Peter Adamski

Politicians who use terms like "futureproofing" and "social license" display a dangerous level of energy ignorance. The world is begging for more Canadian energy and not a single purchaser cares about a barrels carbon footprint. Time to move on from economic self-flagellation!!!

These astronauts are just a balm: impossibly cheery, down to earth, committed, decent. They are clearly extraordinary people, and yet reassuringly normal. At a time when the news is dominated by people who are either cruel or corrupt or insane or incompetent or all of the above, they remind us not all is lost.

All the President’s Men turns 50 today. This famous “six‑minute shot” is a masterclass in phone acting and pure technical nerve. Director Alan J. Pakula and cinematographer Gordon Willis pull off a single, unbroken slow zoom: from a wide, humming newsroom to a tight close-up on Redford. No cuts. No safety net. Tension builds in real time. Redford carries it with typical quiet confidence. Six minutes of note-taking and talking into a phone, no flashy “Oscar clip.” He even flubs a name (“McGregor” for “Dahlberg”), corrects himself naturally, and Pakula keeps it because it feels authentic. The background is part of the story. As Woodward hones in on his phone call, everyone behind him huddles around a TV watching Senator Tom Eagleton resign. The contrast is deliberate: they chase the “obvious” headline, while the camera drifts past them to Woodward, and the real story. To hold Redford and the busy background in focus early on, they used a split‑diopter lens, then had to ease it out as the camera moves in. A technical tightrope. The timing of both actor and cinematographer is spot on. As Woodward closes in on the truth, the world literally falls away: the newsroom blurs, the noise fades, and we lock into his obsession. It’s one of cinema’s great moments: Redford doing almost nothing—and somehow everything at the same time. What makes this shot brilliant is the contrast it carves between Redford and the newsroom around him. The visual language does the talking: he’s locked in, disciplined, driven, all focus and fire. He stands apart because the work matters more than anything else.

TAPPER: When Trump threatened to kill the entire Iranian civilization, did that bother you as a diplomat? MARK RUTTE: I'm not commenting. What I want you to know is I support the president

This is a bizarre comment and I don’t see a way to read it that does see rampant antisemitism.