Jim Campbell

…after neglecting this account for 5yrs+ myself, it feels like it serves little purpose in the way it used to. So since I've been dabbling with Generative AI lately and there's a thriving community for that on here, it's what I'm going to start using it for.

@ChrisGwinnLA @grok Second one looks like it’s been trained on Carry On Screaming! 😄

@agustin_prod @freepik @IMG2 Ahh cool, didn’t see where I could add them, I’ll take a look

@someofmywork @freepik you can add image references and quote it using @img2 etc... Also on your 3d models theres an images button, where you can add fine image references, so it restores texture details

Your next 3D photo shoot will be done with AI 3D Scenes generates full environments from any image → Place your objects in the scene → Move the camera like a real shoot → Consistent lightning and detail across every angle Available now on Freepik 👇

@javilopen We've got till Xmas to make the whole re-make! 😆

@someofmywork hahahha

me, a few years younger 🤣 let's see what you all generate with this

@ChrisGwinnLA The film looks amazing btw, absolutely nailed the look, vibe and even acting for the era! 👌

@MiskoIho Yeah - I had posted some earlier versions to YouTube with heavier grain and I felt like it was washing out the image a bit - with this particular look, a more subtle grain overlay was working better. The compression definitely ruins the look (compared to the raw clips).

For those (such as @MiskoIho ) who want to see my new short Wendy's Wonderful Dreamworld with a more pronounced 35MM film grain applied to it (for that extra vintage vibe!), please check out this alternate version. YouTube link in the comments.

@ChrisGwinnLA @MiskoIho There's tricks to get YT to compress at a higher data rate. If you upscale it in AE (even a fake upscale) apply the grain and upload the higher res file. I found a sweet spot with this that retains some of the grain detail even at 1440 youtube.com/watch?v=PzNiPU…

@dustinhollywood @BLVCKLIGHTai He’s not an actor, he’s the dude that presents their YouTube content! So an employee basically.

Curious who that guy is cause he isn’t a good actor, or anything else for that matter. Seems really stupid to wanna destroy your reputation just for some money that’s gonna run out at some point and then your career is dead. 🤣 Higgs is the only bitch that will him, and their money is rapidly dwindling I’m sure

The hypocrisy, or should we call it Higgspocrisy, is real. On the left their recent post, on the right the tagged rules for users. Also let's talk about that feature they dropped yesterday with an opener that is misogynistic and gives off massive incel energy setting up their "worlds' first series" which is neither a world's first nor a series. Once a joke, always a joke. I REALLY want to give them a chance but jesus fucking christ it's like shooting fish in a barrel. Most of my well known friends won't speak out about it publicly because they're happy to talk shit privately and then accept a mountain of cash and shill for them anyway. And you know when @thedorbrothers and I agree on something there's weight to it as historically we've taken different routes and stances in ai. Some of us stand by our morals, and others stand by their wallets.

@BLVCKLIGHTai The claim about the actor plucked from obscurity is so bizarre as it’s clearly just the dude they use to present all their YouTube content. Like they’re not even trying! 😄

@Lordofacca Not watched it yet but have you seen the original it’s based on? Great film, but not sure how it’d compare watching this first 🤔

🎬🕐 Bugonia (2025) Directed by Yorgos Lanthimos

@JesusPlazaX It does look cool and I reckon Agentic workflows are the way forward, but Curious Refuge did a pretty honest review of it and it seems to come up short youtube.com/watch?v=YswrsY…

@DreamLabLA @LumaLabsAI @mrjonfinger @jieyijeee Wow. That’s crazy! Does it edit the clips together and reedit if you want changes?

If you’re a creator, you need to see this! Art Director Jieyi Lee turns her dinosaur sketch into an epic movie trailer. Watch as she walks through her full workflow using the Luma “Trailer” template. @LumaLabsAI

@chrisfirst 🕺🏻🙋🏻‍♂️

Who wants early access to a new AI tool from a major AI company?👀 Drop a comment and I’ll add you to the list.

@minhsmind He used AI to turn himself into Bill Clinton in the show, so it’s even more surprising! 🤔

Did anyone tell this man about AI yet?

@norealframe @Kling_ai Beautiful work guys! 👌✨

What happens when an AI model starts understanding not only images, but the subtext of a dialogue, the meaning of a silence, or the small hesitation before saying something painful? For the global launch of @Kling_ai AI 3.0, the Labyrinth Studio AI team and I wanted to build a small film. That’s how Looking for Bianca was born. A short film set in Hong Kong that follows a young woman searching for Bianca, her missing husky. Behind these five minutes there was a great deal of writing, staging, and experimentation with the new model. Even when a film is fully AI, the process remains surprisingly close to traditional filmmaking. And that is exactly where this language will need to grow, in the writing of characters and stories. It took two weeks and a team of four people to make Looking for Bianca. Once again @jacopo_reale , @ARisuleo , Aurora Cecchini and I adapted our workflow. I was especially thrilled to work with the new model and its acting capabilities — its ability to understand context, the subtle nuances of dialogue, and the nuanced characterization of each role, even minor ones, all in service of bringing to life believable exchanges that draw the viewer into a story that feels both authentic and emotionally compelling. With Kling 3, spatial control inside a scene has become much more precise, and we often chose to start from a wide shot and generate the coverage from there, as we did in the three-character dialogue scene between Sophie and the truck drivers. A thank you to the entire Kling AI team, and especially to Tony Pu, who has a rare sensitivity when it comes to supporting projects like this. Watch Looking for Bianca here: #kling3 #aimovie

@HeatVoter @FlowbyGoogle Weird that they'd say "2K & 4K image upscaling is now available for everyone"

@someofmywork @FlowbyGoogle Same for everyone

Nano Banana 2 has officially arrived! What does this mean for Flow? 0️⃣ Zero credits for all users 📸 Advanced character and scene consistency 🖼️ 2K & 4K image upscaling is now available for everyone Try it today!

First blast with Seedance 2.0, from some minimal Capcut credits. It's the triple visor for me! 😄

@Uncanny_Harry @invideoOfficial @kling Awesome! Proper Hammer Anthology films vibes 👌

You don’t need seedance access to make your film. I partnered with @invideoOfficial to make a short with @kling 3.0. It’s a love letter to British Hammer and American horror films of the 80’s

@FCG_Studio @aleenaamiir Bedroom Blockbuster Fatigue is gonna get REAL once we start seeing floods of AI feature length movies!😮‍💨

@aleenaamiir So bored already of the ai blockbuster clips tho...imagine another week or month we will abe so used to amazing videos that it won't even matter anymore how beautiful or well done they are

Cinematic destruction at a scale we’re used to seeing in big-budget films… now generated by AI. What once demanded huge teams, complex simulations, and millions in funding can be produced almost instantly. AI filmmaking is advancing at an incredible pace.

@dustinhollywood Was always gonna be this way...🤷🏻‍♂️ x.com/someofmywork/s…

I’m noticing more and more people who waited in the wings, not using AI, even bitching, now in it cause it’s trendy and mouthing off like their experts. 🤦‍♂️