jana stýblová

🌊 hello new followers🌊 if you have come here for consistency...love me anyway. wildly exploratory: i truly believe expressing every edge of creativity is why we were made to exist. you will see film photos, physical-digital painting, glitchy vibes, and even some modeling 🫣

my new painting 🎨

Mirage 1/10 - 15 tez objkt.com/tokens/hicetnu…

GM

Good morning with "Monotype 94" 🖤 Acrylic on paper, from "Monotypes" collection 4/10 --- 8 $xtz Link⤵️

Dear David Solo show tomorrow & artworks on sale now honored, flattered & obsessed with David.

I’m glad objktcom finally decided to buyout SuperRare

Reposting some of the banger art I was making before re-instating my premium subscription. These were all made with the custom asemic writing software I developed that allows you to generate imaginary abstract TTF fonts and paint with them

@ri_lemann Hi rita

@styblova GM GM Jana

gm 🏔️

I'm teaching AI to curate my art, not create it. I have 20 years of raw VHS glitch footage sitting on hard drives. Hundreds of thousands of frames. Somewhere in there are incredible stills — moments where a recognizable subject is visible through the glitch artifacts. Finding them manually would take months. So I'm building a two-phase curation pipeline with Claude Code. Phase 1 is a local Python script that scores every frame on structure and glitch intensity — Claude wrote it, I tune it by reviewing the results and giving feedback. It processes 30 images per second at zero cost and eliminates 90-97% of frames as uninteresting. Phase 2 sends only the survivors to Claude's vision model for final scoring. The key breakthrough was multiplicative scoring: a frame needs BOTH a recognizable subject AND strong glitch artifacts to pass. Took 11 iterations to get here. Each round I'd find a new failure mode — scanlines fooling the filter, dark atmospheric frames getting rejected, abstract color blobs sneaking through — and we'd add a new metric to catch it. Currently processing 300k frames across multiple sources. Targeting over a million for calibration. The frames that survive are going to become a new collection.

desde el pozo rojo

Good morning art lovers ☕️ Cobalt Infiltration Submerged architectures emerging through porous blue. The matter migrates across the surface, crystallized in a state of permanent tension between what is buried and what is revealed. 5/6 ed - 11 tez - @objktcom

Good morning!🖤 "At the end of a world-43" Ink on paper 32x24 cm

7-inch Mini series of three pieces, all printed right from 7-inch records. "7-inch" and "7-inch / flipside" plus a free "bonus track" animation for collectors of one of the still pieces. ↓

Lights 🎨 acrylic on canvas 16x12”

Good morning art lovers ☕️ Capillary friction The hemorrhage of the mark beyond the grid’s edge. Where the system fails, osmosis defines the form. 5/6 ed - 11 tez - @objktcom

gm

the only actual difference between eth and tez