Yan Blanco

bom, dei uma roubada pra participar dessa trend pq nao faço mais pintura digital e levo meses pra terminar um personagem no 3D haha

.@Anarioart joined us to discuss his Travis Friedman project, explaining how he used color and lighting in ZBrush and KeyShot to create a stylized musician in a nightclub setting. See what you can learn from the project: 80.lv/articles/learn…

Need to get back to fleshy characters 😏 #UnrealEngine #RealTime

@kevinbparry i've watch both already, very interesting talks!

Genndy Tartakovsky has shared a test animation clip from his new film ‘THE BLACK KNIGHT’ • Follows a knight who controls a 20ft tall suit of armor in the 14th century • Sony Animation is unsure if there is an audience for the film theatrically so they haven’t greenlit it

amazing to see the Tin Man back in the spotlight with the new movie, here’s the 3D fanart I made in Blender back in 2019

@Lasha3D thank you!

@YanBlanco3D epic!

UVs are done! (for now)

👁

Dusting off my YouTube channel while working on this character during weekly livestreams. We’re going live tomorrow as usual, feel free to stop by

« I know a shortcut. »

a quick little study the other day of this cool cd i saw on my feed :)

2021年に造形した『ビースターズ』の作品です。 最近、天才・Mianqiuer先生（@eeriness17）が塗装してくださったバージョンが完成しました。この繊細なタッチ…感動です！トンも美しすぎて、大好きです。 撮影は@Chezterさん。夜に写真を見て、心が洗われました。 ガレージキットの生産はもう行いませんが、本シリーズの写真は造形作品集に収録予定です。

Hello! Long time no post here! This is a fish I created aiming to test @UnrealEngine Path Tracing render. I'm amazed with the results and the possibility to create powerful materials. Textures painted using @Substance3D Please Check my Arstation post artstation.com/artwork/oJmnWB

Should’ve stayed in the tavern

another turntable of my lookdev work for @mexopolis Maya and the Three, from back in 2021

A blatant reminder that I will never support or use “Ay Eye.”

Just got the greenlight to share a couple of rendered sequences I did for Sonic 3. This is one of the character expression explorations each character went through. Grateful for the opportunity to help define the look of what became a ~$500M box office success!