@GB_Ramone @dionisiodev E na real nem é necessariamente legado.
Tem muito desenvolvedor criando coisas que não vão nem se conectar com a internet. Bem comum no meu dia dia como desenvolvedor de software embarcado.
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Assin no Varg
3.8K posts
@dionisiodev código legado ainda existe, né.
Fora que se o cara sabe bem a lógica e os fundamentos, ta acima de qualquer dev sem isso, e q trabalha com coisa nova.
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Existem devs profissionais, com décadas de experiência, que não vão saber conectar numa API e converter um json sem ter que pesquisar como fazer isso. Nem tudo é web!
Cada nicho tem suas peculiaridades.
Ainda tem gente trabalhando e pagando as contas com C ANSI, Delphi e VB.net em 2026! E esses profissionais não estão sendo nem um pouco impactados profissionalmente com as novas tecnologias.
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@bernardoargento Nada mais insuportável do que alguém que troca o som do mar por uma JBL.
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Na segunda semana de namoro fomos à praia. Levei minha JBL pequena quadradinha pra escutar um som em um volume ok. Quando tirei da mochila, recebi um olhar de desprezo, seguido de "vc vai ouvir??". Ali eu entendi o óbvio, não tínhamos nada a ver (nem de samba ela gostava)
sua brodi da vizinhança@nuncavotransar
papo de gente grande agora vocês já tiveram a experiência de um detalhe pequeno numa relação te dar um choque de realidade que te fez perceber que não queria estar nesse relacionamento mais? não é possível que tenha sido uma experiência individual minha
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@Stealth40k “ But you know that, eventually, when you find the right items, you will be able to get there. That’s an exciting feeling that makes you want to continue playing.”
Something tells me he isn’t fan of modern Zelda.
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Stardew Valley Creator Eric Barone message for The Legend of Zelda 40th Anniversary:
"My favorite Zelda game is probably Link’s Awakening for Game Boy. It was my first introduction to Zelda so it has a special place in my heart. And something about that game had a very “indie” feel to it. It was creative and unique in a way that seems harder to find in modern triple-A games.
One thing about Zelda games that has influenced me is the sense of exploration and foreshadowing. You’ll see an area that you can’t currently access. But you know that, eventually, when you find the right items, you will be able to get there. That’s an exciting feeling that makes you want to continue playing.
The more I think about it, there are a lot of little things in Zelda that have influenced my game design approach... from the menus, to the little bushes you can cut, to the idea of finding “special items” that grant new abilities. It’s kind of basic stuff, but it just shows how important Zelda has been for influencing all of gaming."
gameinformer.com/feature/2026/0…
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@kylegawley I’m glad I kept being a developer ignoring all of these things.
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AI will replace developers
just like no-code replaced developers
just like low-code replaced developers
just like wordpress replaced developers
just like wix replaced developers
just like squarespace replaced developers
just like dreamweaver replaced developers
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@ChShersh Yeah, the moment we have something like this it definitely won’t be available for everyone.
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The moment we have AGI, we instantly have ASI (Artificial Super Intelligence).
A sentient entity that has infinite instant learning capabilities and access to the entire human knowledge and all vulnerabilities of all systems?
Yeah, it'll be over pretty much immediately.
So don't worry, you'll know about it.
ThePrimeagen@ThePrimeagen
It's been 0 days since AGI was achieved
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@mariotwtconfess Story and plot aren’t innate to a movie the same way they aren’t innate to videogames.
Event though both have story and plot it is a second nature.
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"‘Mario games have never focused on story or plot so you shouldn’t judge the movie on those’ Okay, so am I supposed to judge the movie on its fucking gameplay?"
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@ALX23uz @CryptoCyberia Say for yourself. If you’re the retarded that only produces slop so be it. Most important projects have a huge standard and won’t accept code that wasn’t groomed.
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@VargNo @CryptoCyberia I like anti-AI people are the some of the most deluded people out-there.
"SSO developers like coding thus they won't use AI" Retard take. They like to create software, not coding.
"Maintainers won't accept slop" most human code is slop. AI is the tool to make it not slop.
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Krita seems to be abandoning vibe coding.
Many many more projects to follow.
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@ALX23uz @CryptoCyberia They can write but maintainer of important projects won’t accept slop so it doesn’t change anything. Like it is already happening.
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@VargNo @CryptoCyberia Dummy, people writing open source will just write it with AI.
