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Brandon Sanderson on why he would not finish George R.R. Martin's Game of Thrones even if he was asked: "I wouldn't say yes to finishing ASOIAF, if asked. (And I don't think they'd ask me.) I'd respectfully decline. I wouldn't be right for the job for many reasons. I wouldn't want to put in the content that the series has, and part of that is due to my religious faith, part of it is just who I am. I don't shy away from difficult material, but I prefer not to get explicit. Honestly, when I read it in George's work, I often just cringe. I don't think it fits in prose; I think it looks tacky. But that's almost 100% due to the my religious leanings. I realize that others don't read such scenes in the same way as I do. However, I'd suggest that this is actually a minor reason why I'd be a bad writer on this series, despite having enormous respect for GRRM and his talent as a storyteller. The primary reason has to do with fundamental optimism vs pessimism. I write darkness into my books, but it is darkness as contrast to light, and there is always a spark of hope. George's work seems fundamentally pessimistic--which I don't say as a slam. One of my favorite short stories is Harrison Bergeron, which is also fundamentally pessimistic. Saying George's work is pessimistic doesn't mean that HE is pessimistic, only that he creates a work of art that evokes emotion and discussion through pessimistic themes. As a comparison, I'm glad that Silver Age science fiction produced both Harrison Bergeron and Star Trek--but I'm Star Trek, not Harrison Bergeron. Calling me in to work on this piece would be like calling in Spielberg to finish a Tarantino film. (Not to imply I deserve to be ranked with either one.) Sure, he could do it, but wouldn't you want someone who themselves makes films with Tarantino-like themes? My work is also fundamentally different from George's in our use of magic. We've talked about books, and he points out (rightly) that I often use a heavily magical component in my stories--particularly the endings. This is because I'm writing science/magic hybrids, and the idea of magic as progress is fascinating to me. George, however, prefers his magic to be arcane, unknown, and dark--not a tool, but a force you can sometimes (with great danger) apply. This is a small issue, as I'm fond of books that use magic differently, I've just made a stylistic choice in how I do what I do." Do you think this still holds?

My only response to boomer housing discourse is that my nan on her final salary teachers pension gets the same monthly income I get as a teacher on the inner London pay scale

A map of Westeros showing the great lords at the end of the series

No point calling Green supporting young men and women ‘Marxists’ or ‘indoctrinated’ or ‘hard-left’. Some are, fine. Most aren’t. Most are just feeling patronised, insulted and neglected by an establishment that quite evidently doesn’t care about them. It hasn’t for a very long time. We all know that. They see the system doesn’t work for them, and they’re reacting to it. Democratically and fairly. Do I think Polanski will solve their problems? No. No I do not. Do I understand why they’re searching for an answer? Yes. Absolutely. Our job is to offer them an alternative option that they feel speaks for them. Polanski has done that, to be fair. Our job is to make sure Restore Britain does the same, but from a very different position. One that rewards their hard work, protects our borders, and unapologetically puts aspirational young British men and women at the very top of our agenda. One that provides skilled jobs which pay well, a path to living in a decent home in a safe neighbourhood - the opportunity to build a family. That’s what Restore Britain is aiming to do. Millions of young Brits are already backing that message. It’s wonderful to see. The argument against Polanski can be won, but only with a positive vision. Not patronising insults. Restore Britain has that vision.

Salah’s liverpool career