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@manta_timing ...............( •_• ) 　　＿ノ ヽ ノ＼ __ 　 /　`/ ⌒Ｙ⌒ \ ` \ 　|　ﾉ⌒＼ ￣￣ヽ　 ノ 　ヽ＿＿＿＞､＿＿_／ 　　　 ｜( 王 ﾉ〈 　　　 /ﾐ`ー―彡\

?????????? (???) 🔗👇

@SAlgotrader Got 1 and 2

@doberes Just posted 2 more

DeepFella 1 up on Tezos. Been sitting on a lot of these kinds of things, but could never quite find the right way to present them. So, dollar nfts, ten editions, my first ever piece on Tezos! If you're tezos native and you pick one up hmu and I'll send you something on sol

@SAlgotrader Drop some real shit coin art on there

Sold in 13 minutes and 10 minutes respectively 🌹 I had a feeling when a couple went of the second in seconds before I could list the third I might be getting sniped a little

@TheBradBlevins Mike Saenz!

@doberes Crash an iron man graphic novel

@SAlgotrader Snagged 2 and got 1 on secondary. Need the 3rd.

Deepfella 2 and 3, light and dark nft. Uploaded to objkt, will put the links for both in reply to this in 5 minutes. 10 editions of each.

Masamune Shirow

Masamune Shirow

1992

@0x113d Directionally aligned but even as expansive as this framing is, it feels smaller than what you’re talking about if PARC is an artist

@0x113d Far out representational frontiers

@bckomix How does he make it all look so whole and cohesive 😳😳😭

Shigeru Sugiura

@patrickc @tomismeta

Tyler and I just published a list of the recipients of the New Aesthetics grants: newaesthetics.art/grants. Thank you very much to all who applied. There were far more applications than we expected. We funded 28 grantees and are excited to see what they create. My reflections on the whole thing: • Though there are clearly selection dynamics afoot, figuring out some route beyond the current aesthetic moment seems to be of wider interest in the art community than I would have guessed. Many applicants described their dissatisfaction with the status quo, some in strong terms. We had to close applications after a few weeks because there were so many. • It's too early to call it, but it seems that both beauty as an unapologetic goal (contra much that is in modernist and contemporary approaches), and ways to channel pre-modern styles into something new for the present era, are of growing interest. • The awards made me reflect on the perhaps obvious issue of how hard it must be for an artist to persistently do something new: schools, galleries, buyers, etc., all have structurally embedded preferences as well. These individual awards made me wonder what form supporting new clusters could take. • Architecture seems to me like the discipline most ripe for new ideas. One correspondent observed: "American architects are somewhat constrained by the association with the academy, in addition to the well known regulation issues. There is a tendency to overthink things so that the designs are formally interesting to someone deep in the conversation, but lacking poetry and magic. There are more firms in Europe, South America and beyond that “just do things” (especially in places where it is easier to build)." This was evident in the submissions. • AI seems to be making people rethink things in a quite fundamental way, just as urbanization/industrialization/popularization of photography did at the end of the 19th century. For some that will mean interesting new forms of AI-augmented art, but the effects of the rethinking will likely be wider. • Arts funding is clearly as precarious and scarce as ever. That's unfortunate, but it probably also means that individual actors can have meaningful impact, and I encourage others to get involved if interested. • There's a lot to know that is not written down, and I'm very grateful to those who have helped and advised me along the way.

@SHL0MS @0x113d I dropped in and out. Will the recording be shared? The prior sessions haven’t been.

@0x113d i was kidding you don’t have to respond ik i took up a bunch of the space last time and still want to hear the recording

@mareni14 What is this?

#自分しか知らないと思う漫画挙げてけ …これガチでやると、ホントに誰も知らず流されてしまう可能性がないでもないからなあ…。 例えばこれとか。