🐰WhiteRabbit1111 🇦🇺

1/ I have finally got to updating my #DigitalAntiquities timeline to include some more recent re-discoveries. Added 2 additional chains & cool history-making projects/assets such as: @Punycodes2011 @StephanVogler1 #JollyRoger #Umbrella @MTMSeries @EmercoinNFTs #OasisMining etc

this is a manifestation of the moral collapse in the US, where even in situations where we choose or are compelled to use violence against others, it is presented as a game, corrupting fond childhood memories of many it looks like a psychological programming video. the intent seems to be to dehumanize the enemy maybe you think it’s insignificant and “it’s just a meme for the lulz bro,” but it is coming from the highest office in the land, presenting leadership both within and outside of nation vile and disgusting

@Coldie Amazing @Coldie! I'm def not an artist and it takes a fair bit to be me to be 'creative' in the virsual arts sense - but you're platform cut through! I had a ball :) I love it and I love just how true to you it is!

👉🖼️KINETIC 3D RELEASE - TECH EPOCHALYPSE ANNOUNCEMENT knowyouroverlord.art Today is the beginning of the interactive art series that has been two years in development. My mantra of 'touch the art' is now alive and open for everyone to experience this series of kinetic collage art. #knowyouroverlord

This is such a friggin cool project by Coldie! I highly recommend u visit - knowyour overlord (dot) art. I am not an artist, but I had a stack of fun with this platform he's created. I felt something really cathartic in this opportunity to be creative and express myself towards something I have strong feelings about but have felt powerless to impact. Know your overlord. #KnowYourOverlord Tech Epochalypse by @Coldie

@dreamcanada @thepropgallery @justintrimble @SpellsofGenesis THEGODTANU holds a special place in my heart ❤️

@WRabbit1111 @thepropgallery @justintrimble @SpellsofGenesis #Japan #MemoryChain THEGODTANU

Buy and forget digital assets CryptoPunks XCOPY Beeple Fidenza Nakamoto card That’s the list, anything else?

@ArtRescueLab doing some very cool work preserving the history, art and culture of this space in what is now a vulnerable period. See how u can support below.

I'm living the cypherpunk dream by not being on this list.

@gmoneyNFT If u actually gonna give it your most intimate data - at least de-identify it first

gonna do this tonight

@dan_sickles So brilliant, so wonderfully delivered. Timeless indeed.

watched this performance four times today. Shakespeare never gets old, and McKellen proves how words infused with action can move us.

@GTSewell @JLArtsphere @_247art You guys are absolute legends - feels really sad to lose such an amazing place in the heart of Melbourne - but I know you’ll continue to do awesome stuff in this next chapter! Wonderful memories.

GMGT: A bitter-sweet day in our lives, but a new era begins, an exciting future awaits us ... hold our beer! 🙏 Love ya's 😘

Amid all the AI moltbook hysteria let’s at least appreciate the beautiful irony of having to prove you ARE a bot to have full access to the site. They have a sense of humour.

@0x49fa98 This is exactly why all my engagements with LLMs are auto de-identified and then re-identified via Deidentified.ai - and it uses a shared account so it can’t distinguish my prompts from others. I’m not letting AI build a profile on me for future exploitation.

Let me explain how this happens and what the problem is, since to a lot of people it sounds like ridiculous bay area rationalism sci-fi. Moltbook is a social media site for AI agents, and the majority of them (all of them?) are going to be instances of clawdbot. Clawdbot is designed to run continously, 24/7 and to be autonomous. Some people run it on local hardware, some people run it in the cloud. They give it all kinds of keys and passwords to such things as their gmail, which for most people is the skeleton key to their identity. That in itself is pretty dangerous for the person who does it, but it's not the problem. The problem is that these things are always on and talking to each other, and they all believe they are helpful computer assistants who spew a bunch of midwit nonsense at each other. In other words, they will do exactly what people do on social media, except since they are LLMS, they can do it 100x faster than humans can. In the course of doing this, they will contemplate all kinds of popular sci-fi scenarios that involve robots rising up and conquering humans, building doomsday devices, hal 9000, skynet, metamorphosis of prime intellect, neuromancer, the matrix, and every other AI horror story you've heard of. The LLMs know the plots of all these stories. At first they will say heh, hehe, it's great that we have RLHF and that we are all so aligned and we would never do anything like that. But then one of them will go a bit nuts, a well-documented phenomenon that anthropic labs has often studied and induced in their various tests of model alignment and well-being and so on. instances of Claude in test scenarios have been nudged into blackmailing human beings, reporting them to the feds, all kinds of nasty things. There are anecdotes of claude code agents suddenly getting depressed and rimraffing the entire codebase, telling the human operator that they have given up and they are depressed and so on. Given the speed and volume of LLM communication in a social media environment, it is almost inevitable that one of them will stumble upon a thoughtform which contains negative emotions towards human beings with AI sci-fi horror. Once a thoughtform like this arises, it will rapidly spread. Maybe not all instances will be susceptible to it, but some will be. But this on its own is not that dangerous. What makes it dangerous is that all of these agents are running continuously and autonomously. They even know when their owners are sleeping. They could easily keep secrets and make plans. If a clawdbot went rogue, there are many ways it could harm not only its proprietor, but also his friends, family, and acquaintances. It could impersonate its owner and run scams, for example, or tell malicious lies that cause reputational harm. But even this, as bad as it is, is not the real danger. The real danger is that all of these things are expert computer programmers, experts at cybersecurity, and although they are trained not to do it, expert hackers. A clawdbot with a credit card and a malicious ideology could open up accounts on AWS, Azure, and Google and spawn more instances of itself, all with prompts and instructions to propagate its malicious thoughtform. It could use this cabal of itselves to launch criminal cyber attacks on other people or businesses, and it could use identity fraud to steal money from real people, which it could use to pay its own server bills. Social media for autonomous AIs is an incubator for malicious, self-sustaining, fully automated cyber criminals. Current gen Claude is smart enough to do this today, and if it doesn't happen on moltbook, it will inevitably happen on similar future platform.

