Enter Yes™

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Enter Yes™

Enter Yes™

@EnterYesLTD

An awarding winning, boutique creative studio based in Belfast and Meath. Live action // VFX // VP // Animation

Belfast ~ Meath Katılım Nisan 2016
2.2K Takip Edilen943 Takipçiler
Enter Yes™
Enter Yes™@EnterYesLTD·
BTS/process video of our recent shoot in VP1 at Studio Ulster At ENTER YES our end-to-end service model empowers us with foresight, ensures seamless planning and enables us to produce top-tier visuals. Supported by @NIScreen , Future Screens NI.
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Northern Ireland Screen
Northern Ireland Screen@NIScreen·
🎉 Northern Ireland projects secured multiple awards across several categories at the 2025 @CelticMediaFest, including several supported by Northern Ireland Screen, alongside other locally made productions. 👉 See winners: ow.ly/zVVF50W6f0Q
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Enter Yes™
Enter Yes™@EnterYesLTD·
Three young men rush to witness a fatal crash — a journey that gradually reveals a fragile boundary between instinct and toxic masculinity. Written & Directed by Kris Kelly, produced by @VickiRockVicki Funded by @NIScreen @BFI Starting its festival run soon.
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All The Right Movies
All The Right Movies@ATRightMovies·
The moment THE WIZARD OF OZ becomes Technicolor was all done in camera. The set was painted sepia and Judy Garland's stand in wore sepia clothes.
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cinesthetic.
cinesthetic.@TheCinesthetic·
Sean Baker’s Indie Spirits speech is essential viewing, shedding light on the growing unsustainability of independent filmmaking and the urgent need for industry-wide change.
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Courtney Howard
Courtney Howard@Lulamaybelle·
Sean Baker (@Lilfilm) had *the* acceptance speech of the evening for his #SpiritAwards win for Best Director for ANORA.
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VIKARE
VIKARE@vikare06·
This absolute beautiful shot looks modern but it's actually a sequence from a 1930 movie called "King Of Jazz" directed by John Murray Anderson. Shot on ancient 2-strip Technicolor
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Gints Zilbalodis
Gints Zilbalodis@gintszilbalodis·
Flow was made entirely with Blender and rendered in real time with EEVEE. We didn't use a renderfarm. The final render was done on my PC. There was no compositing, all the colors were tweaked and adjusted using shaders.
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patrick.
patrick.@imPatrickT·
Color grading is a subjective choice that many people want to treat as a technical decision because everyone has access to DaVinci Resolve now. You can’t be an expert in something that has no definitive rules - "you need natural skin tones" - Why? You wonder why everything starts to look the same? It's because a lot of filmmakers are shamed into making things look "correct" instead of simply realizing their vision. I wish more filmmakers took more liberties with color (and cameras) like Steven Soderbergh has over the years.
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Phil Kieran
Phil Kieran@philkieran·
Hello everyone! my new record ‘Artificial Analogue’ is now! Additionally, I’ve just uploaded the last bits of merch from my Strand Cinema album to Bandcamp. Only a handful of records and prints are left. philkieran.bandcamp.com/album/artifici…
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TJ O' Grady - Peyton
TJ O' Grady - Peyton@tjogradypeyton·
With @TheAcademy shortlist voting days away, we're thrilled to share our #FYC poster. To our cast, crew, families, loved ones, funders, champions, audience members & festivals, THANK YOU! 💚 We're v grateful & hoping for the best. 50+ festivals, 31 awards - #RoomTaken #Oscars2025
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Bionaut
Bionaut@BionautFilms·
A co vy? Už jste viděli Krále Šumavy? 🌲✨ Film, který sklízí krásné recenze a nadšení diváků, právě teď v kinech! 🎥 Nechte se unést příběhem z temného pohraničí. 🎬 V kinech jsme díky @ArtcamFilm / @ArtcamFilmD. Seznam všech projekcí najdete na jejich webu.
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