ShadeTV 🎥 Marissa Hill

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ShadeTV 🎥 Marissa Hill

ShadeTV 🎥 Marissa Hill

@ShadeTV

Exec Producer & Editor Shade Studios Film 🍅 (@theAAFCA + more), Music & Fashion as seen on @hulu @hbo @starz #1 Sneaker Girl | @YouTube @Snapchat

New York, NY + Los Angeles, CA Katılım Ekim 2020
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ShadeTV 🎥 Marissa Hill
🚨 BIG NEWS! I’m excited to share that I’m a featured creator in YouTube Premium’s retail experiences in Verizon stores around the country! There are some perks: whether you make it in to a store to see me or not, you can still get YouTube Premium for only $10 - you’ll be able to watch videos ad-free and offline for a low price. If you do make it in store, check out the experience and select “News” for a special message from me 😏 Check out the link below to get the deal, or visit a Verizon store to get the deal. 📞 @verizon @youtube #VerizonPartner #Sponsored #YouTubePremium
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ShadeTV 🎥 Marissa Hill retweetledi
ShadeTV 🎥 Marissa Hill
What a day of racing today my goodness 😮‍💨 Canadian Grand Prix and the Indy 500 DELIVERED
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Jeremy
Jeremy@ManaByte·
It’s wild watching the trade press and certain corners of film Twitter cover The Mandalorian and Grogu this weekend. Audiences are showing up, families are loving it, and the vibe leaving the theater is pure classic Star Wars fun. Yet, if you read the trades or the critical breakdowns, you’d think the sky was falling because it isn't hitting $200 million on a modest, highly responsible budget. There’s a very specific reason Hollywood and critics are so invested in wanting this movie to fail, and it has nothing to do with the actual quality on screen. For the past several years, the narrative has been that "the theater experience is dying" and that streaming platforms ruined the prestige of cinema. The Mandalorian and Grogu represents the ultimate test case: taking a massively successful streaming show and turning it back into a theatrical feature film. If it succeeds, it completely upends the traditional Hollywood hierarchy. It proves that streaming can be an incredibly effective farm system for big-screen blockbusters, and that audiences will buy a ticket to see characters they’ve already watched at home if they love them enough. But traditional trades and critics don't want that to be the future. They want a clear, rigid line between television and movies. So, because the film is tracking for a solid, profitable Memorial Day weekend instead of breaking all-time historical records, they’re framing it as a "diminished galaxy." They are treating a win like a loss because a win for Mando and Grogu means admitting the industry's old playbook is officially outdated. At the end of the day, Din Djarin said it best: "I can bring you in warm, or I can bring you in cold." Right now, audiences are bringing this movie in warm, no matter how cold the trades try to play it.
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Scott Menzel
Scott Menzel@ScottDMenzel·
I’m happy for Focus Features because they very rarely have a massive hit like this. That said, I’m not at all shocked by Obsession performing this well because everyone at TIFF and SXSW went bananas for this film. Also, if Amy Madigan could win Best Supporting Actress, we can just give Inde Navarrette the award now because she’s easily 10x better than Madigan was in my opinion.
Erick 𝕄𝕄𝕋 Weber 🎥@ErickWeber

No slowing the brilliant #ObsessionMovie with $6.1M Friday, weekend will at least MATCH its debut frame at around $17-20M This is what insane WOM does for films, a hold at worst at -1%, possibly an INCREASE 🤯

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ShadeTV 🎥 Marissa Hill
For anyone that saw this in IMAX 3D think that the picture was too dark? The Dolby footage at CinemaCon was light years ahead. May need to watch again on a Dolby screen to compare. @imPatrickT what did you think?
ShadeTV 🎥 Marissa Hill tweet media
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LA Three
LA Three@La3Life·
Let’s have a real convo Whenever I go on @MyFirstKicksPod platform I really wanna talk about WW vs US There is no reason for the world to care about what makes a US shoes cool. It works the same the other way. There are sambas worth 1k WW that sit in the states Regional bias will forever be a reailty b/c people connect to what affects “them”
Follow Me If Youre Reading This@HORHEAD_Sales

Perfect example of what I keep talking about PATIENCE PAYS Let’s look at the red Brick as an odd example of a shoe that went UP vs DOWN $350-400 resell initially, went up slowly to $5-600 Vs 90% of releases where you can simply wait 2 weeks and you SAVE hundreds

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Adam Hlaváč
Adam Hlaváč@adamhlavac·
@ShadeTV @imPatrickT Hmm, mine was slightly dimmer but not dark enough for me to have an issue with it. Which theater?
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Adam Hlaváč
Adam Hlaváč@adamhlavac·
@ShadeTV @imPatrickT Polarized lenses usually yield a dimmer image than Dolby 3D because of the types of lenses and projection system. Dolby 3D also uses Dolby Vision.
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David Clair-Bennett
David Clair-Bennett@DavidClairB·
Curry Barker reminds me a lot of me. We’re both filmmakers who started on YouTube. I recently wrapped my 2nd feature, & like Barker, I also am editing the film. Spent years learning not just how to make a movie, but how to SELL a movie. Never stop creating. Much respect 🫡
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Emma Steuer 🧚🤖
Emma Steuer 🧚🤖@emmysteuer·
I wish there was an initiative on X to prevent constant nasty mean comments. I’ve been a lot less active lately because the negativity is very heavy. People should be banned for repeated angry mean comments
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