Louis

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Louis

Louis

@Louis___M

I like the intellectual and emotional layers of art and try to advance equity and representation in how culture is financed

web3 Katılım Eylül 2010
244 Takip Edilen297 Takipçiler
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danctrl
danctrl@daniloxhema·
Secondary sale! Thanks @Louis___M :)
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Louis@Louis___M·
@annaxmalina Thank you for sharing and for the work. I have interpreted it more rebellious, but maybe that’s ok, too.
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: :@annaxmalina·
thank you so dearly for collecting this very personal piece from secondary, @Louis___M {♡} i made this when it became obvious that my grandpa would die soon and life felt suspended into a dreadful "waiting". i felt nauseous all the time; a feeling i tried to document here
: :@annaxmalina

🤢💔

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anika meier
anika meier@postanika·
For the February issue of Photonews I discussed the value of images in the age of AI with Kevin Abosch, and why we may be witnessing a renaissance of photography. »Digital art doesn’t need protection through separation; it needs to be allowed to operate in dialogue with the rest of contemporary practice. Otherwise, we end up mistaking the medium for the meaning. (…) While technical literacy is important, it can also become a way of avoiding more difficult cultural questions: how authorship is defined, how images acquire meaning and value, and how photographic trust is constructed. Those issues aren’t technical problems; they’re historical and ethical ones.« – Kevin Abosch
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anika meier@postanika

In 2016, Kevin Abosch sold a photo of a potato for more than $1 million. In 2018, he sold a digital artwork of a rose for $1 million.
At the time, »Forever Rose« was the world’s most valuable crypto-artwork ever sold. At Art Basel Hong Kong, Kevin Abosch (presented by Taex), among others, will show »Goldfish«.

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𝐞𝐜𝐤𝐦𝐚𝐲𝐫.𝐭𝐞𝐳 /.𝐞𝐭𝐡
@DagieDee Yes it does. Like your take on digital objects pinned to a certain point in history. Have you read Douglas Davis thinking Benjamin's Aura? He sees the aura disappear but re-appear performatively each time viewers see a work.
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IMPOSSIBLE
IMPOSSIBLE@impossible_·
📢 IMPOSSIBLE has acquired the @Rarible brand and key platform assets, and is integrating the Rarible marketplace technology into its ecosystem. Stay tuned!
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𝐞𝐜𝐤𝐦𝐚𝐲𝐫.𝐭𝐞𝐳 /.𝐞𝐭𝐡
★★★ That is what I highly embrace. The infrastructure becomes the medium & "Collectors become nodes in a distributed cultural network, amplifying access." → Especially in my practice, where I speculate about what humanity would look like from the network's perspective – my networked sculpture "songs of algorithm" in the collection of @Louis___M
𝐞𝐜𝐤𝐦𝐚𝐲𝐫.𝐭𝐞𝐳 /.𝐞𝐭𝐡 tweet media𝐞𝐜𝐤𝐦𝐚𝐲𝐫.𝐭𝐞𝐳 /.𝐞𝐭𝐡 tweet media
Casey REAS@REAS

Collecting Public Networked Art “Collecting in public begins with a recognition: ownership does not remove a networked artwork from view. The work remains accessible through the web, available to anyone with a connection.” caseyreas.substack.com/p/collecting-p…

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Casey REAS
Casey REAS@REAS·
Collecting Public Networked Art “Collecting in public begins with a recognition: ownership does not remove a networked artwork from view. The work remains accessible through the web, available to anyone with a connection.” caseyreas.substack.com/p/collecting-p…
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Stephane PRUVOT
Stephane PRUVOT@StDinosaurus·
Thank you Louis @Louis___M For you have Sold 4 of my NFT, you welcome. Happy weekend!!
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𝐞𝐜𝐤𝐦𝐚𝐲𝐫.𝐭𝐞𝐳 /.𝐞𝐭𝐡
Thank you @DagieDee, @Louis___M & @AugursNFT for collecting from the "I can't find Silence" series. → How do we relate to the machines surrounding us? → "Making kin with machines: What if we used AI not to mirror ourselves, but to dissolve the boundaries of the self? Could this open toward a new understanding of identity — not as something we possess or describe, but as an ongoing process of becoming with our surroundings: algorithms, machines, social relations, biological systems, and our own bodies?". → Composite_Beings#6 & Composite_Being_0a
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Ana María Caballero
Ana María Caballero@CaballeroAnaMa·
Last night marked one of the most meaningful moments in my art life, as I guided 80 ppl thru my suspended labyrinthine Being Borges bestiary, reading my poems as I advanced. At the end, a museum director gave me his card, asked if I did commissions, said I restored his faith in so much. More to come 🙏
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