Eli Scheinman

William Mapan

Relentless … they follow me everywhere.

@thefunnyguysNFT @raster_art @kimasendorf @nodefnd Check TG 🙏

PXL NET on @raster_art =)

Very special night Congratulations @kimasendorf @nodefnd

Kim on the DEX

PXL prep in Palo Alto

@seth @philmohun @iancr @kimasendorf @q2design The Band

The calm before the PXL storm… w @philmohun @iancr @kimasendorf @q2design

Everyone loves their 0 10 cap. Marco Falcioni, Creative Director of BOSS

@charliebcurran 😂

Michael Saylor getting a crash course on vibe coding.

@KeithGrossman @farokh @redbeardnft @moonpay @rektdrinks @MyriadMarkets 😂

Congratulations, @farokh and Vanessa! And, amazing opening by @redbeardnft: “This wedding is brought to you by @MoonPay and @rektdrinks and tonight’s events will be on @MyriadMarkets.” 😂💜

gm! @john__gerrard at Zero 10 @ArtBasel

Tomokazu Matsuyama at Issey Mikaye. Big congratulations to a new friend on his launch last night.

Studio visit with legend Justin A

@rfkenmore 😂😂😂

I’m afraid we’re cooking now…

@AdamWeitsman @Okosunbill Mmmmm

We are excited to announce our expanded menu at Hidden Fish on Fennell Street in Skaneateles! Stop in to try our new items for lunch or dinner. The entire team and I appreciate and are very thankful for your support very much🙏

@graceb_art Agree about doing whatever you need to do to make art. Just sharing historical examples …

hard disagree on 1. defaulting back to a normal job is often precisely what gives artists the freedom to keep honing and growing their practice. at times, it isn’t either/or. it also lets artists make the work they genuinely want to make, rather than the work collectors of the moment happen to reward. btw, artists owe no one that disclosure, much less collectors who might dismiss them simply because they’re making a living while building their artistic career.

At dinner with Eric Haze, the parallels between the “Soul Artists” of the 1980s and the digital are movement are uncanny. A few learnings: 1. Many of the artists from that scene defaulted back to their normal jobs when things started to dry up - and missed the opportunities that came later 2. Early patronage by a small number of collectors was focused around only a few of the artists in the scene - this had immense long term effects on who we remember (and still collect) today 3. The artists who stuck around met frequently to share ideas and work. They felt part of a collective and were bonded by a common spirit to push boundaries.

@CulbertsonTyler Legend

@eli_schein 👑🤌