Mise-en-scène 🎞

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Mise-en-scène 🎞

Mise-en-scène 🎞

@MESjournal

MSJ is a scholarly, peer-reviewed journal focused on the artistry of cinematic narratives. Sponsored by @KPUArts + @KDocsFF, it is edited by @GregChan_Ink.

In the Frame Katılım Temmuz 2015
316 Takip Edilen256 Takipçiler
Mise-en-scène 🎞
Mise-en-scène 🎞@MESjournal·
Just published: Issue 9.1: 1980s Redux, headlined by Andrew Hageman’s reconsideration of David Lynch’s #Dune as A Masterpiece in Disarray. Dedicated to @NPQennedy (1959-2024)
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Sundar Prize
Sundar Prize@sundarprize·
The moment we've all been waiting for is here! The @SundarPrize Film Festival's official trailer is LIVE! 📽️ Join us on June 15th and 16th at Centre Stage at @CityofSurrey City Hall for a celebration of human resilience and incredible storytelling. Edited by our award-winning co-founder @VinuGiridhar, the trailer features powerful glimpses into our award-winning films. From heartwarming animations to inspiring documentaries, get ready to be moved! Dates: June 15th and June 16th, 2024 Location: Centre Stage at Surrey City Hall Tickets: sundarprize.com The Sundar Prize is approaching an 80% sell out! 🎟️ Don't miss out on this unforgettable cinematic experience! #sundarprize #sundarprizefilmfestival #spff2024 #filmfestival #trailer #cinemameetssocialchange #storytelling #socialjustice #filmmaking #salish #coastsalish #vancouver #surrey
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Dan Marcus
Dan Marcus@Danimalish·
Steve Zaillian’s #Ripley is a fascinating new take on the Tom Ripley story. It’s not a remake of Minghella’s film, but a bold reinterpretation. It also has some of the most gorgeous B&W cinematography I’ve seen in some time. Robert Elswit’s work is nothing short of stunning.
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Public Knowledge Project (PKP)
📢 PKP is NOT FOR SALE! By its design, several safeguards are in place to reassure our communities that PKP will not be bought or sold. PKP underscores how it is not, and never will be, for sale. Check it out, and if you are so inclined, please share: pkp.sfu.ca/2024/03/14/pkp…
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Mise-en-scène 🎞
Mise-en-scène 🎞@MESjournal·
@MESjournal is on the ground in Boston for the 65th annual meeting of the SCMS. Our editor-in-chief, Greg Chan, is attending the film and media studies panels—30 concurrent sessions for each time block!—to recruit potential contributors. #SCMS2024 #InTheFrame
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Mise-en-scène 🎞@MESjournal·
It’s always an exciting day when we get to unbox a new print edition of MSJ! Issue 8.2: First Blood is right at home in our limited-editions collection. Purchase your copy through our print on demand service: lulu.com/shop/carolina-…
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Variety
Variety@Variety·
Martin Scorsese on criticism of ‘Flower Moon’s’ 3+ hour runtime: “Not every film is for every person...I don’t know if it’s something that will be universally accepted. This one felt right [at this length], and I felt that while I was watching it.” wp.me/pc8uak-1lDEPv
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All The Right Movies
All The Right Movies@ATRightMovies·
ALFRED HITCHCOCK was born on this day 124 years ago. Considered one of the greatest ever filmmakers, he directed over 55 movies. Here’s some great behind the scenes shots from his 54-year career. 🧵 1/30
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The Cinegogue
The Cinegogue@TheCinegogue·
Vincent van Gogh’s Prisoners Exorcising Stanley Kubrick’s A Clockwork Orange
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Criterion Collection
Criterion Collection@Criterion·
✨Jean-Pierre & Luc Dardenne’s Closet Picks✨ The Palme d’Or–winning Belgian duo—whose new film TORI AND LOKITA is now playing exclusively on @criterionchannl—talk about their friends Jane Campion & Cristian Mungiu, a Kieślowski masterpiece, & the “profound loneliness” of WANDA.
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Mise-en-scène 🎞
Mise-en-scène 🎞@MESjournal·
The print edition of Issue 8.1 (Crime Film) has arrived!
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Mise-en-scène 🎞@MESjournal·
MSJ’s latest edition has been published. Issue 8.1, a themed dossier on crime film, includes a feature article on symmetrical framing in Murder on the Orient Express + Death on the Nile plus a collection of undergrad pieces. Cover art courtesy of @KPUenglish student Lauryn Beck
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