Jon Uleis

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Jon Uleis

Jon Uleis

@MovingToTheSun

Web maker, pic taker • aka CapitalQ @tmbw

Brooklyn Beigetreten Nisan 2009
240 Folgt1.2K Follower
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Jon Uleis
Jon Uleis@MovingToTheSun·
Checking out the Billy Joel Facebook group
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Jon Uleis
Jon Uleis@MovingToTheSun·
@shmuplations Wonderful stuff. Thanks for translating and posting. Some highlights for me
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shmuplations.com
shmuplations.com@shmuplations·
Today we have an amazing roundtable interview from 1989 with Shigeru Miyamoto, Shigesato Itoi, and author Seikou Itou. Conducted shortly after the release of Mother, it's full of deep musings and observations about realism, creative exhaustion, the moral panic over kids and gaming, and prescient visions of the future. shmuplations.com/itoimiyamoto/
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Jon Uleis
Jon Uleis@MovingToTheSun·
@tmbg '70s Sparks had a lot of Mid-Atlantic accent
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They Might Be Giants
JF: revelation-I love singers who use a fake British accent.
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Jon Uleis
Jon Uleis@MovingToTheSun·
@peterlanee Get Back truly looks like dogshit
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Jon Uleis
Jon Uleis@MovingToTheSun·
@tmbg And enjoying a snow treat last night
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Jon Uleis
Jon Uleis@MovingToTheSun·
@tmbg Cinnabon snoozin away in Brooklyn
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They Might Be Giants
They Might Be Giants@tmbg·
JF: it’s a snow day and it’s time to stay cozy. Join MC Fresh Step and storm this feed with pics of your snoozing cats or dogs. Housebound pets of the world—unite and sleep in!
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Jon Uleis
Jon Uleis@MovingToTheSun·
The artists hurt the very most by generative AI were the people who drew your family in front of The Simpsons house
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Will Hines
Will Hines@willhines·
Who here thinks everyone is full of shit
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frankie⛧𓃶
frankie⛧𓃶@lennonpube·
PLSSSS I NEED A BETTER QUALITY VERSION OF THIS PICTURE... SOMEONE MUST HAVE IT IM SO FUCKING SAD
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Favorite Vegetable
Favorite Vegetable@favoriteveg·
My name is Captain Olimar. While traveling through space, my ship was struck by a meteor... I must have blacked out...
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Halestrom
Halestrom@CommanderHales1·
Why did the third season intro for the Beatles cartoon lock the fuck in out of nowhere
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Jon Uleis
Jon Uleis@MovingToTheSun·
@NwistyOnline Thank you for the shows yesterday Sincerely, a pedestrian
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raven🐸
raven🐸@froggycrossing·
I'm gonna say something I've been scared to say for 6 years. I don't understand the sea bass joke and I've been too afraid to ask what it means
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Jon Uleis
Jon Uleis@MovingToTheSun·
@cowboyfelix_ @froggycrossing This isn't it, lol. The jokes are localized and do not require knowledge of Japan fish markets. It's about school grades
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bitfloorsghost
bitfloorsghost@bitfloorsghost·
last night my son told me he wanted to make a game or an app, so he came over to my desk and I explained the whole process between claude, github, vercel, etc., the best I could, walked him through step by step he’s 9 and he ended up making two legit browser based games that we played last night first thing he said when he woke up was he wanted to make more games after school this is an unbelievable unlock
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Jon Uleis
Jon Uleis@MovingToTheSun·
@lexxbarn Desktop IS a folder, very easy to get to in Finder
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Lexie
Lexie@lexxbarn·
@MovingToTheSun mine wasn't in a folder I had them defaulted to desktop - don't ask me why lol but I've avoided cleaning for months
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Lexie
Lexie@lexxbarn·
I could cry. Claude Cowork ily.
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Jon Uleis
Jon Uleis@MovingToTheSun·
@tedscavingpage "am I terrible for not giving a shit about the bad green screen shots" Damn, twitter has done a number on you
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ash ⚠⛏
ash ⚠⛏@tedscavingpage·
am I terrible for not giving a shit about the bad green screen shots in pluribus, there were literally like two of them out of an entire season of stunning visuals
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Jon Uleis
Jon Uleis@MovingToTheSun·
@JohnnyFocal ChatGPT please write me a whining post about Criterion and make me sound like an expert
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Jon Thompson
Jon Thompson@JohnnyFocal·
Criterion, how have you managed to do this to Eyes Wide Shut? This should have been a definitive 4K release — a reference-grade presentation of one of Kubrick’s most precise, most controlled, most intentional films. Instead, what you’ve put out feels like a compromise dressed up as prestige: a substandard home-video version that flattens the image into something lifeless, electronic, and fundamentally wrong. A 10-bit, Dolby Vision minimal-enhancement, TV-version approach to a film that demands cinema-grade 12-bit full 4:2:2 treatment, this is not “good enough.” It isn’t even close. Compared to the DCP, the disc looks drained of depth — the texture, the nuance, the delicacy of shadow and colour separation are gone. The atmosphere that is the storytelling in this film has been thinned out until it feels generic. That isn’t “a different look.” That’s damage. And the most infuriating part is what this disrespects: the work. Larry Smith’s cinematography and grading choices weren’t accidental decoration — they’re the film’s bloodstream. Every subtle tonal decision, every controlled shift in warmth and cold, every balance between glamour and dread was crafted to serve Kubrick’s intent. When you blunt that, you don’t just change the picture — you change the film. I worked on this film. I know what it’s meant to be. And I’m appalled at how casually this release treats that legacy — not just Kubrick’s, but everyone who carried this to the finish line: Larry Smith DoP, Jan Harlan Producer, Joe Dunton cameras and the Deluxe lab teams, the entire chain of authorship. This isn’t “Criterion being Criterion.” This is the physical-media market slipping into a depressing new normal where “4K” becomes a badge, not a promise. And it’s the same rot everywhere: compromised masters, missing premium audio, releases pushed out that feel like the minimum viable product rather than a definitive archival edition. If physical media is supposed to be the last refuge of quality and permanence, why are we accepting versions that are visibly and audibly second-rate? Eyes Wide Shut is not a casual catalogue title. It’s a landmark. A final statement. A defining piece of cinema. If you’re going to put that “C” on the box, then act like it means something. Because right now, Criterion, this is not preservation. It’s vandalism. @Criterion @warnerbros @mdbmhk #EyesWideShut @Dolby @BrightSideHT @LegalBeagleOK @RalphAVSreviews
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boom ☆
boom ☆@Sonicboom2410·
@cracker_island i'm still so confused how that ended up there like what did they do to get that??
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OPIUM
OPIUM@cracker_island·
Plastic Beach lore is insane because why was one of the unreleased songs found in a fucking Netflix documentary bro
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