Minh Do

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Minh Do

Minh Do

@minhsmind

tweeting about the ai creative world. running genjams™ weekly. cofounder of @machinecinemaai & @fantasticdayxyz

Los Angeles, CA Katılım Mayıs 2008
4.1K Takip Edilen13.2K Takipçiler
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Minh Do
Minh Do@minhsmind·
I think the issue of copyright is actually a stand-in for the larger and much more pressing issue of monetization. Famous musicians on Spotify barely make a buck. They have to do concerts and sell merch to make money. YouTubers can’t make sustainable money off of millions of views. It’s brand deals that make the real money. Chefs can’t copyright their recipes but they have premium on service and craft. Fashion designers can’t copyright designs but materials and craft are defensible and they can trademark brand. Open source is a fascinating ecosystem where people freely give away their hard work and IP into a shared ecosystem. And yet, companies have figured out how to monetize in that ecosystem (albeit astronomically smaller than the proprietary software world). I think the internet massively abstracted away a persons copyright from the way they can monetize that work. But it’s evident these dynamics already were there for decades. Technically, the idea of copyright as we know it today is less than a hundred years old. We are sorely in need of companies that find more ways that get people to create new things. Some ecosystems (like tech) have extremely liquid systems (acquire, acquihire, fundraise, etc.). I’m curious if AI will accelerate the need to have more liquidity and financialization across more industries as traditional ways to make money in those industries collapse as the means of labor, production, white collar work, and compensation collapses.
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Yapper
Yapper@yapper_so·
Dear Grok, Please show this to talented AI creators who still need access to Seedance 2.0. We have a surprise for them.
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Minh Do
Minh Do@minhsmind·
I don’t get this obsession in AI video space to claim that something would have cost hundreds of millions of dollars to make. I get that VFX is expensive. But at a minimum people are ignoring the cost that goes into great writing. I’m sorry to all my friends in AI video but I watch a LOT of television and film on a weekly basis. And I can confidently say that even the best in AI video is still not touching the level of writing we see in popular television shows or films. Nothing in AI video is touching anything in the nominated lists of Emmys or Oscars let alone the winners of these esteemed awards shows. We need to humble ourselves. So please, spare us the hundred million dollar boasts. I’m incredibly frustrated with this because this narrative is incredibly disrespectful to the cinematic arts that I love and hurts the conversation of bringing AI video forward into the light into a healthy dialogue. It’s so transparently incendiary and not at all additive to the moment. I love AI video, cinema, arts, etc and think it deserves a chance. I also think traditional arts, Hollywood, etc. are incredible and have produced some of the best and meaningful storytelling humanity has ever seen. Respect needs to go both ways. It’s unfortunate so many are anti-AI and fail to see the value of it. They fail to see how empowering and fun it can be. But also, if you’re saying Hollywood is done because AI is here, it belies a fundamental arrogance in you and a disrespect for craft and the hard work of understanding emotional tapestry.
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Jane Manchun Wong
Jane Manchun Wong@wongmjane·
Anthropic is working on Claude pixel avatar creator
Jane Manchun Wong tweet media
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Minh Do
Minh Do@minhsmind·
@petergyang @NVIDIAGTC Excellent networking. Great conversations. Lots of business happening across the Nvidia ecosystem, good cross pollination. Jensen.
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Minh Do
Minh Do@minhsmind·
I don’t know why this is the first time I’ve been to @NVIDIAGTC. I genuinely feel foolish to have been skipping this until now. Won’t ever miss it again.
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Minh Do
Minh Do@minhsmind·
I wouldn’t be surprised if OpenAI shipped a very consumer friendly version of OpenClaw that is voice-forward that makes setting up an agent wicked easy for a majority of its users and just works right outside of the box. Anthropic shipping is no doubt impressive but it requires a lot of tinkering right now, as most of OpenClaw setups do. Right now OpenClaw is for AI-forward enterprise and AI-native tinkerers. That’s not where the real opportunity is. Giving everyone on earth an always-on assistant is the real prize here.
Aakash Gupta@aakashgupta

