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aquarian.ham (parody account)
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aquarian.ham (parody account)
@aquarian
AFK: email to get in touch. Dekmantel / Houndstooth / Bedouin / @hngr_mgmt / N/S America: [email protected] / all else: aquarianbeats at gmail
Flavourtown Katılım Ocak 2010
931 Takip Edilen2.7K Takipçiler

I LOVE SOULSEEK.
So I built a modern client and if you love soulseek and want to use it I'd love to share it with you.
You can watch this video to get a quick feel but it's designed to be lightweight/simple and easy to browse users collections. That way you can find good new music and then buy that music and more on Bandcamp.
If you'd like to use it just reply here and I'll dm you a link.
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if anyone missed my NTS set they posted it here
on.soundcloud.com/zaqlPkhNXtcoZY…
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@Naskomusic bruh. it took them over 13 years to allow you to read your dms in the mobile app or in your email. this happened in 2023. 2023!!!!!
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They never fixed this btw.
I'm done wasting my energy on this🤷♂️
If you want to focus your audience on Soundcloud just be aware your music will not sound as intended.

Nasko@Naskomusic
I am so done with this platform!!! 😭😭😭 16 BIT WAV vs SOUNDCLOUD vs YOUTUBE 1080P/144P
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@lennyjpg immediately reminded me of this absolute banger from @aquarian aquariandekmantel.bandcamp.com/album/mutation…
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SoundCloud was founded the year the iPhone came out and didn't have DMs on mobile for 15 years until they added it in 2023.
SoundCloud@SoundCloud
I been had them
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COLLECTOR’S CHOICE
1/ “An education is not something you "get", it’s something you take. It’s something you make” – Ryan Holiday (Wisdom Takes Work)
Collecting books has long been an integral part of understanding and researching art. In the context of generative and digital art, books serve not only as reference materials but also as essential documents of cultural and artistic history. They often contain essays, archival images, artist interviews, and curatorial perspectives that are not available elsewhere.
Image: Ecologies of Becoming by Sougwen Chung @sougwen

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BODY MACHINE (MERIDIANS) - Glacial Biome Series, 2025
Glacial Biome Series is a continuation of Sougwen Chung’s Body Machine (Meridians) series — an exploration of spatial movement, speculative machines and planetary biomes. This new work focuses on the Glacial Biome, tracing water’s transformation through its phase transitions.
During an Arctic expedition, Chung captured scans of melting glaciers, textures of ice and the shifting light of the never-setting polar sun. They submerged in Arctic waters to experience time differently, recording gestures and movement data to inform the work. This work consists of ten moving image meridians - visual compositions generated from spatial data, sound recordings and sensor inputs. Inspired by Gerald H. Pollack’s research on water’s exclusion zone, the project explores how water is not just a substance but an active force, shaping and being shaped by its environment.
Music by @a_q_u_a_r_i_a_n
On View March 26 - 30
@phillipsauction @hofagallery @HOFA_io @artbasel
On the occasion of Art Basel Hong Kong

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ɥʇɹou ʇsoɯuɹǝɥʇɹou
80º20,61’N 008º48,46’E
BODY MACHINE (MERIDIANS); Glacial Biome
materials: meridian movement data, spatial scans of The Pack Ice on June 17th, 2024 in the Arctic Circle
37 miles from the mainland in the northernmost north —
Meditating as the fog rolled in, enveloping; moored on ice edge.
music: @aquarian
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the fourth phase of water
78º40,9’N, 011º06,8’E
BODY MACHINE (MERIDIANS); Glacial Biome
materials: meridian movement data, spatial scans of Sarstangen on June 14, 2024 in the Arctic Circle
music: @aquarian
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@jacquesgreene @RamonPang I played that recently
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@RamonPang do u remember the another girl x partyrock that used to be on this account lol
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the fourth phase of water // glacial biome
BODY MACHINE (MERIDIANS)
🎶 @aquarian
The Fourth Phase of Water is a continuation of my Body Machine (Meridians) series—an exploration of spatial movement, speculative machines, and planetary biomes. This new work focuses on the Glacial Biome, tracing water’s transformation through its phase transitions.
During an Arctic expedition, I captured scans of melting glaciers, textures of ice, and the shifting light of the never-setting polar sun. I submerged in Arctic waters to experience time differently, recording gestures and movement data to inform the work.
This work consists of ten moving image meridians—visual compositions generated from spatial data, sound recordings, and sensor inputs. Inspired by Gerald H. Pollack’s research on water’s exclusion zone, the project explores how water is not just a substance but an active force, shaping and being shaped by its environment.
More info coming soon.
During Art Basel @artbasel / Phillips @phillipsauction / Art Central Week @artcentralhk in Hong Kong, March 26-30.
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