Michael Kozlowski

Mechanically animated generative art 2000+ moving parts Gravity powered, no electronics, no motor, no cords. Empath #01

An essay on bridge works ft. @_deafbeef @operator_______ @beeple @tylerxhobbs @dmitricherniak @mpkoz @nicedayJules @ArtOnBlockchain @cemhah @jeffgdavis maxand98.com/Article.dc?slu…

gm friends 🎶

At apartment hunting in NYC, and I see familiar artworks by fav artists @mpkoz @ripcache @DesLucrece

$PXL LOADING @kimasendorf

‘dying is is not enough,’ site is live. you can view the whole goddamn thing now. every organ that’s poured from my body for the last year or so. the expanse of our existence distilled in 75 poems and pieces. feels special to be sharing it with you all. thank you.

pixels want to shine and move

gm gm☀️☀️ @mpkoz

Just finished this illustration!!! took quite a long time but so happy with how it came out. A new piece to my "California" series... 1/ DM for inquiries.

Presenting at Loading… part of Upstate Art Weekend: Works by Auriea Harvey, @kev_esh, @mpkoz, and @nancybursonart Bringing exceptional works from our program to meet new people in Hudson, NY Today through Monday 11am-7pm daily On view ↓

Industrial Park, 2025, 36” x 48”, Oil on canvas

@eli_schein @Alastairwalker “What do I have to do to get you into this algorithm today?”

Digital art sales rep out in the field

@jaimederringer @designmilk @BentleyMillsLA Wow that’s crazy, congrats Jaime!

I can't believe it's been 20 years of @designmilk! We're celebrating next Monday 6/8. Join me at @bentleymillsla in Chicago from 3-3:30 for a conversation with Founder & Creative Director of Neutral Haus, Todd Van der Kruik, about the people, places, and creative moments that continue to shape us. #DesignMilk20

Every day for a year I interviewed all the voices of the NFT space. Recording a library of stories by artists, collectors, curators, and writers of the digital art world. We are breaking out of this echo chamber and into the mainstream. We are contemporary art. We are community!

It may take a while for this to fully settle in but in my opinion (and I don’t say this lightly) @lphaCentauriKid together with @richerd may have opened a serious path toward Ethereum-native media permanence. Let me explain it as simply as I can. There are different ways to store data on Ethereum. The first is contract storage - the most expensive layer. It is like the front room of an archive: the object is right there, instantly accessible and ready to use. The second is logs - which is what ACK explored. Logs were not really meant for storing media but they may be surprisingly well-suited for media files that do not need to be accessed every day. Think of an IRL archive. Not every object is kept at the front desk. Some works are stored deeper in the archive. You may need to request them and wait for retrieval but they are still preserved, catalogued and available to anyone who knows where to ask. That is the idea: logs are not Ethereum’s front room - they may be its deep archive. And as a collector - that is perfectly fine with me. Yes - this will create additional infrastructural burden for Ethereum. And yes - it will most likely trigger criticism and serious debate. But Ethereum was intended to be a world computer and that comes with both excitement and cost: constant development, pressure and adjustment. That is also the beauty of the system. Ethereum is willing to absorb new edge cases and evolve around them. Bitcoin by design and culture largely chose not to go in that direction - and I understand that choice too. Thanks to "Original Sin" - NFT media permanence may eventually become a real standard. A new market standard could emerge for media storage that remains deeply connected to the Ethereum ecosystem - archive-like, verifiable and durable as part of Ethereum’s historical record. That is the most important thing here and it is a catalyst I’m personally very excited about. P.S. The elegance and innovation of how the artwork is reconstructed directly in the browser from Ethereum itself is genius. Kudos to @lphaCentauriKid and @richerd for this.

@dotjiwa @bluem0xn Dream parents

We have a new addition to the family. Our baby boy came in March. I’ve been adjusting to life as father of two while continuing to follow a line of inquiry with my work. Wouldn’t be possible without my amazing wife and partner, @bluem0xn Been prioritizing time off social media, but there is a lot to talk about, so time to start writing again & sharing more… And yes we will all be in Marfa in October :)

In celebration of Please Respond, a complete set of 10 open-edition prints are available for anyone to purchase. Each print includes a custom stamp with all of the artist’s mark on the reverse. Full details in the next post ↓

@Rhynotic Or Salem

supreme is kind of corny to wear unless a piece is < 2 weeks old or > 2 years old, or the way that I wear it

"Please Respond" ( 10 / 10 ) @zancan A single generative algorithm. Passed from artist to artist. Each responding to what came before. This is the last response. Collecting begins at 11 AM ET on @shape

Absolutely delighted to finally reveal my piece of the puzzle in the Please Respond project, titled “Show Me Where It Hurts.” As the chain slowly unravels and reaches its ending tomorrow, here are a few breadcrumbs to navigate through my map. 🧵

Adam (HEFT Gallery) and Adam (TokenWorks) are two of the most important builders in our ecosystem. Happy to support and join the Circle. Mpkoz with the token design.