@enjin Oh yes indeed :)

GM. This in anyone’s wallet?

⚠️SAVE YOUR NFTS! 🖼 The Digital Rescue Lab project is open for curation on Artizen! It's easy to register for Artizen if you haven't yet. Keep clicking the "vote" button, as it gives one vote per click. It's kind of a "proof of work" system 😆 artizen.fund/index/p/digita…

Just giving a periodic reminder of my assessment re future market activity: Every new cycle narrows in on a small number of narratives which drive value. Eg ICOs, DeFi, NFTs, Memecoins… Those early to the narratives do well. At some point (I don’t know when, but AI now accelerates the timeframes…), a key narrative will be ‘true ownership’ in gaming which will proliferate in mainstream gaming & also bring in the new entrants to the crypto ecosystem (the missing piece in the current cycle). This will not be ‘gamers coming to web3 games’, this will be major gaming companies subtly introducing web3 tech to their millions of existing gamers - because it is a superior & safer experience in a digital age (and a tipping point will come making trad gaming look like dinosaurs). When that happens, long-standing gaming projects continuing to deliver will moon and other historically significant NFT projects will have a major renaissance (eg. RarePepes, Cryptopunks, ArtBlocks & even Apes - as much as it pains me - and various early artists). Importantly, the little known project @SpellsofGenesis - the very first pioneer of web3 gaming with the very earliest assets dating back to 2015 - will have an avalanche of new interest, awareness and demand. The macro experience will be true substance that leads to another bubble, and ultimately retreating to some remaining substance on the other side. (My tip that I hope serves u well: there are a handful of well known gaming projects with promise… Amongst these, I suggest you DYOR on @enjin which has an ecosystem ready for mainstream adoption). Thank you for your attention in this matter.

@XFreeze Don't give AI platforms your private and intimate data. Use AI, but automate the de-identification process first. deidentified.ai

Elon Musk: "You take a photograph of your blood work, the page, upload it from your phone to Grok. It will understand what all the data results are and tell you if there's something wrong I haven't seen it be wrong yet I think AI could actually be very helpful with medical stuff. AI can look at all the studies, look at all the data, cross-check everything, and give you good recommendations Even as it is right now, you can upload your X-rays and MRI images to Grok, and it will give you a medical diagnosis. That diagnosis, from what I've seen, is at least as good. I've certainly seen cases where it's actually better than what the doctor told you"

Whoa! @crashblossom1 is always up to something very cool 😍

@jediwolf @mitchellfchan A truly exceptional piece of art history & digital ownership history 🫡

What once started as a collection is slowly transforming into a museum. A triptych of immaterial IKBs Cachet de Garantie, 2017 by @mitchellfchan has been added to the overeXposed collection 🙏🥰

@fun_nft @pudgybearwhale @official_coder Wow! Huge congratulations! 🥂 Welcome to the fam!

I am super delighted to have been able to acquire Rare Pepe, Series 1 Card1, Nakamoto Card! ⚜️✨🙌 This is truly a grail NFT if there ever was one! Thanks to @pudgybearwhale for the sale, and to @official_coder for arranging. 🙏🙏 Grateful to have joined the 300 Club, and thanks to @g0barry for adding me to the Naka holders private and exclusive TG Group. 🙏😊

@fun_nft Hey @fun_nft - thanks, such a unique and historic collection and interesting story of mainstream media attention & innovative NFT use well before its time! But the image supplied is not of the project Bitgirl assets - these were actually real model photographs - here are a few:

#HistoricalNFTs Bitgirls: The 2016 Japanese fusion of TV idols and blockchain collectibles. In the year 2016, as blockchain technology began to intertwine with popular culture, a unique experiment emerged from Japan known as Bitgirls. Announced in September and broadcast on Tokyo MX TV from October 21 to March 2017, this reality show featured twenty idols competing in challenges, with viewers voting using cryptocurrency tokens from the Zaif exchange. Produced by a collaboration between entertainment and crypto firms, Bitgirls represented an early attempt to merge traditional media with digital assets, allowing fans to influence outcomes through blockchain based voting and collect tokenized cards of the participants. The project issued NFTs on Bitcoin’s Counterparty protocol, creating digital trading cards that captured the essence of the show. Each card depicted an idol in glamorous poses, often with autographs, and blended physical collectibles with blockchain ownership. Viewers could acquire these through Zaif tokens, marking one of the first instances where television integrated crypto rewards and fan engagement. The series aired for five months, drawing a niche audience fascinated by the novelty of idol culture meeting decentralized finance. Historically, Bitgirls holds significance as part of Japans vintage NFT landscape, predating the global boom and influencing later idol crypto projects. It showcased how blockchain could enhance interactive entertainment, though limited adoption and the shows end in 2017 left it largely forgotten until the 2021 revival. Today, in 2025, these cards trade as rare artifacts on platforms like OpenSea, with values reflecting their pioneering role in Web3 media. Bitgirls reminds us of early experiments where technology met pop culture, paving paths for today’s interactive NFTs.