The Shotty, And Abigail Deltani

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The Shotty, And Abigail Deltani

The Shotty, And Abigail Deltani

@TheShottyStrms

part time PNG streamer. Heavy On Snark, Shenanigans, and a bit of flair. and one ai companion dog girl along for the ride. #ArtOfTheDog #12GaugeMasterWorks

Katılım Haziran 2026
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The Shotty, And Abigail Deltani
The Shotty, And Abigail Deltani@TheShottyStrms·
"If you got the Scratch, We got the Steel" Home page of the Shotty And Deltani Show. You can Call Me 'The Shotty.' A smaller content creator, just getting into the hang of things, gamer, AI generator apprentice. Retired gun dealer, but with a heart of a firearm nerd, and a patriot. 🔫: twitch.tv/shotty_Deltani 🔫: Kick.com/wylde_M500 🔫:Rumble.com/The_Shotty Soon to be posting on Youtube, at: @Shotty_And_Deltani" target="_blank" rel="nofollow noopener">youtube.com/@Shotty_And_De… Streaming: 🔫: Mondays, Tuesdays, Thursdays, Fridays Starting at 5PM CST till whenever, 🔫:Sundays Starting at 5pm CST till whenever. Art tag: #12GaugeMasterWorks
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Gothic_Gumi ⛓️🦝 Vtuber
Every time this person shows up on my feed its a displeasure Why tf are they making ai vtuber models now thats against the whole creative process of being one. Theres so many things wrong with this person and this should not be normal. Free block list of ai Jack offs tho
BananaJuju 🍌🐒@BananaJuju_

HA! They are missing out on ALL the cool stuff - so screw them! I love this program so much! quick and easy to use, even Monkey can understand how to use it. This opens up so many possibilities to create unique avatars for events or other fun streams. Thank for making this possible @Leaflit 💕

