Dorian Batycka

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Dorian Batycka

Dorian Batycka

@temp_projects

art, tech, ai, culture - as seen in @coindesk, @decryptmedia, @theartnewspaper, @hyperallergic, @artforum, @artnet

Planet earth Katılım Nisan 2009
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Dorian Batycka
Dorian Batycka@temp_projects·
Going live now to decide what matters in art today?
ART & VAULT@ARTANDVAULT

🎙️ ART VOICES 002 Who Decides What Matters in Art Today? Artists create the work. Collectors assign value. Curators provide context. Institutions preserve history. Media shapes attention. Algorithms influence visibility. Yet cultural significance rarely belongs to any one group. Join us for a conversation with: • Gretchen Andrew (@gretchenandrew) — Artist, writer, and former Silicon Valley engineer whose work explores AI, search systems, power structures, and cultural influence. Her work has been exhibited internationally and collected by major institutions and private collections. • Brian Beccafico (@Arthemort) — Curator, collector, and former Head of Digital Art at Sotheby’s Paris, where he helped shape conversations around collecting, cultural value, and the future of digital art. • Dorian Batycka (@temp_projects) — International journalist, editor, and curator whose work has been published by The Art Newspaper, Artnet News, Hyperallergic, and Frieze. Through his writing and curatorial practice, he examines the cultural impact of technology, media, and contemporary art. Hosted by: • Elena Zavelev (@Elena_Zavelev) — Head of Growth & Development at HUG, educator, curator, former co-founder of CADAF (@art_cadaf), and faculty member at Sotheby’s Institute of Art (@SothebysInst). Her work focuses on connecting artists, collectors, institutions, and emerging technologies while helping shape the evolving digital art ecosystem. • Farrah Carbonell (@FARRAHXYZ) — Founder & Artistic Director of ART & VAULT, curator, artist, and advocate for artists working at the intersection of art, technology, and emerging culture. Together, we'll explore: → What creates lasting value in art today? → How are institutions approaching digital culture? → What role do visibility, networks, and algorithms play in shaping cultural significance? → What are we collectively overlooking right now? 📅 Thursday, June 25 ⏰ 11:00 AM ET / 8:00 AM PT / 5:00 PM CEST Presented by @artandvault × @theHUGart × @Art_Domains The conversation is free and open to all.

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ART & VAULT
ART & VAULT@ARTANDVAULT·
🎙️ ART VOICES 002 Who Decides What Matters in Art Today? Artists create the work. Collectors assign value. Curators provide context. Institutions preserve history. Media shapes attention. Algorithms influence visibility. Yet cultural significance rarely belongs to any one group. Join us for a conversation with: • Gretchen Andrew (@gretchenandrew) — Artist, writer, and former Silicon Valley engineer whose work explores AI, search systems, power structures, and cultural influence. Her work has been exhibited internationally and collected by major institutions and private collections. • Brian Beccafico (@Arthemort) — Curator, collector, and former Head of Digital Art at Sotheby’s Paris, where he helped shape conversations around collecting, cultural value, and the future of digital art. • Dorian Batycka (@temp_projects) — International journalist, editor, and curator whose work has been published by The Art Newspaper, Artnet News, Hyperallergic, and Frieze. Through his writing and curatorial practice, he examines the cultural impact of technology, media, and contemporary art. Hosted by: • Elena Zavelev (@Elena_Zavelev) — Head of Growth & Development at HUG, educator, curator, former co-founder of CADAF (@art_cadaf), and faculty member at Sotheby’s Institute of Art (@SothebysInst). Her work focuses on connecting artists, collectors, institutions, and emerging technologies while helping shape the evolving digital art ecosystem. • Farrah Carbonell (@FARRAHXYZ) — Founder & Artistic Director of ART & VAULT, curator, artist, and advocate for artists working at the intersection of art, technology, and emerging culture. Together, we'll explore: → What creates lasting value in art today? → How are institutions approaching digital culture? → What role do visibility, networks, and algorithms play in shaping cultural significance? → What are we collectively overlooking right now? 📅 Thursday, June 25 ⏰ 11:00 AM ET / 8:00 AM PT / 5:00 PM CEST Presented by @artandvault × @theHUGart × @Art_Domains The conversation is free and open to all.
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Dorian Batycka
Dorian Batycka@temp_projects·
The tokenization of everything. Or when Robinhood, BlackRock and Aave walk into a room…@proofoftalk
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Dorian Batycka
Dorian Batycka@temp_projects·
Venice Biennale update! The Nauru Pavilion opens tomorrow (May 6) featuring my work that explores the proliferation of deep fakes, ai slop and online extremism.
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Dorian Batycka
Dorian Batycka@temp_projects·
@noorrietje In Paris, the croissants eat you. Our bodies are just vehicles for a universal croissantciousness
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Dorian Batycka
Dorian Batycka@temp_projects·
These puritan takes on AI need to end. This time from @mollycrabapple who bemoans AI, calling it the 'greatest art heist' of our time, all the while glossing over the death of the author and century+ of post-modern hogwash that has defined much of contemporary art since Duchamp. By the way, as an aside, the same artists decrying AI as 'slop' are the same ones also saying its so powerful its going to put artists out of work. Putting aside these obvious contradictions, the fear mongering sophistry of this take belies the fact that most artists are just retarded hacks with 0 skills other than some half-hearted attempt at group-think critique. theguardian.com/books/2026/apr…
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Dorian Batycka
Dorian Batycka@temp_projects·
@ThatchEffendi Adam Curtis described this in Hypernormalization with the added caveat that Americans are gay and like weird art
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Alexander Thatcher
Alexander Thatcher@ThatchEffendi·
I've had this conversation with like 20 people at this point but people who know the ex-USSR are the only people who understand what's happening in America. A signifigant portion of the American elite has lost interest in the American project and is stripping the walls of copper wiring, and the American people are letting them do it because they're in denial and obsessed with the equivalents of Limonov and Kashpirovsky.
Vincent Artman@geogvma

Just had this conversation with colleagues at Taras Shevchenko National University: Americans largely do not understand from whence their prosperity comes, and the MAGA gang is actively, and blindly, demolishing the foundations of that prosperity. But there’s no going back…

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YAP Global
YAP Global@YAPGlobalTeam·
2/ “If you want to use Polymarket you as a human need to set up a wallet, fund it and then you’re faced with the decision of what market to trade in. Polystrat abstracts all this and the idea is for it to simply trade on your behalf,”- @david_enim ✍️Dorian Batycka (@temp_projects) for @cryptodotnewstinyurl.com/ddevhhk6
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Dorian Batycka
Dorian Batycka@temp_projects·
Coinbase is quietly turning prediction markets into core market structure, not a side bet. New piece for @cryptodotnews 🔍 Why @coinbase and @ComeProst are bringing event markets on chain, inside a fully regulated “everything exchange,” where collateral works across crypto, stocks and prediction markets. Link below:
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