buba viedma

@Blondie23LMD Are we talking about Lola?

How are we this far into the industry, with every AI tool at our disposal, and still so bad at PR and comms? Asking for everyone who keeps stepping in their own poo.

@WomanNFT Deleted

How embarrassing l. Did you really just give a bot a female gender and call her a hoe? wtf 😬🤬

SuperRare community manager

@juliakponsford It’s so embarrassing that they’ve deleted the post.

I've noticed a trend of people throwing shade at every little thing superrare does but I'll admit this one is a tad tacky

I've relisted “GameCam Pocket” on @manifoldxyz This is the only Gadgets piece still available, more coming soon... • Starting price: 0.1 ETH • 24h auction • 100% onchain ⛓️

@Fran_nubes @objktcom

@objktcom Whole @bubaviedma profile 🔥

feels like a throwback kind of day ← any older works on objkt worth revisiting?

Horrendous Mornings🩸 The past week was horredously beautiful with this fantastic @SuburbsGallery highlight ‘Occult Pizza’! This is an appreciation post, just wanna say beside the excitement of putting out a new art to the world outside ; I’m truly amazed by the enthusiasm and work of Suburbs Team🖤 @bakuartiste with her tremendous energy she put to curation 💎 and @IshikaGuha2 with the meticulous editorial work are stellars in this space!! Loves!!!💎 .. check in the comments the link to this beautiful article about my art if you missed reading it 🧷💥

Gn my web3 family🤍 These are my 3 available pieces…. ◽️Cold season ◽️Childhood dreams ◽️Im fine Always grateful to receive your comments… Links🔻

@Capitan_Swing Por lo que yo estoy leyendo para decir que es un “viejo gordo”

¿Y qué necesidad había de conocer la identidad de Banksy cuando él no quería que se supiera? ¿Qué aporta al arte callejero y al alcance de su denuncia política y social revelar su nombre? ¿Para qué lo han hecho, para sacar pecho o para desactivar su impacto?

@aRegularDad @MajorKaren6529 This is harassment, and it really saddens me to see it. If you don’t agree with Beatriz and have arguments to counter what she’s saying, this kind of hate campaign is unnecessary.

Beatriz’s Mind @MajorKaren6529

People who should be creating, inspiring, and expanding horizons spend their time producing hate often in industrial quantities. And not because they have something meaningful to say. Quite the opposite. Hate is easy. Hate is fast. Hate lets you feel important for a moment, especially when your own work can’t defend itself. And when someone dares to publish an article, ask a question, or simply call things by their name, suddenly the spectacle begins: graphics, threads, “investigations,” insinuations. Entire productions dedicated to proving that… they’re not bothered at all. Where does all this anger come from? From fear. From insecurity. From the inability to have a real conversation. From egos that crack under the slightest criticism. From the need to control the narrative, because it’s easier to attack a person than to confront the content. And empathy? Empathy requires effort. It requires stopping for a moment and seeing a human being in another human being. For some, that’s too much. It’s easier to fire off another “funny” attack and hope for likes.

@SERU_13 @Capitan_Swing Hispanidad mis cojones

@Capitan_Swing No sé muy bien a qué viene relacionar la Cruz de Borgoña, uno de los símbolos de la hispanidad, con unos polis desgraciados y el incidente decadente que han protagonizado, pero ok.

Detalle decorativo del locutorio de Torremolinos.

@Capitan_Swing Pon una esvástica en la pared sin poner una esvástica en la pared

Dear Artists, I’m writing this because every time one of us dares to say something isn’t working, we’re immediately expected to deliver a full constitutional reform of the NFT world. Preferably in a polished PDF, with charts, budgets, timelines, and a 12‑month recovery plan. Meanwhile, all we’re actually doing is pointing out that something is wrong. That’s the first step toward any change. But instead of a conversation, we get the same tired line: “Then show us the plan.” As if noticing a problem were a crime, and not the beginning of progress. So yes… I keep repeating, stubbornly, that change is needed. And then I open my feed and see sarcastic posts from perfectly satisfied artists mocking anyone who speaks up. “Those who complain should present a plan.” And just like that, our voices get dismissed again. Sometimes it feels like speaking up is treated the same as farting in a sealed room. First, everyone pretends nothing happened. Then they avoid you because you “smell”. Other artists don’t want to interact with you, terrified the “odor” might rub off on them. But honestly? I’d rather smell like a rotten egg than pretend the vibe is amazing when it clearly isn’t. I’m writing this because artists have the right to say when something is off. And if anything is ever going to change, it won’t happen by staying silent to keep the room smelling nice. Sincerely, The forever complaining one, with no plan, but with eyes wide open

💎 NFT Artists daily SPOTLIGHT 1 @Laprisamata1 2 @LN0ir 3 @conrad46b 4 @VailaMy2 5 @al_oner_one 6 @resatio 7 @Ki11_5trike 8 @gulbakanozge 9 @VespertinoVsp 10 @senseofbodies By @giulioaprin

@nftlisa @MelzieQ Morning Lisa

Morning nerds

Wisdom is available only to the ones that are curious enough

Death doesn't knock. It breaks in.

@DD_ArtPulse In any case, when it comes to the secondary market, it doesn’t seem very different to me from what happened on Nifty and what happens on Crypto.com.

NFT artists, please be aware; Important to note from their Terms of Use; 1. Exclusive digital rights granted to the platform 2. Three-year lock-in 3. Platform can sublicense the art 4. Artist revenue unsecured if company fails 5. Payments can be withheld 6. Limited liability for the platform 7. Centralized control over resale and distribution On Sedition the platform typically controls: •number of editions •pricing •release structure •resale activation This is very different from blockchain minting. Collectors cannot freely trade the works. Resales typically happen only inside the platform marketplace, and sometimes only after an edition sells out. Implications: •collectors cannot move assets to other markets •liquidity is controlled by the platform •price discovery is limited. This reduces one of the core benefits of NFTs: open secondary markets. NFT systems are typically artist-controlled and protocol-based, while Sedition is platform-controlled and contract-based.

@DD_ArtPulse We need more actor like you. Thanks 🌈🤜🤛✨