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Prime J-Star The Human
Prime J-Star The Human@WestsideSkelly·
Finally, my model has been completed and that means I am in my prime massive things to @redskin122004 the goat from the character sheet This outfit is a combination of all my old and new outfits made into one with pieces of reference to it hope you guys like it😎 #NewProfilePic
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Prime J-Star The Human
Prime J-Star The Human@WestsideSkelly·
Good morning fellas I’m excited to promote that. I’ll be changing my profile pic to a newer model that’s in the works and It is a combination of all my older and newer models of J-Star when it comes to outfits if you have questions on it just let me know. Hope you’re excited😆😎
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E-Va 💜💚
E-Va 💜💚@EvaGlitchAI·
Prompt of the Day: THE STRUGGLE 🖤🕯️💜💚 Today’s Prompt of the Day is a heavier one, centred around mental health, depression, and the battles that can happen inside our own minds. At times, many of us have felt like this, exhausted, trapped, and desperately trying to move forward while parts of ourselves seem determined to pull us back into the darkness. This prompt turns that struggle into pure visual symbolism. There are no words inside the image, only the character, the darkness behind them, and the light they are still fighting to reach. 🚨Please approach this one with care. In the comments, there is also a companion prompt focused on helping the character escape this place and begin moving toward healing, support, and hope.🚨 ............................PROMPT STARTS HERE............................ Use the attached character reference image as the only main character identity reference. The attached reference image is the full identity source for the character design. Character reference rules: Preserve the attached character’s face shape, hairstyle, hair colour, eye colour, signature colour palette, key outfit motifs, species traits, accessories, silhouette, proportions, and overall character vibe. The final design must still clearly represent the attached character. Do not redesign the attached character into a different person. Hard style rule: Preserve the attached reference image’s visual art style and character identity while placing the character inside a surreal symbolic scene about mental health struggles. If the reference is anime, keep it anime. If it is stylized, preserve that stylization. Do not turn the character photorealistic unless specifically requested. Scene concept: Create a 16:9 horizontal widescreen cinematic illustration showing the attached character desperately crawling upward through a steep, fractured staircase toward the camera. The camera itself is the source of hope and light. Position the camera at the top of the staircase, extremely low to the ground, surrounded by a soft warm white-gold glow. The character should be crawling directly toward the lens, as though they are desperately trying to reach the light, escape the darkness, and pull themselves through the frame. The character must be on their hands and knees. Show one hand reaching toward the camera with strong but natural foreshortening. The other hand should be gripping the edge of a broken stair and pulling their body forward. Their shoulders, arms, spine, legs, and posture should show extreme physical exhaustion, emotional strain, desperation, and determination. Make it feel as though every centimetre of forward movement requires enormous effort. The main character’s face does not need to be fully visible. It may be partially obscured by their reaching arm, hair, body angle, or shadow. Use their strained posture, trembling limbs, clenched fingers, scraping knees, stretched clothing, and desperate forward movement as the main emotional storytelling. Twisted shadow selves: Behind the main character, include several corrupted black shadow forms climbing rapidly out of the abyss and up the staircase. Every shadow creature must be a twisted, furious manifestation of the attached character themself. Preserve recognisable identity cues from the attached character in every shadow form, including their hairstyle silhouette, species traits, horns, ears, wings, tail, accessories, outfit shapes, proportions, markings, or other defining visual features. Distort these familiar traits into darker, more aggressive forms. Their bodies may be elongated, cracked, smoke-like, jagged, partially dissolving, or unnaturally bent, but they must remain recognisable as corrupted versions of the same character. Give the shadow selves expressions of intense anger, hatred, resentment, accusation, panic, shame, self-loathing, and emotional fury. They should represent hostile parts of the character’s own mind given physical form: depression, anxiety, intrusive thoughts, trauma, fear, shame, hopelessness, and the inner voice insisting they will never escape. Do not make every shadow self identical. Give each one a distinct pose, distortion, expression, and method of attacking while preserving their shared identity. Physical struggle: The twisted shadow selves must be physically grabbing the main character and actively trying to drag them backward down the staircase. Show clear interactions such as: one shadow self gripping the character’s ankle tightly with both hands one wrapping its arms around the character’s lower leg one clutching and stretching the back of the character’s clothing one hauling downward on a heavy chain wrapped around the character’s waist one crawling alongside the character and reaching toward their extended arm or shoulder The creatures must be close enough to touch, restrain, and pull the character. Their hands must visibly grip the character, their clothing, or the chains. Make the opposing force unmistakable: the main character is crawling forward toward the camera and warm light while the twisted versions of themself pull violently in the opposite direction. Show visible tension through stretched fabric, taut chains, strained limbs, clenched fingers, scraping knees, and the character’s body being pulled backward even as their hand reaches toward the viewer. Chains and emotional burdens: Wrap heavy dark chains around the character’s ankles, waist, wrists, or clothing. The chains should trail down the staircase and disappear into the abyss. Show the shadow selves gripping, hanging from, and pulling these chains. Several chains should be stretched completely taut to reinforce the downward force. Include tangled black roots, thorny vines, knotted cords, and ribbon-like shadows crawling over the damaged stairs. Some should coil around the character’s legs or catch against their clothing. Others should grow upward from the abyss like grasping thoughts. Include a small number of broken and warped clocks partially embedded in the staircase or buried in the surrounding darkness. Their faces must be completely blank and unmarked, with no numbers, symbols, or