Anthropic would have built this in a day and a dev would have tweeted the news. At OpenAI, an exec is telling you about a plan. That gap tells you everything. In the last 7 days, Anthropic shipped Dispatch, channels, voice mode, /loop, 1M context GA, MCP elicitation, persistent Cowork on mobile, Excel and PowerPoint cross-app context, inline charts, and 64k default output tokens. Felix Rieseberg tweeted "we're shipping Dispatch" and you could control your desktop Claude from your phone that afternoon. Every launch came from an engineering account or a GitHub release. In the same 7 days, OpenAI shipped GPT-5.4 mini and nano. Redesigned the model picker. Sunset the "Nerdy" personality preset. Announced three acquisitions. To find a comparable volume of shipped product from OpenAI, you have to rewind to December. This is the most underrated difference in AI right now. Anthropic PMs don't write PRDs. Boris Cherny, head of Claude Code, ships 10 to 30 PRs a day and hasn't written code by hand since November. 60 to 100 internal releases daily. Cowork was built with Claude Code in 10 days. The tools build the next version of the tools. Every cycle compresses the last one. Engineers are empowered to ship and announce. The entire org runs like a product team, not a corporation. OpenAI has the opposite problem. Fidji Simo is CEO of Applications, a title that exists because engineers aren't empowered to ship without executive approval chains. She joined from Instacart. Before that, a decade at Meta running the Facebook app. Since she arrived, OpenAI has acquired 12 companies for $11 billion in 10 months and announced a "superapp" consolidation through the Wall Street Journal. The exec responsible for shipping it is tweeting about "phases of exploration and refocus" on the product she hasn't shipped yet. That's what happens when you layer a Meta-style product org on top of an AI lab. Decisions go up. Shipping slows down. Announcements replace releases. Anthropic's product announcements come from the people who wrote the code. OpenAI's come from the C-suite and the press. One of those loops compounds. The other one meetings.

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Minh Do
Minh Do@minhsmind·
@Kyrannio I find progressives to be so disappointing in terms of their approach to AI.
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Minh Do
Minh Do@minhsmind·
@cryptopunk7213 You still can’t really set this up as a separate entity that works on your behalf tho.
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Ejaaz
Ejaaz@cryptopunk7213·
anthropic’s openclaw-killer is complete. fucking crazy what they’ve shipped in 4 weeks: - texting claude code - 10,000s of claude skills + MCP - Claude security (autonomous bug-fixer) - persistent memory (claude never forgets) - channels (text claude from telegram) - autonomous cron-jobs - 1M context window - new model (opus, sonnet) - 30+ plug-ins that’ve tanked stocks - remote control just insane fucking levels of execution.
Thariq@trq212

We just released Claude Code channels, which allows you to control your Claude Code session through select MCPs, starting with Telegram and Discord. Use this to message Claude Code directly from your phone.

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Minh Do
Minh Do@minhsmind·
@javilopen Yah. I don’t block. I just mute. That way I can see their stuff if I want to, still haha.
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Minh Do
Minh Do@minhsmind·
Massive thanks to @nvidia and @Dell for hosting our GenJam ™ at this years @NVIDIAGTC! Can’t wait for next year!
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Brianne Kimmel
Brianne Kimmel@briannekimmel·
Hosting some unexpected, quirky, uniquely SF experiences over the coming weeks. If you're new to the city or want to meet new people outside of work, please DM me.
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Minh Do
Minh Do@minhsmind·
Tax credits help more local productions happen, which is awesome. But my sense is tax credits should be overwhelmingly going to indie films and smaller studios. But I get it. People also want their tax credits going to huge successful projects with massive marketing budgets. Reminds of good schools with great test scores getting more money.
The Hollywood Reporter@THR

Disney and Warner Bros. Discovery led the way in the latest round of tax credits granted to productions by California’s film office. hollywoodreporter.com/business/busin…

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Minh Do
Minh Do@minhsmind·
@BLVCKLIGHTai This is exactly why we are doing an accelerator at Machine Cinema. It's like, if the AI companies and traditional media/entertainment can't figure out how to finance AI, than we just have to figure it out.
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Minh Do
Minh Do@minhsmind·
I know AI filmmakers now who are running agents at night. They work during the day, generating maybe hundreds of videos for a project, spend the end of their day prepping their agents, then have the agents generate thousands of videos over night. Have other agents vet those videos, and then wake up to 5-10k videos generated with 500-1k videos approved for human review. I don’t see why this modality doesn’t get remixed across every industry. Agents justify enormous spending on tokens and accelerate task output.
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scott belsky
scott belsky@scottbelsky·
thinking: products that help humans get credit for the work accomplished by agents they supervise in the enterprise will have better adoption than agentic solutions that do the work instead of humans. credit feeds ego, drives adoption...and accountability.
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Minh Do
Minh Do@minhsmind·
Me and @affan_imran at @NVIDIAGTC. Never seen so much money made from actual sand, son of a beach! We made intelligence come out rocks, people.
Minh Do tweet media
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