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I voice Homer (and briefly Marge) over @thesimpsons @Fortnite gameplay. Let me know if I should do more! (@NickEh30 footage) @dailysimpsons @simpsons_DG @AlJean @MikeReissWriter @Alex_Simpsons23 @FortniteBR @FNCreate
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Luke Gray
1.3K posts
Luke Gray
@LukeGrayComedy
Comedy conjuror. AI Filmmaker. Represented by @JFLagency
London, England Beigetreten Mart 2009
886 Folgt188 Follower
@JHarden13 @UtopaiStudios I too can do 83 second sports related animations.
Check out the trailer to On The Ropes. Even the Anti-AI people aren't calling it slop, which is quite the compliment.
x.com/LukeGrayComedy…
Luke Gray@LukeGrayComedy
WATCH TRAILER: On The Ropes - The World's First half hour Comedy made with* AI? (*With being the key word here. The future is hybrid. Written, Directed, Edited, Acted by humans.)
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My team and I linked up with Utopai Studios - taking a real idea and turning it into a full animated world through storytelling, not just tech. For everybody who’s been rocking with the beard since day one. More on the way!
- UNO
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@thelargestmeech @DrakeGatsby Define what slop means to you? And how have I failed by creating something which resembles that? I’m interested in improving. Moreso the content, cos the aesthetics will improve in time (I was on a limited budget with an already outdated model)
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@LukeGrayComedy @DrakeGatsby Here's the thing though
This does look like slop
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@DiscussingFilm Huge chance of backfiring but life’s too short...
With the aid of AI, I’m making a comedy series with the aim of making it definitionally ‘unsloppable’
Is this the future for writers who can’t catch a break after years of trying? Make it yourself?
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Steven Soderbergh says his upcoming documentary about John Lennon and Yoko Ono will include roughly “10 minutes” worth of generative AI.
“AI has been helpful in creating thematically surreal images that occupy a dream space rather than a literal space. And that’s been really fun because you need a Ph.D. in literature to tell it what to do. But like every other piece of technology, it desperately requires very close human supervision.”
(Source: filmmaker.substack.com/p/steven-soder…)
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@ZacharyLevi @X Huge chance of backfiring but life’s too short to not take risks.
I’ve tried hard to make an animated comedy series with the aid of ai, however my aim was to make it definitionally ‘unsloppable’
Is this the future for creatives trying catch a break?
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Goooooood mooorrrnnniiinnnggg!!! On a couple flights today and have some time to kill here on the @X. How we all doin out there, people of earth? 🙃🙌
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Luke Gray retweetet
@IMAO_ AI didn't write/direct this BUT it did help me 'animate' it. Hopefully there's a couple of good jokes within. I believe the future is hybrid.
x.com/LukeGrayComedy…
Luke Gray@LukeGrayComedy
WATCH TRAILER: On The Ropes - The World's First half hour Comedy made with* AI? (*With being the key word here. The future is hybrid. Written, Directed, Edited, Acted by humans.)
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I think I’ll only really be scared of AI if it starts consistently making good jokes. That would shake me to my core.
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@icreatelife 100%! I spent two weeks trying to make something that even the most vehemently anti-AI person couldn't even call 'slop'
x.com/LukeGrayComedy…
Luke Gray@LukeGrayComedy
WATCH TRAILER: On The Ropes - The World's First half hour Comedy made with* AI? (*With being the key word here. The future is hybrid. Written, Directed, Edited, Acted by humans.)
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I think, we shall all support each other in AI community. And by community I mean all innovators, artists, filmmakers, coders who experiment with AI.
Creativity shall be not limited by tools someone users and it shall be available to anyone.
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@techhalla Thank you! Genuinely appreciate your kind words considering your expertise. Fingers crossed I'm able to team up with the right people to make it a fully fledged series.
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@dustinhollywood Thanks man! Hugely appreciate the repost too! I believe hybrid is the way forward, especially with comedy.
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People in AI film that don’t have an art/film background have no idea yet.. you are all just going with what is known or basic and presented to you but that’s wrong, you need to design your shots implicitly with the story not whatever the model gives you.. this is how you actually need to be thinking and planning out shots.. they serve the story, not a cool VFX dopamine hit.
If you can’t or won’t do that, the work will suffer and fail in comparison to others actually doing it, which will in turn decrease and degrade your ability to make money and a business in this field.
You need TASTE or you have nothing but the same shit everyone else can do. It’s time to get mature in how we sculpt the tech to tell the story. ❤️🔥
Vashi Nedomansky, ACE@vashikoo
Another great example of Perspective Compression shot by cinematographer Jan de Bont for director Ridley Scott.
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@GlennHasABeard It feels unbelievable to say I spent two weeks on a trailer only 83 seconds long... but I'm really proud of the final result. Hope it works as a proof of concept:
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Dear Algo,
There are AI artists out there who spend as much time sharing other people's work as their own. Always tagging. Always discovering someone new. They build community just by paying attention.
I want to find them.
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@boys_board @IsThisA3DModel If you watched my trailer and didn’t believe I put actual effort into it, then I have failed miserably.
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@LukeGrayComedy @IsThisA3DModel Its becasue AI actively steals from other artists, many of which are also trying to "catch a break" while putting in actual effort.
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no you are not making cartoons. you were always free to pursue animation, you just chose not to. this is literally giving up on a passion
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@LukeGrayComedy @IsThisA3DModel No one worth anything already in the creative industry would accept an AI trailer
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@boys_board @IsThisA3DModel It baffles me that creatives who have been trying to catch a break, wouldn't use certain tools to help them. And it baffles me further than other creatives would try and bully those who do, into not using them. Let artists explore, experiment and have fun.
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@LukeGrayComedy @IsThisA3DModel Where did you find these people and did you make actual contracts with them?
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@boys_board @IsThisA3DModel I did. Paid £500 as an up front fee last year. One ignored me after a few drawings, the other fled the country.
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@LukeGrayComedy @IsThisA3DModel So why not pay animators to make non slop for your stories.
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