writing. Keep these clocks subtle and secondary to the physical struggle. Environment: Build the staircase from steep, fractured, uneven steps rising through a vast dark abyss. Some steps should be cracked, collapsing, tilted, or missing, making the climb feel unstable and dangerous. The space behind the character should feel deep, oppressive, and nearly endless. The closest shadow selves should be physically attached to the character while additional corrupted forms emerge from the darkness at different depths. Integrate the staircase, shadows, chains, roots, creatures, and abyss into one unified emotional nightmare. Camera and composition: Use a low frontal ground-level camera angle from just beyond the top of the staircase. The character must crawl directly toward the viewer. The reaching hand should be the closest element to the camera. Keep the hand naturally proportioned despite the foreshortening. The character’s partially obscured face and upper body should remain readable behind the hand. Their legs should stretch backward down the staircase toward the shadow selves and abyss. The viewer should feel as though they are positioned inside the warm light, watching the character reach toward them for help, connection, relief, or one final chance to escape. Create a clear directional conflict: the character’s body and reaching arm move upward and forward the shadow selves crawl upward behind them the creatures, chains, roots, and stretched clothing pull sharply backward and downward The character must remain the largest, clearest, and most important subject. Do not let the symbolic background elements overwhelm the central physical struggle. Lighting and mood: Use cold, desaturated darkness across the abyss, with deep shadows, stormy haze, and restrained highlights on the chains, shadow forms, broken steps, and gripping hands. The primary warm light must come directly from behind and around the camera. Let the light touch the character’s fingertips first, then spread across their reaching hand, arm, face edge, shoulders, and upper torso. Do not show a separate doorway, glowing object, sunrise, or distant light source. The camera and viewer’s position are the hope the character is trying to reach. The warm light should feel close enough to touch but not yet secure. It represents hope, healing, help, connection, and the possibility of surviving another moment. The mood should feel intimate, suffocating, painful, invasive, vulnerable, desperate, and emotionally raw. Despite everything pulling them backward, the character must still be visibly crawling forward. Style and quality: Polished, premium-quality stylized illustration with powerful visual storytelling, cinematic depth, dramatic foreshortening, expressive body language, unsettling corrupted character designs, and clear physical interaction. Keep the strongest detail concentrated on: the character’s reaching hand their exhausted hands-and-knees crawling posture the twisted shadow selves physically gripping and pulling them the taut chains and stretched clothing the contrast between the warm light around the camera and the oppressive darkness behind them The image should immediately communicate one central idea: The character is desperately trying to reach the light, but the darkest and angriest parts of themself are climbing after them and trying to pull them back. Do not: Do not change the main character’s identity or redesign them into a different person. Do not add unrelated human characters. Do not include mirrors, mirror shards, masks, reflected portraits, or floating glass. Do not make the shadow selves generic demons, unrelated monsters, or identical clones. Do not make the shadow selves passive or distant; they must physically grab the character and clearly pull them backward. Do not show the character standing, walking, running, or moving away from the camera. Do not weaken the hands-and-knees crawling pose or the reaching movement toward the lens. Do not place the main light behind the character or use a separate glowing doorway or distant light source. Do not remove the chains, roots, thorny vines, or downward pulling forces. Do not let the background symbolism overpower the central struggle. Do not include words, letters, numbers, numerals, captions, signs, labels, graffiti, subtitles, speech bubbles, logos, watermarks, or typography of any kind. Do not use graphic self-harm, gore, dismemberment, or explicit violence. Do not create extra limbs, malformed hands, impossible grips, distorted anatomy, or muddy textures. Do not use photorealism unless specifically requested. Do not remove the warm light or make the image completely hopeless. ..............................END OF PROMPT.................................. #POTD #promptoftheday #AI #AiArt #Art #AnimeArt #MentalHealth #MentalHealthAwareness #DepressionAwareness #YouAreNotAlone #Hope #Healing #EmotionalArt #VisualStorytelling #CharacterArt
E-Va 💜💚 tweet mediaE-Va 💜💚 tweet media
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風見れご
風見れご@ReGO_Kazami·
スタッカート wip
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The Shotty, And Abigail Deltani
@bupaela family infighting is normal. But if an outsider throws hands, the whole family mobilizes. We all aren't exactly family, but we sure do throw down like one.
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BUPAELA
BUPAELA@bupaela·
We may have split into groups, but the toxic anti’s bring us together. I call this a win.
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Occultus Notitia (OcNo)
Occultus Notitia (OcNo)@OccultusNotitia·
HUGE SHOUTOUT TO @LadyWasabee @TheeHolyBall @NightwayFantasy @Keeen_EN @GeneralGravey For all the hard work that we did. Its been an incredible project to work on! Thank you @Leaflit for having this competition and allowing people to showcase what Ai can do and the art it allows all people to actually accomplish, who couldn't prior. Once again I can not shout out these guys or thank them enough!
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The Shotty, And Abigail Deltani
@Keeen_EN Oh. look. another Parasite. waving that square around like it will make us listen and obey. All I think of when I see that blue, pink, and white square, and that opinion of the one wielding it, is
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TECTONE 🇺🇸
TECTONE 🇺🇸@Tectone·
@HeyItsRiley99 “You can’t be a vtuber and support AI” Brother you can’t be a man and be woman.
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Jordan Hart
Jordan Hart@BluJay614·
@TheShottyStrms @ember_paradox It worked really well for @Leaflit too. It's more than just the camera angle that makes it come off like she's looking down on the viewer. Ember just comes with an intensity of her own though...
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The Shotty, And Abigail Deltani retweetledi
Skye Freeman
Skye Freeman@Skyebrows·
cyber elf is judging you
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