missed it, hope there's another one of her artworks you like

@KaeliVanfossen @bettynajafi @willcassidy @foundation @Blackdoveart Sure is

OMG🤯 I got a second bid on 𝗪𝗲 𝗖𝗮𝗿𝗿𝘆 𝘁𝗵𝗲 𝗥𝗵𝘆𝘁𝗵𝗺 by dear @willcassidy 🖤 current bid: 0.11 eth first bid by @moodSlime_ 🖤 6 min left.

"Images create conditions for recognition and interpretation... They are records of acts of cognition." Harold Cohen Harold Cohen’s paper from 1979, What is an Image? anticipates later discussions about algorithms and the status of digital images in visual culture. His claim that images are “records of acts of cognition” shifts attention from representation to process, from what an image shows to how it comes into being. In this sense, AARON’s drawings function less as objects than as events. They can be seen as traces of perceptual reasoning enacted through a machine. Cohen concludes that an image refers to some aspect of the world while simultaneously referring to the cognitive act that produced it. This understanding situates image-making as a reflective activity: not the reproduction of appearances, but the construction of ways of seeing and knowing. Cohen’s work complicates the opposition between human creativity and technological mediation. AARON does not replace artistic agency; it reveals how structured, rule-based processes underpin all acts of image-making. His use of randomness illustrates this point. Randomness is not introduced to produce surprise but to sustain engagement. This in turn, makes each decision contingent and responsive rather than predetermined. The resulting drawings, though made by a machine, evoke the rhythms of human gesture and attention, suggesting that meaning can emerge from structured interaction rather than from conscious intention alone. Cohen’s main argument centers on the idea that images do not carry meaning because of what they depict but because of how they organize perception. Meaning arises through what he calls “image-mediated transactions,” the reciprocal relationship between viewer and image. Rather than transmitting fixed messages, images create conditions for recognition and interpretation. Against the notion that photography defines the “normal” form of visual representation, Cohen reasserts drawing as a mode of cognition in which marks gain significance through their internal relationships. In this view, the image is not a representation of the world, but a record of the mental process that recognizes it. AARON at Tsukuba, #4 26-5-85, 1985

@bright_lightart Can't wait!

GM - working on updates for the ASCII tool So far, it can turn still images into GIFs, but we need to go further... Video to video is next, if I can get it working...

Everyone needs a @0xdiid in their collection. The Challenge Ahead, a modified work of Robert S Duncanson, painted in America but reminds me of Australia, and the beacon of hope should speak to you wherever you're from.

Happy to have collected these artworks by @John_Thurman_1 & @avaaaaart today, check out their other available works of you get a chance.

GM everyone!💚 I’ve moved all my available works from FND to my own 𝐌𝐚𝐧𝐢𝐟𝐨𝐥𝐝 𝐬𝐦𝐚𝐫𝐭 𝐜𝐨𝐧𝐭𝐫𝐚𝐜𝐭. If any piece resonates with you, your support with a bid means a lot.🙏🏻✨

@sares_at Very happily valued

Happy Tuesday 🤍 Self-love is often imagined as something intimate and silent, but Proprium proposes it as a relationship: an encounter with an active mirror. The machine doesn't evaluate or replace the person; it returns them. Every gesture and emotion is translated into form, color, and movement, revealing that even what we perceive as inner chaos possesses a language. When that language becomes visible, it stops being a threat and begins to become identity. Thus, self-love doesn't arise from idealizing who we want to be, but from accepting what emerges when no one corrects us: the forms may be harmonious or unstable, yet they are always faithful to the participant, showing that our contradictions also contain structure and meaning. In this symbiosis, the human being is neither spectator nor dominator, but co-creator. Beauty emerge from the act of expressing oneself without filters. Self-love appears as a generative process, built through the attention and listening one gives to oneself. Proprium is not only about acceptance but about inhabiting oneself: understanding that identity evolves with each act of awareness. To love oneself is not to reach a final version, but to remain present while one is being created, discovering that technology, rather than distancing us from what is human, can teach us to look at ourselves without judgment and with compassion. Proprium, Amores Series, 2024, Vaulted by willcassidy - TheAnalyst

HabiTextures: An Archive of Lived Moments A new collection of 30 1/1s by @RichardNadler1 NOW LIVE on SuperRare ↓

And of course the CEX I use to onboard has a 24 hour hold which means I can't even test it out!

Is this a glitch or are we buying?

@sares_at @ArtverseParis @Sinbadilmarino @WaitHopeFound @30CamposEliseos Congrats Sares!

Starting the day with great news. Persona from my Quantia series will be exhibited this Friday, February 6th at @ArtverseParis thanks to @Sinbadilmarino @WaitHopeFound and @30CamposEliseos ❤️‍🔥 Thank you so much for this amazing opportunity! Persona, Quantia series, 2025, owned by Raoul Pal