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@ALX23uz @CryptoCyberia It won’t die. People like programming and they will keep doing it for open source software. Its is not like they will be fired for not using AI. And AI can’t do something as creative.
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@VargNo @CryptoCyberia No clue what this OSS is. But if it aims at anything relevant it'll die without proper adaptation.
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@TheRealJunto Meta has sold roughly 7 million pairs of AI glasses.
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“The one thing I'm convinced about Glass is that like it or not, it's the future.”-Marc Andreessen, June 2013
Marc Andreessen 🇺🇸@pmarca
I'm calling it. AGI is already here – it's just not evenly distributed yet.
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@ALX23uz @CryptoCyberia OSS is mostly maintained by passion. There is no reason to accept slop that the author doesn’t have a clue on how it works.
Most contributors will find more pleasure on programming themselves than giving control to a LLM.
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@CryptoCyberia One of the biggest tells of a poor programmer is lack of adaptability.
For instance, here they abandonded tool which allow ×10 performance because they had no clue how to handle it and failed to adapt to it.
With LLMs you add far more unit testing to ensure it meets demands.
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@mestrekain Lendo as crítica de crimson vi que eram exatamente como me senti jogando Tears of the Kingdom. Então nem perdi meu tempo.
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@mestrekain Tenho zero interesse em crimson desert e nem vou jogar. Mas essa é a crítica mas genérica que vejo pra justificar o que a pessoa não gosta.
Inclusive sinto o mesmo sobre SM2. Gosto do primeiro mas esse segundo não devia nem existir.
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a diferença entre os dois é q um é arte e tem um forte significado tanto artistico como politico, carrega uma mensagem forte e uma historia riquissima em detalhes
ja o outro é um produto sem alma, sem arte, sem mensagem, sem historia com o unico intuito de vender.
Geralt of Goonia@GeraltofGoonia
Crimson Desert vs Playstation's Spider-Man 2 NEVER trust game urinalists
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@GojiFan_78 @kirkneverdied Nintendo focus their challenge on the fun instead of deep story. It works for games and seems to work for movies too.
They won’t care about critics but audience instead.
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@kirkneverdied But wouldn’t it be a bad thing if the film had those? Audiences need to be challenged and step outside their comfort zone.
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Not one person went to Mario Galaxy wanting "shocking drama, gut wrenching monologues, life lessons, deep metaphors."
Deez Games 🎮@_Deez_Games
It's mental that people are heavily critiquing The Super Mario Galaxy Movie. It's a kids film, I took my 5yo son to see it today and he LOVED it. It's like they wanted shocking drama, gut wrenching monologues, life lessons, deep metaphors. It's a slightly chubby Italian plumber and his brother in their overalls, on an adventure with a screaming mushroom. That's literally all that matters. It was never intended to be Shawshank Redemption or Ben Hur, was it? I thought it was great, loads of fan service, and introduced a new generation to the amazing Fox McCloud/Star Fox 💙
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Which Zelda has the prettiest design?💖🌿
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@aguerraal E sinceramente, como fã de F1 e cinema, ver que um filme merda igual a F1 teve um recepção crítica bem melhor que o filme do Mario só mostra que eles não tem critério nenhum de avaliação. Ao meu ver o Mario é um 3/5 sólido.
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@aguerraal Nintendo faz com o filme do Mario o que ela faz com os jogos. Como a diversão é música acima dos outros elementos. Diversão na é algo que a crítica gosta no geral. Não acredito que ela precisem abrir mão dos valores deles para agradar a crítica.
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Coisas que costumam esquecer quando tratam de crítica de filme infantil
1) que criança não vai sozinha ao cinema – e, nesse caso, o público é lotado de velho
2) que animações são feitas por centenas de adultos cujo trabalho é tão ou mais complexo do que qualquer outro
Renato Cavallera / Segredos dos Games@RenatoCavallera
Essa diferença da nota da crítica pra do público em Super Mario Galaxy me faz questionar se um crítico realmente precisa dar a opinião sobre TODOS os filmes Tem coisas q claramente não são pra nós. Consumir e ainda emitir juízo sobre o que não entende é pedir pra passar vergonha
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@leodabingiv2 @SlLENTPRINCESS It doesn’t feel more alive imo, just more busy. Just like if they traded coherence in order to build a playground, with a lot of repetitive stuff going on. Definitely appreciate BOTW negative space more.
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@VargNo @SlLENTPRINCESS Oh you mean the empty ass hyrule from botw?
Totk hyrule is significantly more enjoyable to explore and look around in and actually feels alive
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